Lady for a Day

This movie must have played very well to depression-era audiences. The story of an apple seller who has been lying to her daughter who has done well for herself in Europe is sweet, heart touching and funny.

Great, quotable lines in the script, well written. The outdoors night photography is luminous, everything seems to glow, a scene in an outdoor garden with the daughter and her fiancee kissing behind a glass water fountain is beautiful to this day.

The ideas of friends and strangers coming to a needy person's aid prefigures such later Capra classics as "It's A Wonderful Life". In fact, they would make an excellent double feature together.

In our cynical times, movies like this can be seen as hokey, in fact the name Capra was frequently turned into Capra-corn, even in his day. But the fact that his movies are still treasured and enjoyed today shows that goodness is still an enduring quality and that being drawn to goodness and fairy tales like this gives us hope that those feelings are still in us.

Recommended highly.

Glenn Ford and Betty Davis in color fall short competing with the BW original version with lesser known but more convincing actors. Lets face facts. Glenn Ford never played a convincing bad guy/bad boy. On the other hand little known Warren William had to convince the viewers that he wasn't a bad guy all the time. Dave the Dude is basically a bad guy with a touch of good. Even his act of kindness to Annie is self serving. This movie is a perfect example that technical advances don't make a better story, lesser known actors can play the role better, and age can define whether any work of art can stand up to the ultimate critic - Time. Different audiences, tastes, standards and means of portraying the play, are the ultimate judge regarding the worth of the production.

Others have said it all! However, check out the beautiful love scene photographed through a glass fountain. Absolutely GORGEOUS! Solid performances from the stars right down to the supporting actors. I think we hardly ever see great supporting actors like these any more.

Frank Capra wrote about this movie in his autobiography, apparently one of his first hits, using the recipe of lesser-known actors, a great scriptwriter, and a low budget. He relies heavily on the great supporting actors available to him and gave them all a Runyon-esquire quality which never fails to please. They are all just great! Check this movie out! It gets better every time I see it!

Another old film I was excited to discover, and puzzled to not have heard of. I was unsurprised to find its a Frank Capra film, but I think I like this better than his later, more well-known films.

May Robson's performance in this is superb, I was gratified to see she was nominated as Best actress, but sorry she did not win. The other leads are great, and dialog well-written. As some others have noted the scene of the lovers on the patio is beautifully set and filmed.

If you love Frank Capra you'll love this one, and if not, you may find it a somewhat less saccarhine effort than his others....highly recommended!!

It's not often (especially these days) that a character actor or actress pulls a leading role. This movie rates my 8/10 vote mostly on the strength of the marvelous character performance of May Robson in the central role as Apple Annie, an elderly down-and-out who must somehow preserve the imaginary persona she has built for herself to her daughter, soon to arrive from Paris with a prospective husband in tow. Robson was nominated for an Oscar, as lead, and richly deserved it for her tragicomic characterization.

Frank Capra's excellent direction (also nominated for an Oscar) keeps the plot unfolding with the speed and apparently effortless fluidity so characteristic of the comedies of this period. Capra did not win the Oscar that year, but this film launched his series of feel-good dramas and sparkling comedies that netted him three subsequent Oscars.

But this is far more than a feel-good comedy/drama. It's an excellent movie that stands on its merits outside the genre, with a solid supporting cast. Capra's own remake (Pocketful of Miracles), doesn't meet the standard he himself set here. And although I have tremendous respect for Bette Davis, who played the lead in the remake, it is the difference between a good performance and an exceptional portrayal. Now that I've seen this version, May Robson simply IS Apple Annie.