O Cavaleiro Solitário

I'll give you one good reason why shouldn't miss this movie: Clint Eastwood. If you are a fan of Westerns or even when you only like to watch one occasionally, than you should know more than enough. In my opinion Clint Eastwood is the one and only true Hollywood cowboy.

When a mysterious preacher - no-one knows where he comes from, what his past is, they don't even know his real name - comes to a gold mining camp near a small town in the mountains, the local miners are in great danger. A ruthless landowner has decided to take their land, he doesn't mind using violence and he has the support of the sheriff. No one seems to be able to stop them. But than the preacher proves to be more than a man of God. He's a good shooter, the sheriff is afraid of him and he's the only one brave enough to rise against the landowner...

If you are looking for an original movie, than you'll have to look somewhere else. This movie uses all the possible clichés that can be found in this kind of Westerns. But on the other hand I must also say that all is done in a very proper way. Eastwood is a fine director and he did what he was best in at the time: he made a Western. The story, the direction, the acting, the scenes,... it all looks professional and more than OK and especially thanks to Eastwood's acting performance in it, this movie is still a 'must-see'. I'm not a big fan of Westerns, but every time that I'm able to see one with Eastwood in it, I'll not let it pass. My advice: if you can see past the fact that it isn't very original, you will almost certainly enjoy it. I certainly did and that's why I give this movie a 7.5/10.

Eastwood takes us back to the Wild West in this beautifully filmed Western action adventure. The script is that of a typical Western flick: The villain is a bad guy in power (LaHood) terrorizing the helpless (in this case a group of 'squatters'). Desperate LaHood uses violent measures to drive them away until suddenly an enigmatic preacher shows up.

Eastwood definitely adds his signature touch. He humanizes the story and the characters which is what makes his films different from the usual Western flicks that were popular when the genre was at its peaks. The women aren't cast as showpieces or mere damsels in distress and the men aren't all evil or all good. Even a despicable person like LaHood shows a human side and Stockburn's expressions leak fear and vulnerability.

Then there are the strong good-guy characters: Hull, his girlfriend and her daughter. All three are drawn to the Preacher. Hull admires him and maybe even sees him as a role model as a result of which he gathers courage and learns to fend for himself and what he believes in. Sarah has fallen in love and she knows that they have no future but she begins to appreciate what she has. Megan has her first crush and even though The Preacher respectfully rejects her advances, she takes her first step towards adulthood and responsibility. The Preacher is mysterious, generous, quiet and a loner. He may be the good samaritan but he isn't without his share of faults and secrets.

The breathtaking landscape is captured beautifully with stunning cinematography. The editing is also solid as the pace is quite steady. The art direction and costumes are brilliant. Sound effect is decent and the score works well. The horses are awesome.

Eastwood is excellent as the mysterious brooding but likable Preacher. Of course he's used to playing such characters and he does them so remarkably. Michael Moriarty, Carrie Snodgress and Sydney Penny are equally great. Richard Dysart makes for an entertaining villain.

In my opinion, Eastwood's Weaterns have stood the test of time. I can enjoy them today just as I did years ago. 'Pale Rider' is no exception.

Shot on ___location in Sun Valley, Idaho, and to some esteem to "Shane," "Pale Rider" succeeded with sweeping landscapes and magnificent cinematography, to be an interesting Western that helps to bring back something from Eastwood's mystique…

In 1850 California, a small group squatters and their families find themselves terrorized by Coy LaHood (Richard Dysart), who are standing win the way of his progress… Desperate, LaHood begins using violence in an unsuccessful attempt to run the peaceful yet determined homesteaders from their land… Leading the homesteaders is a decent man Hull Barret (Michael Moriarty), who dreams of a better life for himself, his girlfriend Sarah Wheeler (Carrie Snodgress) and her lovely daughter from a previous marriage, 14-year-old Meagan (Sydney Penny).

Into the lives of these strong-willed people rides a mysterious man—tall and lean with something strange in his eyes —known only as "The Preacher" (Clint Eastwood). He says little, divulges nothing of his past, but for a man wearing a clerical collar he seems an expert at handling weapons… He pulls the miners together and gives them the confidence to defy LaHood even in the face of mounting violence...

Although both Sarah and her daughter become enamored of the pale preacher, he gently rejects their advances and makes them see that Hull is a less capable but far better man… There is a good scene when Spider Conway—went into town alone and running out of steam—invited LaHood to come out and have a drink with him… But instead Stockburn and his deputies came out asking him to dance…

Richard Dysart creates an all-too-believable villain, and Western veteran John Russell is well-cast as a middle-aged mercenary and his hired guns to face a legendary hero… It's an old score and it's time settle it

The opening to Pale Rider is just excellent, at first all is calm and serene, but then the peace is shattered by the thundering of hooves. A group of men employed by Coy LaHood, tear thru a small mining community, shooting guns and trampling over all in their way. During this callous act of bullying, one of the men shoots and kills young Megan's dog. When Megan buries her beloved pet, she calls to god to send someone to help them against the greedy LaHood, because LaHood is intent on stripping the locals of their claims, and he literally will stop at nothing to get them. Later on Megan is reading from the bible, she reads aloud to her mother about "beholding a pale horse and that the man who sat on it was death", we then see a lone horseman riding towards this under fire place...

Behold the pale horse because the man that sat on him was Clint Eastwood! And that's all you really want to know as regards what drives the film on. It had been quite some time since the movie watching world had witnessed a damn good Western, so it is obvious that Eastwood, knowing the genre inside out, felt it time to remind all and sundry about this engrossing genre and all its little peccadilloes. Riffing on his own High Plains Drifter from 1973 and homaging Shane in the process, Eastwood again uses supernatural leanings to play out this intriguing tale. Pale Rider works well because Eastwood cares for the genre so much, no frame is wasted and the acting on show delivers the necessary amount of quality to enhance the picture's impact. From the thundering opening to the gorgeous final shot, Pale Rider is an expertly crafted Western that still holds up today as a great entry on Eastwoods CV. Pale Rider. 8/10

Pale Rider is my all time favourite movie.From the opening scene with it's atmospheric audio sounds that bring the scenery alive to the Shane-like ending Pale Rider plays out as a very competent and well structured story.It is a thought provoking movie,leaving one wondering is this 'Preacher' really the physical entity he appears to be?Echoes of his past resonate throughout the film as to his past,and,perhaps,his fate.The plot is not original but is superior to the likes of Shane and HPD in that the cinematography lends itself to favour the subtle supernatural theme.Hazy filters in the forest scene where Megan buries her dog work to create a 'spiritual' effect for example,yet it is merely a 'suggestive' effect,and not everyone will pick up on it.The 'Preachers' arrival at the cabin just as Megan reads from the scriptures could be seen as purely coincidental, or is a higher power at work?The story builds to the inevitable showdown and again subtle ploys are used to suggest that the 'Preacher' is not all that he seems to be,though this time a finely crafted script is the medium to put the feeling across.The script is dry but is emotive and one gets a feel for the characters,not common in westerns.The ending is left somewhat open and has compelled me to write a 'sequel' which I've called Megans Odyssey.Sydney Penny's portrayal of the vulnerable yet strong willed Megan added the winning formula to this movie,creating both a romantic sub-plot and a sense of family values,another rare quality in westerns.A 10 out of 10 gem.