Um adolescente descobre que o recém-chegado no seu bairro é um vampiro, e se volta para um ator num programa de terror de televisão para ajudar a lidar com os mortos-vivos.Um adolescente descobre que o recém-chegado no seu bairro é um vampiro, e se volta para um ator num programa de terror de televisão para ajudar a lidar com os mortos-vivos.Um adolescente descobre que o recém-chegado no seu bairro é um vampiro, e se volta para um ator num programa de terror de televisão para ajudar a lidar com os mortos-vivos.
- Prêmios
- 5 vitórias e 5 indicações no total
Art Evans
- Detective Lennox
- (as Art J. Evans)
Prince Hughes
- Bouncer #3
- (as Prince A. Hughes)
Christopher Lee
- Dracula
- (cenas de arquivo)
Avaliações em destaque
I liked Firght Night in 1985 and still like it - Fright Night is a nice little joyride, for a better rating I miss some serious gore, but well, you can't have everything, and not everyone is a gorehound like me. But Fright Night got solid acting, good effects, some moments of fun and a little horror, and an interesting story to tell. Still a good contribution to the vampire genre. Recommended if you like the movies style of the 80s, compared to modern production standards Fright Night is now a (golden) oldie and looks here and there a little outdated.
The 80's dropped a few movies of this ilk that blended horror themes with comedy (House being another good one). Plants its tongue firmly in its cheek and just focuses on being entertaining. Its really good fun.
Chris Sarandon is absolutely fantastic in this and the rest of cast contribute well.
Keep an eye on your neighbour, you never know who lives next door?
Chris Sarandon is absolutely fantastic in this and the rest of cast contribute well.
Keep an eye on your neighbour, you never know who lives next door?
Fright Night, Lost Boys and Near Dark are the holy trinity of 80s vampire flicks. And arguably three of the best vampires movies of all-time. Just recently I returned to this piece of 80's horror gold and I have to say, I enjoyed it just as much as the first time I saw it.
Fright Night is about a kid named Charlie Brewster who accidentally discovers that his new neighbor, Jerry Dandrige, is a vampire. The movie is about Charlie and friends setting out to destroy the vampire. But Mr. Dandridge is no slouch and is more of a threat to them, then they are to him.
Besides being one of the best 80's horror films, I think it's also one of the best movies of the entire 1980s. The movie is full of great performances, especially Chris Sarandon as Jerry Dandrige and Roddy McDowall as TV Vampire Slayer Peter Vincent. It has fantastic make-up effects that are sorely, sorely missing from today's horror flicks. And it also combines a great feel of horror with a realistic touch of comedy and drama. The best and funniest aspect to the movie for myself is how they portray the vampire character. I won't spoil it for you, but the guy enjoys wearing very "tata" clothes, eats "fruit" all the time, and has a live-in roommate. This movie is classic! Fright Night has a sequel that some say is equally as good, but I wouldn't be one to say that. But, I do enjoy the sequel and definitely think it's worth a view. If you're a fan of horror and vampires, this is a must see flick. Welcome to Fright Night baby!
Fright Night is about a kid named Charlie Brewster who accidentally discovers that his new neighbor, Jerry Dandrige, is a vampire. The movie is about Charlie and friends setting out to destroy the vampire. But Mr. Dandridge is no slouch and is more of a threat to them, then they are to him.
Besides being one of the best 80's horror films, I think it's also one of the best movies of the entire 1980s. The movie is full of great performances, especially Chris Sarandon as Jerry Dandrige and Roddy McDowall as TV Vampire Slayer Peter Vincent. It has fantastic make-up effects that are sorely, sorely missing from today's horror flicks. And it also combines a great feel of horror with a realistic touch of comedy and drama. The best and funniest aspect to the movie for myself is how they portray the vampire character. I won't spoil it for you, but the guy enjoys wearing very "tata" clothes, eats "fruit" all the time, and has a live-in roommate. This movie is classic! Fright Night has a sequel that some say is equally as good, but I wouldn't be one to say that. But, I do enjoy the sequel and definitely think it's worth a view. If you're a fan of horror and vampires, this is a must see flick. Welcome to Fright Night baby!
'Fright Night' is a movie that has stuck with me for years. Recently I was able to get it on DVD and have been watching it and trying to convince my friends to watch it ever since. It has it's flaws but time has been kinder, I think, to 'Fright Night' than it has been to either 'Near Dark' or 'The Lost Boys.'
