During a mysterious epidemic in a small Cornish village, the local doctor summons his professor friend for help.During a mysterious epidemic in a small Cornish village, the local doctor summons his professor friend for help.During a mysterious epidemic in a small Cornish village, the local doctor summons his professor friend for help.
Alexander Davion
- Denver
- (as Alex Davion)
Tim Condren
- Young Blood
- (as Tim Condron)
Bernard Barnsley
- Young Blood
- (as Bernard Egan)
John Adams
- Man at Funeral
- (uncredited)
Chris Adcock
- Pub Patron
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Hammer's only stab at the zombie genre, the film takes place in a small town where strange occurrences and the odd disappearance catches the eye of local doctor Peter Tompson (Brook Williams). To investigate further, he enlists the help of his old teacher Professor (and Sir!) James Forbes (Andre Morell) who arrives with his daughter Sylvia (Diane Clare). Soon strange sightings are seen of zombie-like creatures, and suspicion is aroused with the aggressive behaviour of a group of fox hunters and the reclusive Clive Hamilton (John Carson). Is this the work of black magic and voodoo, or scientific experimentation gone wrong?
This is probably Hammer's most shamelessly entertaining film. This doesn't have the cutting edge politics and satire of Romero's original zombie trilogy, or the over-the-top cheap gore of Raimi's Evil Dead films, but has the distinction of being a typically British film, only with zombies! It's predictable and silly but it's bloody good fun. It's also made with Hammer's high production standards, beautiful sets and a surprisingly sinister edge. These aren't zombies that will eat your brains, and to be honest they only properly turn up in the last twenty minutes or so, but the film moves fast and has a great lead performance in stiff-upper-lipped Andre Morell. Not bad for a film that was the supporting feature in a Hammer double bill.
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This is probably Hammer's most shamelessly entertaining film. This doesn't have the cutting edge politics and satire of Romero's original zombie trilogy, or the over-the-top cheap gore of Raimi's Evil Dead films, but has the distinction of being a typically British film, only with zombies! It's predictable and silly but it's bloody good fun. It's also made with Hammer's high production standards, beautiful sets and a surprisingly sinister edge. These aren't zombies that will eat your brains, and to be honest they only properly turn up in the last twenty minutes or so, but the film moves fast and has a great lead performance in stiff-upper-lipped Andre Morell. Not bad for a film that was the supporting feature in a Hammer double bill.
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My vote for best Hammer movie of the 1960s goes to 'The Plague Of The Zombies'. It is easily one of the most original and entertaining films the studio ever released. Director John Gilling (also responsible for the bodysnatching classic 'The Flesh And The Fiends' a.k.a. 'Mania') really turns up the suspense in this gripping tale. He is helped enormously by a strong cast of leads - Andre Morell (the best Quatermass, in the original fifties TV version of 'Quatermass And The Pit'), who plays Sir James Forbes, man of science who must eventually accept that magic exists. Diane Clare ('The Haunting'), his independent daughter Sylvia, who becomes entangled in the mysterious goings on in a small Cornish village. And John Carson ('Captain Kronos, Vampire Hunter'), the charming but evil Squire who they must defeat. I thoroughly enjoyed this movie, and am baffled why it is rarely mentioned when Hammer horror movies are discussed. Highly recommended fun, creepy and well acted.
Sir James Forbes (André Morell) and his daughter, Sylvia (Diane Clare), are out of the blue requested to travel to a Cornish village by Sir James' former pupil, Dr. Peter Thompson (Brook Williams). The village has become a haven for mysterious deaths and Peter's believes that Sir James can shed some light on the matter. No sooner do they arrive when another victim surfaces and it's quickly becomes evident that something far more sinister than medical problems is at work here.
Hammer Horror tackles the zombie sub-genre with no little amount of success. Directed by John Gilling, The Plague Of The Zombies was filmed back to back with the equally entertaining The Reptile. Filmed out of fortress Hammer that was Bray Studios, the same sets that were used for The Reptile were also used here. With Bernard Robinson's Cornish Village again a treat for sore eyes. 1966 was the last year that Hammer used Bray Studios and it's fitting that it was a year that saw efficient and varying creepers filling out the Hammer Horror cannon. Peter Bryan's story, aided by some interesting imagery, delves into the dark world of witchcraft and voodoo, thus giving this particular "zombie" piece an extra dimension. This is not merely about zombies roaming the countryside and killing indiscriminately. Evil they are of course, but they have a purpose and being that comes to light as the story unfolds. There's also nods to tyranny and exploitation, wryly observed by the makers here, cheekily cloaked in a cloud of rotting flesh.
