As vidas de ilustres e ordinários romanos nos últimos días da República Romana.As vidas de ilustres e ordinários romanos nos últimos días da República Romana.As vidas de ilustres e ordinários romanos nos últimos días da República Romana.
- Ganhou 7 Primetime Emmys
- 19 vitórias e 36 indicações no total
Explorar episódios
Resumo
Reviewers say 'Rome' is acclaimed for its historical setting, production design, and character arcs, especially Lucius Vorenus and Titus Pullo. The series blends historical accuracy with drama, vividly portraying Roman life. However, some note inaccuracies and creative liberties. Its graphic content and abrupt cancellation after two seasons are criticized. Despite this, 'Rome' is celebrated for its ambitious scope, strong performances, and educational yet entertaining depiction of ancient Rome.
Avaliações em destaque
After seeing the first episode, the show promises to be an excellent production showing the civilization and intrigue of the Rome of Julius Caesar. We can't place our own moral code on these characters. They had their own, and are shown living it. When your life depended upon position and knowledge, you did everything you could to put yourself in the best position possible. In an "about the show" program that I saw about "Rome", the actress who plays Atia says that she doesn't feel her character is evil. The character is doing what she has to in order to keep her position and stay alive in that time. Life was hard, and so one didn't have the luxury of being soft.
To those who complain about the accents, so what? Why would someone from ancient Rome speak with an Italian accent? Language and dialect evolve over time. Who knows what an ancient Roman accent sounded like? They aren't Italians speaking in English, they are Romans speaking their own Latin dialect. Latin is not Italian. Just ask my old High School Latin teacher. We just happen to have the movie magic version of a Universal Translator, so we can understand them.
The sets are perfect, showing a bustling city, full of activity. To those who complain about them, they have to remember that the ruins of ancient Rome that we see today have been scoured clean by the progression of time. The filmmakers felt that ancient Rome would have been more like Bombay, India, and I tend to agree with them.
The series shows life as it was in those days. I'm looking forward to seeing how it develops further.
To those who complain about the accents, so what? Why would someone from ancient Rome speak with an Italian accent? Language and dialect evolve over time. Who knows what an ancient Roman accent sounded like? They aren't Italians speaking in English, they are Romans speaking their own Latin dialect. Latin is not Italian. Just ask my old High School Latin teacher. We just happen to have the movie magic version of a Universal Translator, so we can understand them.
The sets are perfect, showing a bustling city, full of activity. To those who complain about them, they have to remember that the ruins of ancient Rome that we see today have been scoured clean by the progression of time. The filmmakers felt that ancient Rome would have been more like Bombay, India, and I tend to agree with them.
The series shows life as it was in those days. I'm looking forward to seeing how it develops further.
Great. Loving classical literature and history, and the sometimes ridiculous film genre known as Sword and Sandal, I was thrilled by the first episode - I really feel like I'm getting something very like the grit and feel of the place and the politics for the first time. I've read some stupid comments here that somehow the series is less than authentic because these Romans speak English - and most absurd - that the actors are all too old because the average male died in his 40's. That figure - If true - is skewed tremendously by the fact that many died of childhood maladies that are easily treated today. Many men lived in to their 70's and 80's, especially in the aristocracy. Pompey - one of the oldest in the series - died at something like 58, and his death was anything but natural. Look, some suspension of disbelief is required every time you turn the TV on. I think they've done a great job with this series and I look forward to future episodes.
One of the grand stories of history, Julius Ceasar and the beginnings of the Empire, told in a style which is both compelling and historically accurate. I am an art historian with a particular interest in Ancient Rome, and I find this to be the best evocation of Ancient Rome yet on screen.
