Little Manhattan

This is a great movie. I was laughing through the whole thing, not because it's a comedy, per se, but rather because I can relate to Gabe on so many levels. What I mean is, this film will resonate with any of you guys out there who've ever felt uneasy getting close to a girl, and with any girls who've ever known a guy to be that way. This is a real family film that is actually appropriate enough to be viewed by the whole family, and those can be hard to find these days. All of the actors did a great job, especially Josh Hutcherson (Gabe) and Charlie Ray (Rosemary). They did an amazing job. The story is interesting the whole way through - very entertaining, and I recommend this movie to you.

"Little Manhattan" is like a junior version of "Annie Hall" or a Manhattan take on "A Little Romance," which introduced Diane Lane in Paris.

It is a funny, delightful fable of boys and girls interacting with the opposite sex and working and divorcing parents that is a refreshing diversion from the jaundice of New York kids in "The Squid and the Whale." It is an original and marvelous conceit to try and get inside the head of a boy during that summer in the city when the scales are lifted on the perception of girls as givers of cooties to givers of complicated joy.

While married couple, and ex-New Yorkers, writer Jennifer Flackett and director Marc Levin formerly worked on "Wonder Years," and borrow several of those techniques, the bit too wise and nostalgic voice-over narration seems to be coming contemporaneously from the sympathetic Josh Hutcherson as almost 11 year old "Gabe." The object of his attention, Charlie Ray's very self-possessed "Rosemary," seems straight out of "Mad Hot Ballroom," which featured real life kids of the same age discussing similar issues as these kids do about the maturity levels of boys and girls. Such touches as the diverse karate class (the sitcom Ashton Kutscher comparison to the orange belt interloper is very funny) to schoolyard bully keep the film grounded in a kid's experiences, though the visual references to "The Graduate" and "Rebel Without A Cause" are a bit precious even for know-it-all kids.

The affectionate sense of a neighborhood being a kid's whole world is captured literally and through animated graphics diagramming the Upper West Side. This is not much changed from the neighborhood of another Natalie Wood film, her little girl in "Miracle on 34th Street," just with a bit more racial diversity. It's very natural that these folks bump into people they know while shopping at the Fairway specialty supermarket, and there's nice costume touches of worn, local T-shirts from Fordham Law and the American Museum of Natural History. I'm not sure non-New Yorkers will appreciate how Broadway can divide their perceptions such that kids can describe themselves as being Riverside Park kind of people vs. Central Park, but the production design well establishes the comparisons with a hyper-scheduled family, "they must be really committed to public education," who live in a duplex overlooking the latter park with a full-time nanny and treat their daughter to a classic New York experience of a performance at the Cafe Carlyle. (I remember my sons coming home with accounts of similar descriptions of classmate's apartments in comparison with our crowded digs.)

There's lots of "Ally McBeal"-type fantasy/over-active imagination elements, from funny uses of the very NYC streetscape like concert posters and theater marquees, so I had to chalk a bit up to similar fantasy that even sophisticated, "New Yorker"-reading, West End Avenue parents distracted by divorce, at least not as much as the oblivious mother in "E.T.", would let a fifth grader have the run of nine square blocks on his razor scooter (I didn't let my kids going to school in Manhattan loose until into 7th grade). It is shown realistically, and very amusingly, how lost they get on their first, unauthorized trip to the wilds of Christopher Street in Greenwich Village (even his dad feels that's way too far away to live), which recalls another madcap young 'uns in Manhattan George Roy Hill film "The World of Henry Orient." At least the caregivers are appropriately distraught when the kids seek too much freedom.

The musical selections are marvelous throughout, including originals, apt covers and cheerful new songs that capture being young and in love and confused in New York.

Bradley Whitford does parenting more warmly here than he did in "The Sisterhood of the Traveling Pants," maybe because he's relating to a boy. Cynthia Nixon is a believable mom with no stereotyped ticks.

We've come a long way in New York City since those same benches on the Broadway malls were shown so frighteningly in "The Panic in Needle Park." With the great bulk of Hollywood movies about kids of this age taking place in seemingly anonymous suburbs or bucolic exurbs where everyone lives in McMansions with SUVs, and indie films focusing on dysfunctional or otherwise deprived families, it is a pleasure to see such a sweet film about normal,yeah, middle class, city kids.

But you don't have to have been a city kid to remember that first crush and this charming film will bring all those euphoric feelings and embarrassing memories rushing back to adult viewers. Reminds me that I owe a certain Eddie L. an apology. . .

In Manhattan, the 10 ¾ years old Gabe (Josh Hutcherson) finds his first love when he meets his former kindergarten mate, the eleven years old Rosemary (Charlie Ray), in his karate classes. Confused with his new feelings and with the divorce process of his beloved parents, Leslie (Cynthia Nixon) and Adam (Bradley Whitford), he experiences the delightful unknown sensation of being in love for the first time.

When my friends from the best rental in Rio de Janeiro recommended this movie, I was quite reluctant to buy it. Fortunately I listened to their advice and saw this great little gem. The sensitive director Mark Levin has captured many adorable scenes and sequence of this lovely and charming central pair in delightful situations. Further, orphans of "Sex & the City" like me have the chance to see Cynthia Nixon (Miranda) and Willie Garson (Stanford Blatch) again. I would like to thank you, Cris and my dearest friends of Imaginario, for your recommendation. My vote is eight.

Title (Brazil): "O ABC do Amor" ("The ABC of Love")

It's about time! I've been tired of the usual romantic comedies -- guy in high-school/college/work falls in love with beautiful girl -- the courting.. the romanticism (i mean physical stuff! a lot of it!).. breakup.. rejoining.. happy ever after.

The usual formula.. it's followed since the start of time and it will remain there until the nukes destroy this world. BUT this movie had something different to offer.. of course there's a guy and definitely there's a girl.. and yES! he falls in love! that's obvious.. wouldn't be a romantic comedy without that..

One thing that is definitely different in this case is that the boy is a 10 yr old and the girl.. um.. 11 yrs..

So.. yeah.. a brilliant concept.. looking at love from the perspective of a kid. Something we saw before in The Wonder Years of course.. but much more. It gives you a very personal look at New York and Manhattan. The emotions and the feelings evoked by the whole affair in the situation is realistic and very funny.

Overall a feel good movie with a different twist on the physical side of love.. Please watch it! I'm sure you'll love every second!

Little Manhattan was a fun ride from beginning to end.

I took my wife and daughters who are 13 and 11 years old and everyone had a good time. I really lost my self in this story. It was good natured without being corny.

This is the first time I saw a movie that makes me want to visit New York.

With all of the mean spirited movies out today this reminds of how nice it is to enjoy a good story. I would like to see more of this kind of writing in every movie.

I plan to buy the DVD for my 11 year old when it becomes available.