The Reluctant Debutante

'The Reluctant Debutante' had a lot going for it, with talented actors like Rex Harrison, Kay Kendall and Angela Lansbury and a fine director in Vincente Minnelli. Also like comedy and romance and there are fine examples of both individually and both together.

Of which 'The Reluctant Debutante' is one of them. It is not without its imperfections. The story is thin which makes some of the middle act sluggish and repetitious. Some of Sandra Dee and John Saxon's lines are clunky and not a patch on the adults' material. John Saxon has his bland and wooden moments and Peter Myers is a bore. With all that being said, a huge amount of 'The Reluctant Debutante' works and incredibly well. Sandra Dee is a pert and charming presence and her chemistry with Saxon has its sweet moments. The adult supporting cast are much more impressive though.

Especially Kay Kendall (who died far too young a year later with much more to give), who is exquisite in every sense, comic timing, looks, everything. Rex Harrison delivers a lot of delicious lines with deft ease, with a flair for knowing comic timing and nuance. The film is actually worth seeing for their performances and irresistible chemistry alone. Angela Lansbury makes a thankless role interesting. Minnelli delivers on creating grand spectacle and gorgeous visuals, and paces everything that helps bring believability to the romantic and particularly comedic elements.

Scripting here is generally very good, at its best excellent. The comedic elements are delightfully witty and sophisticated and the romantic elements radiate with charm. There is a great deal of energy too. Lush music score too, with some great use of songs, the Cole Porter hits and "The Boy Next Door" are particular bonbons.

Visually, 'The Reluctant Debutante' looks wonderful. It's beautifully photographed, with opulently designed sets, gorgeous colours that pop out at you and especially those to die for costumes.

Overall, immensely charming and entertaining. 8/10 Bethany Cox

As others have noted, the plot is pretty slight, but it's a charming film, thanks to the effortless performances of Rex Harrison, Kay Kendall, and Angela Lansbury. The adults run away with this movie, rather like Beatrice and Benedick own 'Much Ado About Nothing,' even though Hero and Claudio are really the plot. The mile-a-minute dialogue between the older generation outshines the tame goings-on between Sandra Dee (who is completely adorable) and John Saxon (ditto). The reviewer who called Peter Meyers a Mortimer Snerd look-alike was spot on; he's so hilariously boring!

But to return to the exquisite Kay Kendall--her comic timing is superb and so is her dress sense! She looks totally fabulous in this film. It's terribly sad to see it and realize that she had not long to live. Film comedy lost a jewel in her.

According to the closing credits of 'What Every Girl Wants', 'The Reluctant Debutante' inspired that lamentable movie. Don't watch that; watch this!

This is my favorite comedy. Rex Harrison plays a man in London remarried to a strikingly lovely Kay Kendall. His daughter comes to live with them from America, played by Sandra Dee. She is just the right age for a "Coming Out Party", so her step-mom Kay Kendall sets about to get her ready and invite all the eligible bachelors.John Saxons plays a young man named David. Sandra meets John Saxon and likes him immediately. But a friend of Kay Kendall's Angela Lansbury who also has a daughter coming out, tells her what a terrible person John Saxon is. Angela Lansbury's own daughter likes the palace guard David.Sandra cannot stand him. John Saxon is as always the handsomest man in the movie with his smoldering good looks. He is a drummer who plays at these coming out parties.Sandra likes David ( John Saxon ) but there is another David who is one of the Palace guards.This other David looks like and acts like Edgar Bergen's dummy Mortimer Snerd. He is the classic bore. With two young men with the same name you can just imagine all the fun of mistaken identity and misunderstandings. Rex Harrison and Kay Kendall are so hilarious as they go from party to party night after night, till they are not quite sure who's party they are at or why they are there. A laugh a minute. It all makes for loads of fun and laughs. Between going to all the parties Rex and Kay have to keep their eye on Sandra, which makes for more fun then I can relate. Sandra likes Saxon and sneaks out to see him. A wonderfully hilarious comedy~ Don't miss this movie. You will be glad you saw it. Go buy it because you are going to want to see it over and over again. I think I will slip my copy in the VCR now and enjoy this movie too. Enjoy!

I saw this film with my family at Radio City Music Hall in 1958, the year of the film's release and it took the house down. The entire audience burst into applause at the film's conclusion. What simple days those were. Alas, I miss the great days of movies so much I haven't been in a movie theater in 30 years. Thirty years ago people were nice. Not any more. People in movie theaters are just as rude as they are everywhere else. To escape in such a simple delight as this film is all I can do these days aside from my daily solitude which I refer to as ZEN and which occupies most of my time. But occasionally along comes a delightful film like this and I am flooded with happy memories of my youth when everything came up roses. I have such fond memories of Kay Kendall not just in this film but also in Les Girls which was just as marvelous. She was a treasure, taken much too soon.

I can't add much to what has already been said of this delightful movie. But nobody has mentioned the costumes. It's astonishing to note that Balmain created the dresses for both Kay Kendall and Angela Lansbury. Nearly 50 years later, Kendall still looks ravishingly current in her haute couture day and evening wear. The magnificent red dress she wears in the first party scene is a perfect example and she had the stunning figure to enhance these wonderful costumes. Angela, who had a nifty figure herself, is a more full-figured woman. She's also playing a nasty bitch in this film, and her costumes reflect this aspect of her personality. Instead of looking chic, she looks dowdy.

Sandra Dee's costumes were created by MGM's Helen Rose. I didn't care for any of her daytime wear which was very much a product of the 50s, but it is with gowns that Rose's talent shines, and there's a lovely blue gown with tiny blue bows in the final scenes of this movie that you really notice, and Dee wears the dress like the prom queen she was.

Rex Harrison could wear stylish men's clothing with panache, and he does so here too.

I love this sophisticated movie, which I only discovered a few years ago. And the interior sets are equally beautiful.