Rome at the time of Julius Ceasar was the major power in Europe and northern Africa, but it was not yet the great city of the Emperors. For once the set designers have got it right. It is colorful (not the pure white city of Hollywood), squalid, profane, reverent, brutal, and alive with life. We know of the graffiti from ancient sources. We know the outlines of the history, which this series treats very accurately. What we cannot know is the souls of the major actors in this great drama. This mini-series gives us a glimpse into the motivations, both grand and petty, of the people who brought down the Republic but did not quite replace it with the Empire. Not quite yet.
Aside from the sets and set decoration, which is superb (first time a Roman insula or apartment building is accurately shown on film to the best of my knowledge), what this series does is give us a sense of the possible motivations behind the historical facts. Is this the way it really was? No one can say. It does fit the historical data we have. What this series does, beyond everything else, is remind us that these figures were people with all the complexity of motivation that we experience in people today. The producers, directors, and actors have admirably avoided the cardboard cut-out and pretentious posturing.
Be warned, this mini-series is just as casually brutal and profane as Ancient Rome was. I would not let young children watch it, at least not without serious guidance. I will say that it is just plain excellent and well worth your attention. You will be entertained and informed. It will make you think about characters that we know only distantly from books or from far more conventional Hollywood cardboard characterizations. Unequivocally a great production.
Rome at the time of Julius Ceasar was the major power in Europe and northern Africa, but it was not yet the great city of the Emperors. For once the set designers have got it right. It is colorful (not the pure white city of Hollywood), squalid, profane, reverent, brutal, and alive with life. We know of the graffiti from ancient sources. We know the outlines of the history, which this series treats very accurately. What we cannot know is the souls of the major actors in this great drama. This mini-series gives us a glimpse into the motivations, both grand and petty, of the people who brought down the Republic but did not quite replace it with the Empire. Not quite yet.
Aside from the sets and set decoration, which is superb (first time a Roman insula or apartment building is accurately shown on film to the best of my knowledge), what this series does is give us a sense of the possible motivations behind the historical facts. Is this the way it really was? No one can say. It does fit the historical data we have. What this series does, beyond everything else, is remind us that these figures were people with all the complexity of motivation that we experience in people today. The producers, directors, and actors have admirably avoided the cardboard cut-out and pretentious posturing.
Be warned, this mini-series is just as casually brutal and profane as Ancient Rome was. I would not let young children watch it, at least not without serious guidance. I will say that it is just plain excellent and well worth your attention. You will be entertained and informed. It will make you think about characters that we know only distantly from books or from far more conventional Hollywood cardboard characterizations. Unequivocally a great production.
I Claudius was maybe the best miniseries ever. Now, there's Rome, and it's even better.
I agree with another reviewer, that quibbles about historical inaccuracies, such as accents or how old so-and-so should be, are silly pedantry. I've been a Roman history buff ever since my own high school triumvirate of Caesar, Cicero and Virgil, and I say that this historical fiction is both exciting AND quite accurate with the important stuff.
So far, every player has been terrific, in particular Ciarán Hinds as Caesar and Max Pirkis as Octavian. Julius Caesar was perhaps the most complex "great" figure in history. Was he a great populist, trying to champion the people against the Optimates, or was he an ambitious demagogue, who was using the Roman mobs to attain the imperium? Hinds depicts this complexity perfectly, while projecting a steely will that is shared by Caesar's emerging protégé, Octavian. Thanks to Max Pirkis's brilliant portrayal, we can already see the no-nonsense pragmatism, ruthlessness and brilliance that will propel this boy into becoming the greatest despot in history.
And what about that dissolute Mark Anthony? We can already see Actium in his face. And with Atia, I think Livia (as depicted in I Claudius) and Messalina have met their match.
And midst the struggle for mastery of Rome, we see the struggle of more common folk just to make a living. Rome makes the parallel stories of the Optimates and Centurian, now Prefect, Vorenus and Legionnaire Pullo a perfect vehicle for comparing the travails of different classes their love lives, social lives, how they treated the servants, how they practiced their faiths, how they fought. Seen from these different perspectives (which we did not get with I Claudius), we get a three-dimensional view and, for me, the closest to feeling like one is actually there of any historical fiction ever produced.
