Série de antologia onde cada episódio apresenta uma história independente na qual os personagens se encontram lidando com eventos perturbadores ou incomuns, uma experiência descrita como ent... Ler tudoSérie de antologia onde cada episódio apresenta uma história independente na qual os personagens se encontram lidando com eventos perturbadores ou incomuns, uma experiência descrita como entrar na "Twilight Zone".Série de antologia onde cada episódio apresenta uma história independente na qual os personagens se encontram lidando com eventos perturbadores ou incomuns, uma experiência descrita como entrar na "Twilight Zone".
- Ganhou 3 Primetime Emmys
- 11 vitórias e 14 indicações no total
Avaliações em destaque
When TZ is hitting on all cylinders, it is easily one of the greatest anthology pieces ever produced. The lion's share of the credit here goes to show creator and writer Rod Serling, who is truly one of the most inspired individuals to ever put pen to paper in screenplay format. The deeper themes about society or humanity are just as relevant now (if not sometimes more so!) than they were upon original airing.
It absolutely astounds me that this show premiered in 1959. That was ten years before the moon landing! I can't imagine what my grandparents would have thought about a show like this, dealing with space travels, aliens, and all manner of oddities hardly a decade removed from the Second World War and firmly in the Cold War.
Like I said, the best TZ episodes are treasures that will be enjoyed and studied for decades to come. Does the show have its share of clunkers? Of course. But only a true handful of episodes are truly bad. The others largely depend on personal sci-fi tastes or the time-period in which they are viewed.
About the only reason I would even consider dropping this from a perfect ranking is the fourth season of the show, which produced hour-long episodes. Those efforts aren't bad, per se, but are simply padded with dialogue to fill time rather than written for a longer runtime, for the most part.
When taking the long view, however, The Twilight Zone firmly resides in my top-five television programs of all-time. Despite premiering well before it could fully be appreciated, having to deal with the inane TV standards and practices of the era, and being constantly underfunded, Serling managed to keep everything afloat and write some of the best multi-genre material ever seen on the small screen. Whether comedy, mystery, horror, sci-fi, human drama, or any other genre is your game, you'll likely find something to enjoy in the breadth of The Twilight Zone.
"The Twilight Zone" took chances by experimenting with many different kinds of stories and material, and by aiming to provide high-quality entertainment while simultaneously giving you something to think about. As a result, there were a few episodes that didn't quite click, and that seem odd or even dull. But when it worked - as it did a great deal of the time - no television show then or now was more imaginative.
In a short review, it would be impossible to list all of the memorable episodes, or even to cover the full range of the kinds of material that it used. There were chilling episodes like "To Serve Man", which is often remembered by those who saw it decades ago, and there were thought-provoking episodes like "In the Eye of the Beholder", which was also imaginatively filmed.
Many episodes relied primarily on a well-written and well-conceived story, while others, like "The Invaders", relied heavily on excellent acting performances (in that case, by Agnes Moorehead). There were occasional light-hearted episodes like "Once Upon a Time", which was also a nice showcase for the great Buster Keaton.
It's too bad that these anthology-style series went out of fashion, because a number of them were of high quality. This one, in particular, stands well above its subsequent imitators. The best science fiction, like the best of any genre or art form, appeals to the imagination, not to the senses, and imagination is what "The Twilight Zone" was all about.
Você sabia?
- CuriosidadesRod Serling wanted Richard Egan to do the narration because of his rich, deep voice. However, due to strict studio contracts of the time, Egan was unable. Serling said, "It's Richard Egan or no one. It's Richard Egan, or I'll do the thing myself", which is exactly what happened.
- Citações
[Opening narration - from "Where Is Everybody?" to "A Passage for Trumpet"]
Narrator: There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.
- Versões alternativasWith the exception of end-of-season episodes, all episodes originally ended with a brief segment in which Rod Serling appeared on camera (even during the first season when he only narrated the episodes themselves) and told viewers about the next week's episode. These promos were deleted from the syndicated versions of the episodes but were later restored for DVD release, although many now exist only in audio form.
- ConexõesEdited into Além da Imaginação (1994)
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Detalhes
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- Também conhecido como
- The Twilight Zone
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração50 minutos
- Cor
- Proporção
- 1.33 : 1
- 4:3