A harsh history lesson as well as a good yarn, this visually arresting endeavour registers strongly at a time when refugees account for a record 1% of the world’s population.
The strong subject matter as well as the eponymous subject’s storied life makes one wish for a longer running time than 72 minutes.
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The New York TimesNicolas Rapold
The New York TimesNicolas Rapold
The 74-minute film leaps among time frames without much warning. Occasionally, the screen erupts into crackling black-and-white images drawn directly from Bartolí’s work — as if torn from the very pages of his sketchbooks.