And look at the production values. Is it any wonder, when we see who's behind the camera Michael Apted and John Milius that we have an immaculately crafted work?
By their commitment to quality of production and integrity of story, HBO and BBC are demonstrating what television can be. This is a wonderful, wonderful series. Anyone with a love of history, drama and spectacle should be devouring it with delight.
I agree with another reviewer, that quibbles about historical inaccuracies, such as accents or how old so-and-so should be, are silly pedantry. I've been a Roman history buff ever since my own high school triumvirate of Caesar, Cicero and Virgil, and I say that this historical fiction is both exciting AND quite accurate with the important stuff.
So far, every player has been terrific, in particular Ciarán Hinds as Caesar and Max Pirkis as Octavian. Julius Caesar was perhaps the most complex "great" figure in history. Was he a great populist, trying to champion the people against the Optimates, or was he an ambitious demagogue, who was using the Roman mobs to attain the imperium? Hinds depicts this complexity perfectly, while projecting a steely will that is shared by Caesar's emerging protégé, Octavian. Thanks to Max Pirkis's brilliant portrayal, we can already see the no-nonsense pragmatism, ruthlessness and brilliance that will propel this boy into becoming the greatest despot in history.
And what about that dissolute Mark Anthony? We can already see Actium in his face. And with Atia, I think Livia (as depicted in I Claudius) and Messalina have met their match.
And midst the struggle for mastery of Rome, we see the struggle of more common folk just to make a living. Rome makes the parallel stories of the Optimates and Centurian, now Prefect, Vorenus and Legionnaire Pullo a perfect vehicle for comparing the travails of different classes their love lives, social lives, how they treated the servants, how they practiced their faiths, how they fought. Seen from these different perspectives (which we did not get with I Claudius), we get a three-dimensional view and, for me, the closest to feeling like one is actually there of any historical fiction ever produced.
And look at the production values. Is it any wonder, when we see who's behind the camera Michael Apted and John Milius that we have an immaculately crafted work?
By their commitment to quality of production and integrity of story, HBO and BBC are demonstrating what television can be. This is a wonderful, wonderful series. Anyone with a love of history, drama and spectacle should be devouring it with delight.
10Rob1331
Rome is a very detailed and historically accurate show that will keep you hooked throughout the series. It really is one of the most underrated tv shows ever created and a true masterpiece that is pretty much loved by anyone who has ever seen it. Just read through the reviews to see how loved this show really is! It's only two seasons long but those two seasons were damn near perfect! The acting, writing, directing, cinematography, production, etc. Are all fantastic. It doesn't get nearly the recognition it deserves because it wasn't advertised that much when it was on and pre social media so word of mouth was hard back then. I really can't say anything more that hasn't already been said about this terrific show except to just go watch it!
Você sabia?
- CuriosidadesThe show's five acres of outdoor "period" sets were the largest standing set in the world to date.
- Erros de gravaçãoIn the series, Octavian's mother, Atia, is alive in 31 BC. She died in 43 BC.
- Citações
Mark Antony: I really think you should reconsider.
Gaius Julius Caesar: Anyone else, certainly. But those 2 - they found my golden standard and survived a storm that killed an army. Now they come face to face with Pompay Magnus. They have powerful Gods on their side. And I will never kill a man with such powerful friends.
- Versões alternativasBecause episode three is 37 minutes long, it was hard for BBC2 to schedule in the UK, and it was also felt that the short running time would make the episode feel curiously light. The first three episodes were therefore edited down into episodes one and two for the UK. This was mostly achieved by trimming within existing scenes; few scenes were actually lost. The final two episodes of the first series were also edited into a single double-length episode, possibly because it was around the Christmas period and was easier to fit into the holiday schedule than two regular-length slots.
- ConexõesFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How many seasons does Rome have?Fornecido pela Alexa
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente