Byron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troub... Read allByron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troublemakers in the UK's early 2000s club scene.Byron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troublemakers in the UK's early 2000s club scene.
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First four episodes felt so timely, tight, subversive and is some of the best looking TV in recent memory.
I loved how uncomfortable the first few episodes make you feel, it's a tough watch. The relationships, specifically between Byron and their parents, were unconventional and complex and really interesting. It's just a shame that the latter half of the series doesn't really keep up with what was promised.
It seems to lose focus and derails for me. Some characters set up to be of importance are completely dropped and there are a few decisions later on that have little logic to them at all.
By the end I sort of felt nothing for these characters, which is such a shame considering how much I was rooting for them to begin with.
I felt like it could have been such a tight 4-6 episode series focussing on the earlier storyline.
Still enjoyable and totally worth watching, just could have been so much tighter.
I loved how uncomfortable the first few episodes make you feel, it's a tough watch. The relationships, specifically between Byron and their parents, were unconventional and complex and really interesting. It's just a shame that the latter half of the series doesn't really keep up with what was promised.
It seems to lose focus and derails for me. Some characters set up to be of importance are completely dropped and there are a few decisions later on that have little logic to them at all.
By the end I sort of felt nothing for these characters, which is such a shame considering how much I was rooting for them to begin with.
I felt like it could have been such a tight 4-6 episode series focussing on the earlier storyline.
Still enjoyable and totally worth watching, just could have been so much tighter.
Be aware , Review has no spoilers but does point out errors
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Brilliantly written, thrilling and yet well-grounded. Showcasing the reality of a low-income upbringing in the Midlands with all the drama that comes with new experiences and relationships. It's painfully relatable whilst still leaving you on the edge of your seat. Uncomfortable at times but never enough to make you want to skip ahead, everything adds to the story in one way or another, never a second of waffle. Byron's character development is excellent and gripping, every small smirk, the long stares see his limits pushed that little bit further and opens the gates for more of these experiences that little bit more, especially with his homelife troubles giving a supporting arm to explain why he puts himself out there so boldly. The narration by Ellis Howard in the same vernacular, adding to the grit of the setting, ramps up the tension.
Small side note, I don't think it being the year 2000 is at all relevant to the story. The only signs you see of it being early noughties are that people use old phones, and some of the cars are old models, but it doesn't make much difference. I'm not detracting from the rating, as because it's mostly an irrelevant factor, it's still an excellent show, however it just sets the show up for mistakes and minus points, because theres also an occasional continuity error when you can see a brand new Stagecoach bus in the background at the bus station.
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Brilliantly written, thrilling and yet well-grounded. Showcasing the reality of a low-income upbringing in the Midlands with all the drama that comes with new experiences and relationships. It's painfully relatable whilst still leaving you on the edge of your seat. Uncomfortable at times but never enough to make you want to skip ahead, everything adds to the story in one way or another, never a second of waffle. Byron's character development is excellent and gripping, every small smirk, the long stares see his limits pushed that little bit further and opens the gates for more of these experiences that little bit more, especially with his homelife troubles giving a supporting arm to explain why he puts himself out there so boldly. The narration by Ellis Howard in the same vernacular, adding to the grit of the setting, ramps up the tension.
Small side note, I don't think it being the year 2000 is at all relevant to the story. The only signs you see of it being early noughties are that people use old phones, and some of the cars are old models, but it doesn't make much difference. I'm not detracting from the rating, as because it's mostly an irrelevant factor, it's still an excellent show, however it just sets the show up for mistakes and minus points, because theres also an occasional continuity error when you can see a brand new Stagecoach bus in the background at the bus station.
I have only watched one episode but can already tell this is a groundbreaking show. It has that honest raw queer depiction like Queer As Folk back then but with a deeper sensitivity akin to the film Beautiful Things. It balances humour, coming of age drama and sexuality with perfection. The lead Ellis Howard is fantastic and so are the rest of the cast. I must admit I was worried it would be one of these overstylized and over the top LGBTQ dramas with ridiculous storylines and fierce characters. It's the opposite, it shows the flaws, doubts and struggle of a young queer character but in a funny and original way. The writing reminds me of author Douglas Stuart but lighter. Also the UK 2000s rendition is spot on. I know where the story is going and I'm impatient to follow it.
I loved it so much, it shows how hard it was for lgbtq+ people in the 2000s. The acting was also my biggest amazement from this show, the actors need a good applause for the amazing work in this series. In my modest opinion, this is a must watch for people. I'm literaly gonna tell everyone that sees this that if you haven't watched it, you should. Plus charecter development was so good for a short series like this, I'm very surprised that they pulled it off very well. In conclusion, this is a work of art, that really deserves lots of attention, and I recommend it to everyone cause it's queer and proud. Luv yall.
I watched all episodes in one sitting. It recreated the era particularly well. An outstanding cast with impeccable direction. Ellis (Byron) was in just about every scene and was perfect casting. I laughed, cried, laughed some more until I couldn't breathe. Emotional and outstanding drama. The music was also a great reminder of the nightlife scene 25 years ago, it had a way of transporting you back all those years ago without feeling that time had moved too much. A couple of familiar faces popped up that added to the enjoyment as they were unfamiliar roles for those actors. Well done to all for the journey.
Did you know
- TriviaParis Lees, the author of the memoir this series is based upon, makes a cameo appearance in episode 5 as "the shaman".
Details
- Release date
- Country of origin
- Also known as
- What It Feels Like for a Girl
- Filming locations
- 37 Old Arts College, Newport, Wales(Kev's House)
- Production companies
- See more company credits at IMDbPro
- Color
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