Technically it holds up rather well too. The effects are strong enough to carry the story, with the zombies eerie personified as they shuffle around all green flesh and grumbling away as we know they should. All captured in deluxe colour that comes out nice in High Definition. The cast are fine, with Morell standing out as he gives his usual classy and professional performance, while James Bernard's score is suitably at one with each and every change of pace. This is not just a fine and under appreciated part of the Hammer Horror output, it's also a worthy and most notable entry in the "zombie" genre. See it if you can. 7/10
Hammer Horror tackles the zombie sub-genre with no little amount of success. Directed by John Gilling, The Plague Of The Zombies was filmed back to back with the equally entertaining The Reptile. Filmed out of fortress Hammer that was Bray Studios, the same sets that were used for The Reptile were also used here. With Bernard Robinson's Cornish Village again a treat for sore eyes. 1966 was the last year that Hammer used Bray Studios and it's fitting that it was a year that saw efficient and varying creepers filling out the Hammer Horror cannon. Peter Bryan's story, aided by some interesting imagery, delves into the dark world of witchcraft and voodoo, thus giving this particular "zombie" piece an extra dimension. This is not merely about zombies roaming the countryside and killing indiscriminately. Evil they are of course, but they have a purpose and being that comes to light as the story unfolds. There's also nods to tyranny and exploitation, wryly observed by the makers here, cheekily cloaked in a cloud of rotting flesh.
Technically it holds up rather well too. The effects are strong enough to carry the story, with the zombies eerie personified as they shuffle around all green flesh and grumbling away as we know they should. All captured in deluxe colour that comes out nice in High Definition. The cast are fine, with Morell standing out as he gives his usual classy and professional performance, while James Bernard's score is suitably at one with each and every change of pace. This is not just a fine and under appreciated part of the Hammer Horror output, it's also a worthy and most notable entry in the "zombie" genre. See it if you can. 7/10
Andre Morell's character, Dr. Forbes, makes a very unusual house call at the opening of "The Plague of the Zombies." His old student, now practicing in a small (Victorian era) Cornish village, is mystified by the recent outbreak of deaths in that town, and even his wife, Alice, is starting to exhibit some strange lethargy. After Forbes arrives to help, he and his friend uncover a mix of voodoo, grave robbing and the undead, in this lesser known Hammer title that certainly deserves a greater renown. And thanks to the fine folks at Anchor Bay, this film's popularity may soon spread beyond its current cult reputation. "Plague" features an intelligent script, fine acting, solid photography and great atmosphere. Andre Morell's doctor makes for a very reassuring action hero, despite the actor's age (he was 57 at the time this picture was made). The film boasts three very chilling scenes: the first, nighttime appearance of a zombie on a hillside; the much-celebrated dream sequence; and Alice's rising from her grave. The smile on actress Jacqueline Pearce's face in this last scene is just haunting. Though marred by a somewhat disappointing finale, the film remains a minor horror masterpiece and one of the scariest works that I've yet seen from the House of Hammer. This movie would make a wonderful double feature with the similarly themed "White Zombie" (1932), or with another Hammer film made that same year (1966), "The Reptile," featuring Pearce again and the same director, John Gilling. Any way you watch it, though, the film is a real winner.
This movie begins with a young woman by the name of "Alice Mary Tompson" (Jacqueline Pearce) awakening from what appears to be a bad dream. The scene then shifts to London where a gentleman named "Sir James Forbes" (Andre Morell) is handed a letter from his daughter "Sylvia Forbes" (Diane Clare). The letter just happens to come from the husband of Alice who goes by the name of "Dr. Peter Tompson" (Brook Williams) which details a mysterious ailment in the Cornish village where he and Alice live. Being a professor of medicine Sir James is intrigued and decides to travel to this village to check it out. Sylvia comes with him because she is anxious to see her good friend Alice. Anyway, when they get there they soon discover that this plague is unlike anything they have ever come across and they cannot seem to isolate the cause. Now rather than disclose any more and risk ruining the film for those who haven't seen it I will just say that this movie was certainly quite watchable. At least for me. I say this because I typically like most zombie movies. Not only that but I especially like movies bearing the "Hammer" trademark. So this film definitely had my interest and I was not disappointed. Having said that however, I think it's only fair to point out a couple of minor deficiencies. First, the zombies looked a bit goofy. But considering that this movie was made in the mid-60's I suppose one has to make some allowances. The other thing I noticed was that some of the acting was a bit mediocre at times. Not bad necessarily but a bit mediocre all the same. Be that as it may, I liked the performance of Diane Clare and I also thought the story flowed very smoothly from one scene to the next. In short, this was a fine "pre-Romero" zombie movie and I rate it as slightly above average.
Did you know
- TriviaFilmed simultaneously with "The Reptile (1966)," in August and September of 1965, using many of the same sets, most noticeably the main village set on the back lot at Bray Studios.
- GoofsWhen Sir James and Peter are watching Alice's grave, they have to leave to help the vicar who has been attacked. The squire and his men open the grave and reveal Alice's corpse but are disturbed when Sir James and Peter return. As the two watch she transforms into a zombie and crawls out of her grave. But when they arrived back in the cemetery and found the open grave we see Alice for an instant in her coffin and she is already in zombie make up, even though this is before the transformation.
- Quotes
Sir James Forbes: Someone in this village is practicing witchcraft. That corpse wandering on the moors is an undead, a zombie.
- ConnectionsFeatured in The Reptile (1966)
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Details
- Release date
- Country of origin
- Language
- Also known as
- La maldición de los zombies
- Filming locations
- Heatherden Hall, Pinewood Studios, Iver Heath, Buckinghamshire, England, UK(Exterior of Sir James Forbes' residence)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.66 : 1
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