James and Em Foster are enjoying an all-inclusive beach vacation in the fictional island of La Tolqa, when a fatal accident exposes the resort's perverse subculture of hedonistic tourism, re... Read allJames and Em Foster are enjoying an all-inclusive beach vacation in the fictional island of La Tolqa, when a fatal accident exposes the resort's perverse subculture of hedonistic tourism, reckless violence and surreal horrors.James and Em Foster are enjoying an all-inclusive beach vacation in the fictional island of La Tolqa, when a fatal accident exposes the resort's perverse subculture of hedonistic tourism, reckless violence and surreal horrors.
- Awards
- 3 wins & 31 nominations total
Dunja Sepcic
- Anna the Cleaning Woman
- (as Dunja Sepčić)
Adam Boncz
- Ketch
- (as Ádám Boncz)
Zijad Gracic
- Dro Thresh
- (as Zijad Gračić)
Amar Bukvic
- Resort Cop
- (as Amar Bukić)
Alan Katic
- Police Officer 1
- (as Alan Katić)
Lena Juka Stambuk
- Myro's Daughter
- (as Lena Juka Štambuk)
Romina Tonkovic
- Receptionist
- (as Romina Tonković)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
James Foster is a one-novel author struggling with writer's block. He and his wife Em are vacationing at a resort on the idyllic, isolated isle of Li Tolqa, where their marital woes cause constant arguments. After meeting Gabi, a fan of his novel, and her husband Alban, James and Em venture outside the boundaries of the resort, where the two couples enjoy a drunken day of sunbathing. However, their dream vacation soon turns into a nightmare after an accident occurs, plunging James into a dark underworld of debauchery and excess. As he battles a twisted justice system, a bizarre cult and his own deepest fears, will James escape, or be trapped on the island ad infinitum?
Written and directed by Brandon Cronenberg, 'Infinity Pool' is an ambitious, headily atmospheric psychological horror that doesn't quite go the distance. Initially intriguing, then frustrating, and finally exasperating, the screenplay tries to balance too many different elements, failing at nearly all of them. Though the film tries to explore some interesting themes of identity, morality and escapism, they are not fully developed or resolved; coming across as rather half-baked.
Additionally, the surreal seediness of the first act- which draws one in brilliantly- does not sit well with the rote science fiction and action-oriented elements of the last two. A cloning sub-plot is both poorly explained and executed, and the denouement is anticlimactic and cliched. Cronenberg's characterisation is rather shallow, to boot, and the main character is largely unsympathetic. James is neither likable nor relatable, and his motivations and actions are often illogical and inconsistent.
With 'Infinity Pool', Cronenberg has created a surreal and distinct world, but fails to do anything interesting with it narratively. Conversely, the film is a visual delight, boasting striking cinematography from Karim Hussain, who uses analog methods in a digital medium to create its disturbing, dreamlike visual style. Hussain also employs unusual framing and lenses to express James' emotional turmoil, as well as the duality between the paradise-like resort and the hellish underworld of the island. 'Infinity Pool' is stunning, with vibrant colours, rich textures and grand compositions drawing the viewer into Cronenberg's horrific environment.
Furthermore, Tim Hecker's score adds to the film's eerie and unsettling atmosphere, and James Vandewater's editing is continuously adept. 'Infinity Pool' also boasts a fine central performance from Alexander Skarsgård, who makes the most out of Cronenberg's scant characterisation of James. Mia Goth also does strong work as the seductive and mysterious Gabi, though her tendency for overacting- which made her so appealing in 'X' and 'Pearl'- hampers the impact of her performance somewhat.
A disappointing waste of potential that leaves the viewer unsatisfied and confused, 'Infinity Pool' could- and probably should- have been much better than it is. Despite some interesting ideas and a strong first act, Cronenberg's narrative is unengaging and familiar. Though the cinematography is consistently alluring, the film is not, and the commendable efforts of Alexander Skarsgård and Mia Goth do little to keep one's interest held. In the end, perhaps the best one can say about 'Infinity Pool' is that it doesn't go on forever.
Written and directed by Brandon Cronenberg, 'Infinity Pool' is an ambitious, headily atmospheric psychological horror that doesn't quite go the distance. Initially intriguing, then frustrating, and finally exasperating, the screenplay tries to balance too many different elements, failing at nearly all of them. Though the film tries to explore some interesting themes of identity, morality and escapism, they are not fully developed or resolved; coming across as rather half-baked.
