Estraneo a bordo

Gathering together quite the cast for just his second feature length affair, Arctic director Joe Penna returns to the survival thriller genre once more to deliver a realistic sci-fi yarn for Netflix, that while featuring a truly intriguing central set-up, is a film that fails to capitalize on the talent and potential that lay at its fingertips.

Set entirely in out of space with just the four named cast members to keep things ticking along (a huge leap up for Penna considering his debut was a one man show), Stowaway captures us early on as Toni Collette's commander Marina Barnett and her crew that consists of Anna Kendrick's doctor Zoe and Daniel Dae Kim's scientist David discover that their small space vessel harbors an unannounced addition in the form of Shamier Anderson's Michael, a guest that's motives are unclear and a potential burden too their mission that is set for Mars.

For the fist 30 or so minutes you can't help but be intrigued by where Stowaway might be going, there's a lot of questions about how Michael managed to get on board, what drew him to the ship and how the crew might manage to deal with an extra mouth to feed (both with food and oxygen) and Penna and his behind the scenes crew do well too capture the unlavish lifestyle of living in such a confined space ship but as time wears on you begin to feel as though the film is squandering its chances to create a twisting and turning space-themed narrative that fails to maximize the various elements that could've made it a streaming winner.

Without launching directly into spoiler territory, its safe to say that come the films latter half, this is despite a fairly well designed tension riddled set-piece finale that will have your knuckles whitening, the film peters out into nothing more than a mid-tier thriller that feels formulaic and familiar and one that will be quick to be forgotten by viewers as soon as the credits roll and Netflix is directing you to the next must-watch piece of their collection.

Its arguable that if the film had some more likable characters, with all of Collette, Kim, Kendrick (not always entirely convincing as a fearless astronaut) and Anderson doing decent work with rather bland and pedestrian caricatures, it may've stood a better chance to stand out from the crowd but in a genre that is ripe with great thrillers such as Gravity or Ad Astra, Stowaway feels like a missed opportunity to create something special and is a film that is entirely skippable without fear of missing out on something worthwhile.

Final Say -

It's well put together and in the first instance fairly gripping but Stowaway gives way to an increasing sense of blandness and lack of answers to vital questions as its initially great set-up gets pushed aside for a so-so affair that never gets out of second gear.

2 1/2 vacuumed packed meals out of 5.

Starts off ok and the concept is fine but the 2nd half just didn't really make any sense.

There's just no way this would play out like this in real life.

And of course you have to massively pretend like the scientific part of the movie is realistic, when the reality is is that it's laughable wrong.

The main problem with this movie is that it just feels really dull. There is one character in the movie that gets some form of characterisation and actually allows for you to care for them, however, the other 3 have almost no characterisation making it practically impossible to care for them as much as the movie makes you want to. The cinematography and acting is fine, but nothing great, however the direction feels a bit bland. You never really get any sense of tension or stakes and this is worsened by the dull characters. There are several moments I thought the movie could do something unique or clever, but instead it just went along with a plain, almost predictable plot. You can't say you've never seen a movie like this, with several others doing much better. I can't say I hated the movie but it just wasn't anything special.

Excellent and plausible buildup to a suspenseful nothing. Plot holes galore didn't prepare us for the monumentally abrupt ending. Despite the lack of character development the movie was working well. But the lack of dialogue regarding their predicament only compounded the fact that the tale was lost from the get-go. Some lovely scenes, competent acting, elegant special effects. But at some point, the producers rang on the red phone to say that the party was over. Very disappointing.

Great actors, nice set-up and decors, original enough idea, a slow but relatively realistic start... so what went wrong? For one, it never really picks up rhythm. But mostly, it's because it loses any form of realism. You can either get crazy sci-fi stuff and you make a Guardians of the Galaxy or Star Wars film and no one will care about the tech aspects, or you can claim to make it right and hire Nasa consultants and whatnot. But not both. It's far from being as stupid as Ad Astra for instance, but still big enough mistakes to make you lose interest. Nearly ALL the issues the crew has (I won't spoil) would have been avoided with some common sense and more "space realism". And if a movie relies on its characters to be far stupider or careless than they should be to move the plot, there's a problem. Too bad, it could really have been nice.