Mulan

Mulan is a young girl in ancient China. When the Huns start attacking the country, the Emperor orders one member of every family to join the Chinese Army and defend the country. The one member must be a man, but in Mulan's family, the only male is her injured father. Not wanting to allow her father to die, Mulan dresses like a man, and escapes into the night to join the war. To protect her, the ancient elders of her family ask the great Stone Dragon to watch over her. Unfortunately, the great Stone Dragon is destroyed by the little tiny dragon Mushu (Eddie Murphy). So with Mushu and a small cricket by her side, Mulan heads off to help destroy the Huns.

I think we can all guess what happens. Mulan, although a woman, manages to save the day. The plot line isn't really a surprise when you break it down. And the animation is, by now, expected to be great, and Mulan certainly lives up to the great Disney tradition. It's the story and the feeling you get that makes this movie so wonderful. Disney went through a lot to make sure it's depiction of ancient China was accurate. From the decorations on the walls, to the matchmakers, to the great honor in family, Disney manages to show what the country of China was like, and in many ways, still is today. Following the Disney tradition, there is a strong female character, this time taking lead. There are the over the top bad guys, and of course, the comic relief. Eddie Murphy was just down right hilarious in this movie. I wish they had showed more of him. The songs were sort of a change of pace, with Matthew Wilder and Jerry Goldsmith doing the honors, and not the venerable Alan Menken. The music was good, but the lyrics in some of the songs were weak.

The reason I feel Mulan was better than recent Disney fare like Hercules and The Hunchback of Notre Dame is because it had a much more lively feel to it. Hercules was very dark, animation-wise. Everything was centered on the color blue, so it didn't feel alive. And The Hunchback of Notre Dame was a more adult story, and some of the scenes were very dark and broody. Mulan took a simple plot, put it in ancient China, and made it very colorful and fun to watch. It was light, and "Disney" enough for kids to enjoy, while still being adult enough for the parents to enjoy.

Overall, I'd say Mulan is definitely one to watch. Disney animation has done it again.

I was impressed by this Disney film for so many reasons, too many to list here, but I will go on the record as saying that Mulan has got to be one of the best Disney female characters that ever saw production, in the midst of a colorful and artistic film, that will resonate in your memory.

Mulan sticks out in my mind for this reason. For once, we have a strong female lead, or at the least, stronger than most of them. She isn't counted among the Disney "princesses" line-up. She doesn't want for herself, and she seeks to look deeper within herself to discover her inner being. She isn't like Ariel, who wants to be someone else. She isn't like Jasmine, who sits in luxury, waiting to be swept off her feet by Prince Charming, just like Snow White, Cinderella, Sleeping Beauty, and almost any female character that Disney brings to life. And while she does share some traits among this list, she stands out because she does something that these do not. She uses her mind.

Mulan, in fact, has more in common with male Disney leads than the female Disney leads. Mulan is a thinker, and a do-er. She's resourceful, like Aladdin. She is quick to act, like Eric (mermaid.) And she sacrifices herself for the sake of others, like Hercules. She also speaks her mind, even in a culture that does not allow such a thing. She doesn't waste time pining about "will I ever find true love?" Indeed, we see that she has an attraction to Shang (as he was her husband in the legends,) but we see her uncomfortable and unsure of meeting the Match-maker. She begs for her father's life when Chi-Fu came to the village. When you see her make her decision to take her father's place in the army, she does so out of her love for him, valuing his life above hers. She doesn't wish to become a man to see what it is like or for a change. Only to save his life. She later doubts herself and her reasons for going, but she did so because of her inner strengths, something other female Disney leads too often lack. (And it is these strengths that Shang is attracted to at the end.)

This movie also has a simple, but very effective villain, Shan Yu. Though not as memorable as Jafar or Ursula, he is more effective and more menacing because he is not fantastic. By that, I mean that he is not magical, he holds no special power. He is portrayed as a man, and as a man that could have truly existed, performing vicious acts that men do. We see the destruction that his army lays to a village, and when Mulan finds the doll, it shows that Shan Yu left no one living, man, woman or child. This is what makes him so effective as a villain, showing how truly human he indeed is. Granted, the producers did not develop him in any great depth, but they showed enough of him to remind us of his threat to China. Besides, sometimes the better villains are the ones you don't know too much about, or see a lot of.