Additionally, the surreal seediness of the first act- which draws one in brilliantly- does not sit well with the rote science fiction and action-oriented elements of the last two. A cloning sub-plot is both poorly explained and executed, and the denouement is anticlimactic and cliched. Cronenberg's characterisation is rather shallow, to boot, and the main character is largely unsympathetic. James is neither likable nor relatable, and his motivations and actions are often illogical and inconsistent.
With 'Infinity Pool', Cronenberg has created a surreal and distinct world, but fails to do anything interesting with it narratively. Conversely, the film is a visual delight, boasting striking cinematography from Karim Hussain, who uses analog methods in a digital medium to create its disturbing, dreamlike visual style. Hussain also employs unusual framing and lenses to express James' emotional turmoil, as well as the duality between the paradise-like resort and the hellish underworld of the island. 'Infinity Pool' is stunning, with vibrant colours, rich textures and grand compositions drawing the viewer into Cronenberg's horrific environment.
Furthermore, Tim Hecker's score adds to the film's eerie and unsettling atmosphere, and James Vandewater's editing is continuously adept. 'Infinity Pool' also boasts a fine central performance from Alexander Skarsgård, who makes the most out of Cronenberg's scant characterisation of James. Mia Goth also does strong work as the seductive and mysterious Gabi, though her tendency for overacting- which made her so appealing in 'X' and 'Pearl'- hampers the impact of her performance somewhat.
A disappointing waste of potential that leaves the viewer unsatisfied and confused, 'Infinity Pool' could- and probably should- have been much better than it is. Despite some interesting ideas and a strong first act, Cronenberg's narrative is unengaging and familiar. Though the cinematography is consistently alluring, the film is not, and the commendable efforts of Alexander Skarsgård and Mia Goth do little to keep one's interest held. In the end, perhaps the best one can say about 'Infinity Pool' is that it doesn't go on forever.
This film totally misses it's mark. It tries so hard to be bizarre and abstract but ends up being pretentious and annyoing. I honestly have no idea why people like this film. I could barely get through it and honestly couldn't wait for it end. I normally like Mia Goth films but this one didn't do it for me. She was super cringe in this. Especially in the scene where she's riding on the front of the car. Her screeching voice almost made my head explode. How this film has a rating above six stars is beyond me. This is definitely not a film I'd recommend or torture myself by sitting through again. 4 stars.
After Antiviral and The Possessor, Infinity Pool continues Brandon Cronenberg's path to being a film maker to watch. His films are unique and he will supersede his dad nicely once his legendary career comes to an end.
The casting is great with Mia Goth & Alexander Skarsgard continuing their trend of picking projects that are more exciting than the typical hollywood fair. Both are superb here and are the perfect pair with Goth on manic form, almost on Pearl levels of insanity at times.
The movie has unique ideas and surprises that don't go the conventional ways you'd expect. The film is gorgeous to look at despite being horrific in nature and the ending is well done. The normality of it all is chilling and gets under your skin after what's taken place the previous two hours.
Highly recommend.
The casting is great with Mia Goth & Alexander Skarsgard continuing their trend of picking projects that are more exciting than the typical hollywood fair. Both are superb here and are the perfect pair with Goth on manic form, almost on Pearl levels of insanity at times.
The movie has unique ideas and surprises that don't go the conventional ways you'd expect. The film is gorgeous to look at despite being horrific in nature and the ending is well done. The normality of it all is chilling and gets under your skin after what's taken place the previous two hours.
Highly recommend.
Infinity Pool, the latest from writer/director Brandon Cronenberg, focuses on James and Em Foster, on vacation to help James clear his head in order to attempt writing his second novel. James and Em meet and are guided by a mysterious couple also vacationing outside of the resort to find themselves stuck in a culture packed with sex, violence, and unimaginable terrors. After a fatal vehicular accident leaves them facing the wrath of local law enforcement, James and Em are faced with a decision: be executed for their crime or, if rich enough, watch themselves die. What results is a downward plunge into debauchery, murder, and desperation.
