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6.3/10
6.9K
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A father driven into desire, a son coveting that of his father's and the sorrowful maternity that hovers them into tragedy.A father driven into desire, a son coveting that of his father's and the sorrowful maternity that hovers them into tragedy.A father driven into desire, a son coveting that of his father's and the sorrowful maternity that hovers them into tragedy.
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And I thought Pietà was appalling! But the 19th film by director Kim Ki-duk really brings on screen something that reaffirms his reputation as one of world cinema's highly controversial directors. One of the most uncomfortably hilarious films I've to sit through, Moebius tells the story of a destructive family in which the husband is having an extra-marital affair, the wife is jealous plus angry & their son who ends up paying the price for his father's acts.
Written & directed by Kim Ki-duk who really has a weirdly disturbing sense of humour, the film has no dialogues throughout its runtime & even music is absent except for the final moments. There is a lot of hilarity in the film but it comes with a price that not everyone will be willing to pay. The story begins on an extreme note but never really settles down for a bit & it'll have you go WTF every few minutes.
On an overall scale, Moebius presents its notorious director going way too far with the subject matter than he did in his last feature & although as pretentious it may be, it really won't be easy to get it out of your head once you've seen it. Infused with Buddhist symbolisms that completely went over my head, Moebius is an extremely scarring cinematic experience that'll find you laughing while your eyes bleed.
Watch it at your own risk & remember what you're going in for. You've been warned.
Written & directed by Kim Ki-duk who really has a weirdly disturbing sense of humour, the film has no dialogues throughout its runtime & even music is absent except for the final moments. There is a lot of hilarity in the film but it comes with a price that not everyone will be willing to pay. The story begins on an extreme note but never really settles down for a bit & it'll have you go WTF every few minutes.
On an overall scale, Moebius presents its notorious director going way too far with the subject matter than he did in his last feature & although as pretentious it may be, it really won't be easy to get it out of your head once you've seen it. Infused with Buddhist symbolisms that completely went over my head, Moebius is an extremely scarring cinematic experience that'll find you laughing while your eyes bleed.
Watch it at your own risk & remember what you're going in for. You've been warned.
Moebiuseu. A completely wordless experience. So in line with that, my reveiw will be short.
Moebiuseu is a sexual exploration like no other. It stuns, and enlightens.
And it's not for the squeamish.
Moebiuseu is a sexual exploration like no other. It stuns, and enlightens.
And it's not for the squeamish.
On a close look at this film, director Kim Ki Duk cannot be blamed for making a controversial fiction film about the taboo subject of 'Incest'. It is not the depiction of the social evil but the manner in which this topic is handled is strange. In the recent history of South Korean cinema, Moebius might be one of the few films where a South Korean family especially the parents are shown in an extremely bad light. The biggest problem about this film is that it does not have any dialogs. The actors are shown to perform their roles without uttering much. This has given rise to a lot of confusion as viewers might have hard time understanding the real motive of different characters. At a time when most joint families are collapsing due to irresponsible attitude of individual members, Moebius is surreal depiction of the total collapse of a family due to the neglect of the family by the male member. Kim Ki Duk's controversial film "Moebius" got a second lease of life when a ban on its showing in South Korea was lifted. There is hardly anything strange in this development as most of his films have failed to achieve popularity with domestic audiences in South Korea.Moebius is a good link to the chain of controversial films started by directors Bernardo Bertolucci and Louis Malle.
Wow! What a jolt of caffeine was this! I guarantee you that you will see quite a few scenes in 'Moebius' that you will not see anywhere else. Boy, are these Korean filmmakers getting daring.
I'll try my best not to lay any spoilers in this brief review because that would ruin the joy of discovery for you. Suffice it to say, Hollywood or Bollywood would never touch a script like this with a ten foot pole. As a matter of fact, I didn't know what I was getting into when I acquired this film. I figured, well, it's Korean horror so I should probably prepare myself.
I'm glad I saw this film; it really made my day. It is a must see because of its originality. I'm not going to say what makes it so unique, but you can tell from the high ratings it's received on IMDb that it's worth the price of admission.
I'll try my best not to lay any spoilers in this brief review because that would ruin the joy of discovery for you. Suffice it to say, Hollywood or Bollywood would never touch a script like this with a ten foot pole. As a matter of fact, I didn't know what I was getting into when I acquired this film. I figured, well, it's Korean horror so I should probably prepare myself.