Chris Sarandon is great and charismatic in his role as the new next-door neighbor. He gives a deep performance and it seems like he's having a lot of fun in every scene. William Ragsdale isn't bad either as he tries with greater desperation and anxiety to convince people that the vampire exists and win allies to help him destroy it. My favourite performance comes from Roddy McDowall. Like Donald Pleasance later in his career, Roddy McDowell could reasonably be accused of acting in anything if there was a paycheck involved; this has damaged his reputation somewhat. I think 'Fright Night' and his performance as Peter Vincent definitely falls in the plus category rather than negative. He is great at hiding behind masks and is constantly performing for the other characters. As an actor, the part required versatility, compassion and depth. Had they been able, Peter Cushing or Vincent Price would have also played the part splendidly -- McDowell's character is of course a tribute to both these actors and I think that he was simply fantastic.
So many of the moments in 'Fright Night' compete to be my favourite but I think it comes in the final third of the film. Peter Vincent has run out of masks to hide behind and becomes a very tired, very frightened and very old man. Redemption isn't out of reach -- but he's going to have to work for it.
I mentioned earlier that 'Fright Night' has aged fairly well. There is decent gore and make-up so anyone looking for that will likely be satisfied. Music can kill films and age them more quickly than anything else. It works here where it might fail in other films.
The strength of 'Fright Night' though are it's performances and the sense of fun that it has. Definitive vampire film? No, but a lot better than many, many, many of the pretenders to that title. Rewarding, fun, and worth a look.
Chris Sarandon is great and charismatic in his role as the new next-door neighbor. He gives a deep performance and it seems like he's having a lot of fun in every scene. William Ragsdale isn't bad either as he tries with greater desperation and anxiety to convince people that the vampire exists and win allies to help him destroy it. My favourite performance comes from Roddy McDowall. Like Donald Pleasance later in his career, Roddy McDowell could reasonably be accused of acting in anything if there was a paycheck involved; this has damaged his reputation somewhat. I think 'Fright Night' and his performance as Peter Vincent definitely falls in the plus category rather than negative. He is great at hiding behind masks and is constantly performing for the other characters. As an actor, the part required versatility, compassion and depth. Had they been able, Peter Cushing or Vincent Price would have also played the part splendidly -- McDowell's character is of course a tribute to both these actors and I think that he was simply fantastic.
So many of the moments in 'Fright Night' compete to be my favourite but I think it comes in the final third of the film. Peter Vincent has run out of masks to hide behind and becomes a very tired, very frightened and very old man. Redemption isn't out of reach -- but he's going to have to work for it.
I mentioned earlier that 'Fright Night' has aged fairly well. There is decent gore and make-up so anyone looking for that will likely be satisfied. Music can kill films and age them more quickly than anything else. It works here where it might fail in other films.
The strength of 'Fright Night' though are it's performances and the sense of fun that it has. Definitive vampire film? No, but a lot better than many, many, many of the pretenders to that title. Rewarding, fun, and worth a look.
Before I first watched Fright Night, I admit I was unsure about what to think about it. All I knew about it was from what I had been told from my Dad (though his likes/dislikes are generally on par with mine, they sometimes border on plain stupid). But when I saw it to the end, I was almost totally converted.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.
Você sabia?
- CuriosidadesBecause of his theatrical roots and the long hours spent in the makeup chair, Chris Sarandon helped apply his own vampire makeup and often worked on the finger extensions while the makeup artists were putting appliances on his face.
- Erros de gravaçãoIn the attack scene in Charley's bedroom, Jerry Dandrige has his hand around Charley's neck and Charley drives a pencil into the top of his hand. In the next scene, Jerry pulls his hand away and looks at the pencil, and it is sticking more than halfway through his hand. If the pencil has been shoved that far down, it would have pierced Charley halfway through his neck.
- Citações
[Jerry welcomes Charley and Peter Vincent to his home]
Jerry Dandrige: Welcome to... Fright... Night! For real.
- Cenas durante ou pós-créditosJust as the screen cuts to black at the end, Evil Ed can be heard saying, "You're so cool, Brewster!"
- Versões alternativasThe Swedish version (cinema and video) misses the following: The transformation scene with Ed was removed (1m 50sec), and the scene where Dandrige's assistant melts was shortened by 16 sec.
- ConexõesEdited into A Hora do Espanto 2 (1988)
- Trilhas sonorasFright Night
Written by Joe Lamont
Produced by Seth Justman
Performed by The J. Geils Band
Courtesy of EMI America Records, a division of Capitol Records, Inc.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La hora del espanto
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 24.922.237
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.118.543
- 4 de ago. de 1985
- Faturamento bruto mundial
- US$ 24.923.853
- Tempo de duração1 hora 46 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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