Infinity Pool stars Alexander Skarsgård and Mia Goth. Fresh off his tilt as Amleth in 2022's The Northman, Skarsgård plays a very different character here. In Infinity Pool Skarsgård is James Foster, struggling writer married to Em Foster, daughter of a power publisher and the couple's breadwinner. An amenable guy, James is enjoying his vacation with Em at Lotoka, a beachside country. Skarsgård plays James with the air of a man a bit adrift in life, clinging onto Em as a comfortable life raft. As an actor used to playing characters with power (see: True Blood) or iron determination (Mute, The Northman), Skarsgård takes a surprising turn as a meek, easily-lead man. While the change of pace is refreshing, Skarsgård's portrayal of James is nothing noteworthy. His passable acting is enough to offset the insanity that is Mia Goth.
Mia Goth as Gabi Bauer is trouble from the first moment she appears on screen until her final. A performance that starts unsettling before ramping up to completely unhinged, Goth milks every ounce of craziness she can from the script. While it's not always for the best (Goth has some truly questionable line readings in this), she's by far the overall best part of the movie. While her characterization is maddening, the motivations Cronenberg gives Gabi are nebulous at best. Thankfully, that's no fault of Goth's and when she shows up on screen, audiences are in for a treat.
Written and directed by Brandon Cronenberg, Infinity Pool is the director's second outing after 2020's amazing debut, Possessor. Sadly, the sophomore slump is apparent in his second project, giving audience and body horror fans a lackluster followup that's unfocused and meandering. From a directing standpoint, Cronenberg is still sharp, delivering tension and suspense along with the cringe-inducing scenes the family is known for. Extreme closeups of mutilation, murder, and blood by the buckets (topped off with a cumshot in the film's first 30 minutes) will put moviegoers on their backfoot while being completely vulnerable to whatever could happen next. Cinematographer Karim Hussain, who also shot the beautiful Possessor, delivers on the goods again, providing a remarkable visual journey that James embarks upon. Cronenberg's choice to shoot Infinity Pool in Croatia, one of the planet's most beautiful countries, while mostly resisting the opportunity to display that beauty and instead focus on the grime and side streets is a commendable decision that lines up with tone of the movie.
As a writer, after tackling the theme of identity loss in an increasingly technological world in Possessor, in Infinity Pool no such messages seem to exist outside of a general human desensitivity to death. The first act might be the story's strongest, developing characters and creating situations that will entice the audience to be locked in and attentive. Unfortunately in the second act turn, where everything starts to fall apart for James, is also where everything will fall apart for the audience. James' descent into depravity, while interesting to look at in a well executed montage of sex and psychedelics, ultimately leads to a chaotic story with little in the way of explanation or true resolution.
Overall, Infinity Pool is a mess of a movie. Within that mess are hints at something good, possibly great, but Cronenberg seems to be too in love with the idea of creating something off kilter more than telling an actual story. Alexander Skarsgård's performance is passable as a man lost in hedonism, while Mia Goth's unhinged insanity somehow fluctuates between amazing and downright lousy. Lacking the usual amount of body horror audiences have come to expect from the name Cronenberg, this film instead chooses to skate by on its ambience, which doesn't always work in its favor.
Infinity Pool stars Alexander Skarsgård and Mia Goth. Fresh off his tilt as Amleth in 2022's The Northman, Skarsgård plays a very different character here. In Infinity Pool Skarsgård is James Foster, struggling writer married to Em Foster, daughter of a power publisher and the couple's breadwinner. An amenable guy, James is enjoying his vacation with Em at Lotoka, a beachside country. Skarsgård plays James with the air of a man a bit adrift in life, clinging onto Em as a comfortable life raft. As an actor used to playing characters with power (see: True Blood) or iron determination (Mute, The Northman), Skarsgård takes a surprising turn as a meek, easily-lead man. While the change of pace is refreshing, Skarsgård's portrayal of James is nothing noteworthy. His passable acting is enough to offset the insanity that is Mia Goth.
Mia Goth as Gabi Bauer is trouble from the first moment she appears on screen until her final. A performance that starts unsettling before ramping up to completely unhinged, Goth milks every ounce of craziness she can from the script. While it's not always for the best (Goth has some truly questionable line readings in this), she's by far the overall best part of the movie. While her characterization is maddening, the motivations Cronenberg gives Gabi are nebulous at best. Thankfully, that's no fault of Goth's and when she shows up on screen, audiences are in for a treat.