Of the rest of the supporting cast, I will only mention four of them as being memorable in any real way. Chi-Fu, the emperor's consultant, was a reminder of the way many men looked at women in this culture. He thrusts his head up when Mulan begs for her father's life, and when she is discovered to be a woman, though she is a hero, he is quick to insult her, and to order her execution, simply because she impersonated a man. The other three were, of course, her comrades, Ling, Yao, and Chian Po. Though they were mainly comic relief (almost like a 3 stooges set,) they remained loyal to Mulan and trusted her fully, even after she was discovered. I like them, because they were not discriminatory to her in any way, even trying to stop her execution. When Mulan told them she had an idea to help the emperor faster, they were the first to her side, even when Shang was still reluctant to do so.

Overall, a wonderful movie to the Disney list. If you haven't seen it, then do so, you won't regret it.

And yes, Mushu was a cool character as well.

**** In Response to an earlier post by Phoenix-1 **** To expect any movie to accurately portray history in any way is lunacy. Even those movies that come close to historical accuracy are flawed in many ways. This was a way of telling a story, as any movie is. It can be argued that it tries to provoke curiosity in another culture, but it is also meant to entertain. I would also like to point out that Mulan is really not "historical," like Joan of Arc, but rather she is a legend, much like Hercules and Aladdin, who also come from the realm of myth, stories and legends. And while there is some difference between the original legend and this movie, your examples of how Disney would butcher tales of George Washington and Abraham Lincoln do not compare to this story in any way. Your arguments for comparison should be better applied to Pocahontas, as she was an actual historical figure.

Every Disney movie is always advertised as "a masterpiece", but Mulan is one of the few that REALLY fit the bill. The animation itself is simple and flowing, reminiscent of ancient Chinese art. But the animation for this is really something else. In fact, this is the best thing since The Lion King.

Mulan is a young girl who does her best to bring honor to her family. Then, when the Hun army invades China, one man from every household must serve in the Imperial Army. Since Mulan has no older brothers, her crippled father must serve. And it's obvious, early on in the movie, that it's impossible for him to fight with a crippled leg. There's a great likelihood that this man is going to die in battle.

So, out of the sheer love for her father, Mulan disguises herself in his armor and takes his place in the army.

This movie isn't about some gal going off to war to prove herself, or break free from the caste system, like so many other Disney heroines. And it isn't about "finding your prince and living happily ever after". Mulan goes for the simple love of her father and because of the her dedication to her family. She risks losing everything to SAVE everything.

Mulan is a wonderful movie because the main character is realistic. She's not perfect, she has her faults, and we all identify with her because we all try out best to please our fathers. This is one of the few movies I watched with my dad that he really liked, and he isn't that fond of animated stuff. It's a great film.

And that's what makes a true masterpiece.

I have a 4.5 year old daughter who is going through the princess phase. We read lots of fairy tales etc and its very difficult to find a fairy tale where the princess is strong and resourceful. Most of the time they are pretty passive and the worst one is sleeping beauty. I find myself treading a fine line between letting her enjoy the fairy tale and occasionally commenting on the fact that perhaps some of these princesses just don't do enough to help themselves and how they can help themselves a little bit more. I don't want to destroy her pleasure in these fairy tales, after all, I loved them too. But it took me a while as adult to see how the subconscious message of helplessness in these fairy tales can reinforce the existing values of society and parents that girls are meant to be saved.

So it is a great pleasure to be able to show my daughter a story of a strong and intelligent girl - Mu Lan and its great that Mu Lan and we are both ethnically Chinese. Here is a heroine who is resourceful, uses her brains, saves the Captain and China. We draw many discussion points from the story, such as why it is that women were not allowed to join the army, the value of trying hard and training and practising hard, what is discipline and why it is needed to succeed, using your brains and thinking of how to solve a problem, not just using brute strength, etc. Even some politics - like why did the Hun king want the Emperor to bow to him and why the Emperor wouldn't bow to him but would bow to Mulan. My challenge is the explain things in a way which is both accurate and yet understandable to a 4 year old. My daughter loves the story because Mulan does a lot of "saving".

