Lo spietato

The movie doesn't give us anything new.

The way the story is being told, isn't new.

I mean we have seen it all before.

In movies like scarface, goodfellas, american gangster etc.

It doesn't revolve layers and layers of suspense or malice or thrill or get your pulse racing.

Why I like the movie is the lead actor's acting, the direction and the camera work.

So if you have nothing else to do on a Friday night, grab a bowl of popcorn,lays, hay whatever :P and enjoy this mafiasco in the italiano way.

You wont get bored.

Very very nice gangster movie played in Milan in the 70s. Scamarcio is the best for this role.

Good movie . Lead actor was good . Brought character to the role . Def worth a watch. Authentic feel. Seems low budget but none the worse for it. Good show , check it out.

Is it obvious that this is a formulaic gangster movie? One reviewer notes "la frase dice tutto" (the phrase says it all). It has all the ingredients of this genre, and the viewer might be wondering whether there's something different about it that sets it apart from the usual fare.

Well, there are several positive points.

First, the acting of Riccardo Scamarcio (as Santo Russo) is convincing which prods the viewer to see where the ruthless story goes. Second, the story explores different angles and plot lines that add texture to the storytelling. And, third, a pinch of dark humor in the right places. All these elements work together to produce an entertaining watch.

Many viewers on here complain about the predictability and formulaic composition of Italian gangster films. They complain that they are unoriginal. Well, so was the Sopranos. Every plot, every subplot, character arc, drama and tension was almost completely informed by either Mob classics or Mob folklore. The beauty of the Sopranos was it's subtle parody of mafia stereotypes - and perhaps for the first time viewed as a daily drama. Larger than life gangsters dealing with everyday life made for great viewing. Essentially though, it was a dramedy. It was social commentary and skilful intricate character development.

Not every mobster flick can live up to be Goodfellas, Casino or the Godfather.

Because it is a thoroughly mined genre, mediocrity is inevitable-but that doesn't mean it's trash, or by the numbers storytelling.