Written and directed by Brandon Cronenberg, Infinity Pool is the director's second outing after 2020's amazing debut, Possessor. Sadly, the sophomore slump is apparent in his second project, giving audience and body horror fans a lackluster followup that's unfocused and meandering. From a directing standpoint, Cronenberg is still sharp, delivering tension and suspense along with the cringe-inducing scenes the family is known for. Extreme closeups of mutilation, murder, and blood by the buckets (topped off with a cumshot in the film's first 30 minutes) will put moviegoers on their backfoot while being completely vulnerable to whatever could happen next. Cinematographer Karim Hussain, who also shot the beautiful Possessor, delivers on the goods again, providing a remarkable visual journey that James embarks upon. Cronenberg's choice to shoot Infinity Pool in Croatia, one of the planet's most beautiful countries, while mostly resisting the opportunity to display that beauty and instead focus on the grime and side streets is a commendable decision that lines up with tone of the movie.
As a writer, after tackling the theme of identity loss in an increasingly technological world in Possessor, in Infinity Pool no such messages seem to exist outside of a general human desensitivity to death. The first act might be the story's strongest, developing characters and creating situations that will entice the audience to be locked in and attentive. Unfortunately in the second act turn, where everything starts to fall apart for James, is also where everything will fall apart for the audience. James' descent into depravity, while interesting to look at in a well executed montage of sex and psychedelics, ultimately leads to a chaotic story with little in the way of explanation or true resolution.
Overall, Infinity Pool is a mess of a movie. Within that mess are hints at something good, possibly great, but Cronenberg seems to be too in love with the idea of creating something off kilter more than telling an actual story. Alexander Skarsgård's performance is passable as a man lost in hedonism, while Mia Goth's unhinged insanity somehow fluctuates between amazing and downright lousy. Lacking the usual amount of body horror audiences have come to expect from the name Cronenberg, this film instead chooses to skate by on its ambience, which doesn't always work in its favor.
That was a waste of time. I'm a fan of horror movies and watched this one based on the reviews and "10 best lists". Boy, that was a mistake. The movie started out with a good premise and went absolutely no where. What was the point of all that? It could have been something interesting and intriguing with moral questions and issues to discuss. Instead, the film was full of a bunch of what ifs, obnoxious performances, and gratuitous scenes that serve no purpose. I kept checking role time to see how more pretentious drivel I had to sit through. Good ide, awful execution. Things one to skip and let die.
Did you know
- TriviaIn a 2023 interview with Fangoria, Brandon Cronenberg spoke about how a real-life vacation experience inspired the film: "The film started as a short story just about the first execution, and as I was expanding it into a feature, I kept going back to a vacation I went on about 20 years ago to an all-inclusive resort in the Dominican Republic. It was surreal, because they would bus you in in the middle of the night, so you couldn't see any of the country. They would just drop you in this resort compound, which was in fact surrounded by a razor-wire fence. You couldn't leave, much like in the film, and there was a kind of fake town where you could go shopping. The Chinese restaurant and the horrible discotheque in the movie are both based on that actual resort; the scene with the man on the ATV on the beach being chased by guards actually happened. And then, at the end of the week, they bused you back during the day, and you could see the actual immediate surrounding country, which was very poverty-stricken. There were people living in shacks. That contrast was obviously horrible, but also surreal, because you realized you had never actually entered the country; you were just dropped into this strange pocket of a sort of alternate dimension that had just grown up to become this tacky Disneyland mirror image of reality."
- GoofsIn the last bus scene, James' hands are clearly in view and uninjured when the right one should be cut, bruised, or at least bandaged.
- Alternate versionsThere were two, slightly different versions released, an R-rated cut for the U.S. market, and an Unrated (previously, NC-17) one for the rest of the world and the home video market on Blu-Ray. Time differences are negligible; the differences are, as usual in cases such as these, that the Unrated cut contains slightly more violence and nudity. A detailed breakdown of the differences can be found at movie-censorship.com
- SoundtracksCharles Serenade
Performed by Jim Williams
Written by Jim Williams
Courtesy of Bucks Music Group Limited
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Muerte infinita
- Filming locations
- Sibenik, Croatia(resort)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,078,400
- Opening weekend US & Canada
- $2,514,364
- Jan 29, 2023
- Gross worldwide
- $5,202,301
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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