My daughter has probably watch the movie only 3 times coz I limit TV and video a lot. But she'll ask me to tell her the story in my own words, based on the video. It works out great.

The fact that the movie Mulan captivates me as an adult also helps. There's only so much I can enjoy of a barney video.

I definitely recommend this movie to parents with young girls, as a good place to start talking about being a strong and intelligent woman. Another good one is Beauty and the Beast. I've not seen Pocahontas so I can't comment on that.

Ok... I've read through most of the posted comments posted before this about this movie; I find that some people love the music, but think the characters are thin; some hate Eddie Murphy's presence, and think the love story is stupid. Well, your experience with a film is individual, I guess.

That said, I'll follow the trail and state why I loved watching this movie not once, but several times:

First of all, I'm far from being a fan of animated Disney classics. I'm in that age between child and adult(currently 23), where everything is a rebelry. Most of my viewing pleasures is action or its like.

My original incentive for seeing this movie was to please a friend of mine, who has a long-life fascination for oriental culture (read: karate films!). When Mulan was released in Denmark, a single copy with the original voices track (usually all animated Disneys are dubbed into danish with good result) was shown in a local theater. Asking a couple of girls out, we went and saw it. Ok, I was blown away. Before I had left the cinema that day, I too was captured by chinese history and culture. The singing and music I was prepared for; I knew The Jungle Book and Aristocats from childhood. The songs didn't mean anything to me, other than that they were few - good for me. (Some of them do kling to the ear - irritating for me!) I quickly realised Eddie Murphy was on the voices cast. I started liking the movie right then. Some find him malplaced in a Disney epic, but fact is that the business of animating classics is profiting well these years in bringing in already established names to the animations; Tom Hanks in the Toy Stories, Mel Gibson in Pocahontas, Robin Williams in Aladdin, and who else I don't know of. These names sell the film before the film have a chance to sell itself. (The danish producers, by the way, have stolen this idea when dubbing the films, using local media stars for the voice cast.) Well...it did work for me. Eddie Murphy is not as funny in this production as he is in others, but what the heck...he can't exactly use too much harsh language, it IS a children's flick. But with the room he got, his speedy tongue made me laugh again and again. I have later seen Aladdin, and find Eddie Murphy's achievement as funny as Robin Williams'. That Eddie Murphy chose this project was an interesting and probably very clever career move. Later, when I studied the rest of the cast list, I noticed a lot of chinese names. That very much pleased me. Who other than Chinese people to tell a Chinese tale to Westerners? I found some old friends, Soon-Tek Oh and James Hong, people who had worked with Chick Norris in the 80's. Pat Morita as the emperor made me smile. B.D.Wong I remembered from Jurrasic Park, but Ming-Na was new to me (had to look her up in IMDB, was stunned not to have known her before (Ok, I went wow!)). Harvey Fierstein as a ploppy little soldier and Miguel Ferrer as the Hun leader I found the perfect voice-choice for their characters...other names rang also. Anyway, a lot of the above have only value after you've seen the film. When you are an Atlantic ocean from most of the sales pitch, the film had to sell itself. It did - for me, anyway. Before then, I knew little about China and her history apart from things here and there (read: karate films!). Meeting angient China like this totally threw me away. Wership of the ancestors, the power and position of the emperor, I found myself lost in the dream of a world long gone; I loved the image of a China with different traditions but still found myself attracted to the pro-Disney story about a girl standing up to a culture's sexist prejudice. (I do find the plot a bit silly, actually, but I let myself be taken away...it's just a Disney.) Agree, the characters lack a little bit, the love story of Mulan and Shang should perhaps have had a few more frames to play with. The project was a little bit tuned down from the Disney board of directors, but honor to all who worked with it: You people did a good job! The computer animation used for the Great Wall and the attack of the Huns startles me again and again; Not many live movies can do the job as good.

So that's what Mulan is for me...The dream of ancient China and Eddie Murphy's speedy tongue. I accept the term classic. I have the damn thing on video now (English language) and must prevent myself from seeing it too often, in fright of one day getting tired of it.