Beauties of the Night

I have been puzzled by some of the other comments so I am adding one of my own. I think your reaction to this movie comes down to two words: fantasy and charm. It is a fantasy, and it has a very great deal of charm. If those appeals to you, you will enjoy this movie immensely as I did. If they don't, well the movie is so good you will probably still like it anyway.

I rated this film a 10 because I couldn't find a thing not to like. Gerard Philipe is charming (that word again) and appealing. All the women are gorgeous. The supporting cast is excellent. And since Phillip's character Claude is an aspiring composer there is a great deal of beautiful music in his dreams.

What I noticed especially about the film was how Clair kept inventing ways to keep the idea fresh. You might think that a movie which basically shows a man's dreams would fun out of steam pretty fast but Clair is clever enough to keep it fresh and entertaining. For example, Claude constantly says that all he wants to do is sleep--and given his dreams, who wouldn't--and his friends interpret this as expressing a desire to commit suicide! So the efforts of his friends to prevent his "suicide" throws a new wrinkle into the story.

My only complaint with the VHS version I saw were the English subtitles. First, they were in white, so that anytime they were in front of a white background you didn't know what the speaker was saying. And second, even though I don's speak French I am sure that the English subtitles came nowhere near doing justice to the original French dialog.

This is a worthy candidate for a Criterion DVD. An unhesitant 10 out of 10.

The protagonist's situation is similar to Walter Mitty's, expect that his fantasies are not waking ones, but rather, occur when he drops off to sleep, and they don't always go the way he'd have them go. The device of dream narratives shows Clair's fidelity to his surrealist roots, especially during the dream debut of the main character's "opera". I was surprised at how low other users rated this film, but I guess it's in keeping with Maltin's opinion that Clair's films after WWII were not up to his prewar standards. Ignorance is bliss, I guess: I thought it was great! Perhaps the character development is somewhat superficial, but the film is funny and fast-paced, with good production values and appealing principals.

I'm so happy I was able to find this extremely obscure movie; it's adorable! If you've never seen the Woody Allen gem Midnight in Paris, don't keep reading my review of Beauties of the Night, since I'm going to spoil the surprise of that modern comedy.

You've probably never heard of this one, but if you're in the mood for something light and funny, or if you're suffering from insomnia, you'll really appreciate it. It's a comedy about a young composer, Gérard Philipe, who lives above a garage in a small town. All he wants to do is sleep, but the noises of the town and townspeople keep him awake. When he's finally able to doze off, he gets transported into an interesting, engaging dream. By day, he's an unknown, unimportant musician, but in his dreams, he's a revered opera composer who can get any woman he wants. Now here comes the spoiler alert, so if you haven't seen Midnight in Paris, I'm giving you one last chance to stop reading: In Gérard's dream, he talks with an older gentleman who says a paraphrase of, "Things were better in my day!" Instantly, Gérard finds himself in a different time period, hairstyle, and costume. This continues in dream after dream, until eventually Gérard winds up walking around with dinosaurs!

This movie is hilarious. It's stylized and funky, and of course it's over-the-top. That's the point! If you've gone without sleep, you're going to dream up some ridiculous things. If you're a composer consumed with a wish for your music to become famous, of course people in your dreams are going to start randomly singing. If it sounds cute to you, you'll like it. I have no idea if Woody Allen ever saw this obscure movie and wanted to tweak the storyline to change a composer into a writer and add in a bunch of artistic icons, but if he did, he owes a lot to writer-director Réne Clair. Ladies in particular will like this cute comedy, since the leading actor is so gorgeous and energetic. He didn't make many movies in his brief career, so treasure him while you can.

This is a brilliant Frech-Italian comedy by René Clair. Extremely innovative, it divides the leading character's life in two moments: when he is awaken and while he sleeps. The former is - pardon the pun - a nightmare, as he hates to teach music in the school or in private classes. Even that is not regarded as something to be respected and his neighbors think that he should have another job, such as a car mechanic. His dream of being a successful musician and composing an acknowledged opera is far from coming true. Therefore, he wants to sleep all the time, as in his dreams his life is as interesting as he wants: not only he is a successful musician but also he has the most beautiful lovers in many different moments of History. That is the most remarkable achievement of the film: the dreams are exactly how we dream - crazy, incoherent, changing suddenly from a situation to another completely different, full of altered references of events in our daily life. Besides that, Gérard Philipe and all the actors do a great job. Gina Lollobrigida is particularly beautiful as the orientalist-style Algerian girl named Leïla. The unrealistic scenario works quite well in order to increase the environment of fantasy. Hilarious situations happen while Claude travels through French imaginary history in his dreams. This film makes me want to check out other movies made by René Clair.

This film is highly recommended for those people who have an appreciation of an elusive quality called charm. Charm is in short supply in today's cinema be it French, American or other. Charm is difficult to define, but you know it when you see it. The daydreams of a young composer may seem like a frivolous topic, but an actor of the caliber of Gérard Philipe make it all seem so worthwhile. The essence of the story, for me anyway, is the collision between dream and reality - our hero is constantly reminded of how ordinary life is, how unsatisfying compared to his luscious fantasies. He is constantly brought crashing down to earth. But these scenes are precisely the funniest ones. I recall especially the scene in the classroom where the kids mock him to death - how humiliating, but still it's hilarious.

Gérard Philipe said that the director René Clair left nothing to chance. Every tiny detail, every nuance was carefully thought out in advance. The greatest problem for René Clair was that of rhythm. Apparently they were always trying to shorten certain scenes by a few seconds in order to heighten the comic effect.

One of the greatest of all directors and an actor of unquestioned skill, conscientiousness and charm collaborate on an effort that reminds us of what French culture used to be. It may seem dated or even corny to some, but I hope that for others it serves as an image of cultural values that will not be seen again.