I'm glad I saw this film; it really made my day. It is a must see because of its originality. I'm not going to say what makes it so unique, but you can tell from the high ratings it's received on IMDb that it's worth the price of admission.
Have you ever watched a film that brings your endurance to explicit (even sick!) blood and sex violence to its very limit while at the same time makes you laugh and depicts with smart (yet explicit!) cleverness one of the basic essentials of Buddhism?... No, I'm not trying to bring opposite worlds together, but Kim Ki-Duk did, in his film Moebius.
A truly masterpiece of cinema in its pure essence, compelling and with an stunning economy of resources: few settings, few actors, even the two female roles are played by the same actress (Eun-woo Lee) in an outstanding performance. Moebius tells a story with deep metaphysical symbolism using just images (there is no dialogs) and focusing exclusively and with dazzling clarity on the points important for the story and its meaning, namely the search for physical pleasure concomitant to the nature of every human being, and the main protagonist of this: a part of the male anatomy known as "penis".
Only after the last scene, when the young protagonist bows before Buddha, one can understand the whole meaning of the film, every piece fits then perfectly in the puzzle (emotional puzzle, we are not talking about crime and mystery here). Then we understand that pleasure (the main, maybe the only important one: sexual pleasure) comes always at a price in this world; pleasure involves pain one way or another. Not once in the film pleasure brings any kind of satisfaction or happiness, instead it causes distress, sorrow, guilt, pain, immediate or in the long term; many of the scenes in the film show the attainment of pleasure directly through pain, and with more pain as a consequence.
CAVEAT - SPOILER IN THIS LAST PARAGRAPH
But then, in the end, the young protagonist frees himself from this tie, through the most direct way: castration (well, there are actually several of these throughout the film, so WARNING for sensitive viewers!), and later, bowing before Buddha, he does something he had not done even once during the film: he SMILES, as Buddha did. He is released now from human passions, no longer slave of his desires, no longer subject to the inescapable search for pleasure of the physical body. He is now FREE
A truly masterpiece of cinema in its pure essence, compelling and with an stunning economy of resources: few settings, few actors, even the two female roles are played by the same actress (Eun-woo Lee) in an outstanding performance. Moebius tells a story with deep metaphysical symbolism using just images (there is no dialogs) and focusing exclusively and with dazzling clarity on the points important for the story and its meaning, namely the search for physical pleasure concomitant to the nature of every human being, and the main protagonist of this: a part of the male anatomy known as "penis".
Only after the last scene, when the young protagonist bows before Buddha, one can understand the whole meaning of the film, every piece fits then perfectly in the puzzle (emotional puzzle, we are not talking about crime and mystery here). Then we understand that pleasure (the main, maybe the only important one: sexual pleasure) comes always at a price in this world; pleasure involves pain one way or another. Not once in the film pleasure brings any kind of satisfaction or happiness, instead it causes distress, sorrow, guilt, pain, immediate or in the long term; many of the scenes in the film show the attainment of pleasure directly through pain, and with more pain as a consequence.
CAVEAT - SPOILER IN THIS LAST PARAGRAPH
But then, in the end, the young protagonist frees himself from this tie, through the most direct way: castration (well, there are actually several of these throughout the film, so WARNING for sensitive viewers!), and later, bowing before Buddha, he does something he had not done even once during the film: he SMILES, as Buddha did. He is released now from human passions, no longer slave of his desires, no longer subject to the inescapable search for pleasure of the physical body. He is now FREE
Did you know
- TriviaThere are no spoken dialogues in the film.
- Alternate versionsUpon first submission to the Korea Media Rating Board, the original 90 minute-cut of the film was classified a "Restricted Release" rating, which is equivalent to the MPAA NC-17 rating and would result into a very limited release only across restricted film theaters across South Korea. The KMRB objected the film's release due to its incestuous scenes. In accordance to KMRB's guidelines, director Kim ki-Duk would then trim off 1 minute and 20 seconds of footage for a second submission. However, this new 89 minute-version would also get a Restricted rating. Kim would then remove 50 more seconds of more incestuous footage and would bring the runtime down to its current form of 88 minutes. The KMRB rated the new cut a "Youth Not Allowed" rating and would finally clear a wide release.
- ConnectionsFeatured in At the Movies: Venice Film Festival 2013 (2013)
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Details
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- Also known as
- Vòng Tròn Tội Lỗi
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Box office
- Gross US & Canada
- $2,340
- Opening weekend US & Canada
- $876
- Aug 3, 2014
- Gross worldwide
- $11,563
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