Carnets de voyage

From director Walter Salles comes a very moving road journey which had me completely spellbound by the end and I'm sure would gain many viewer's hearts as the infamous director dives deep into many different issues.

The story centres around two young doctors going on a motorbike journey around the world, not for personal gain but for the experience. This idea was completely outstanding. It gives the audience an understanding of young people's desires, not for personal gains such as money but for an experience into real life issues and wishing to know more about the world around them. These ideas I'm sure would make viewers aspire to be like the central characters to go out and explore the world and that was a reason why I personally loved this drama, because it gives inspiration to the audience and really moves them in a way which will leave you completely spellbound.

The film centres on many issues but one which stuck out for me was the heavy ideologies of health. In the year 1950 there were many health issues present in the poorer counties such as Peru and this Oscar winning drama is able to capture these issues magnificently. The two central protagonists are doctors and are wishing to help others with their knowledge and expertise as they explore the less fortunate countries to help with the many depressing health problems the countries are experiencing. There is a very highly emotional driven scene when the lead character tries to help a very ill woman who is refusing to be treated. Tensions are always running high in the latter stages of the film when many issues are wishing to be resolved and the central protagonists are putting themselves on the line to help the ill residents of the poor countries.

Having changes in situations was a very powerful technique. The characters experience a poor life and a rich life. Audiences will see different perspectives of life in the 1950s when seeing there are poor and rich countries and are divided by the smallest differences, such as illnesses. We also see more joyous moments and highly emotional driven scenes which also gives a sense of how life is, the good and bad sides are both expressed in equal amounts which in my opinion was a fantastic move and will capture your heart as it did mine

Centred on the 1950s the film captured the essence of the politically driven time beautifully. Audiences see job issues, money problems and country matters which all juxtapose perfectly to capture the essence of the time and crate a high realism in context of the time

The acting by everyone involved is absolutely outstanding and it confused me when not one received an Oscar nomination because Gael Garcia Bernal and Rodrigo De la Serna are remarkable as the two travellers. Both dealing with their own issues we see different types of characters but similar characteristics to which made the film more believable of society where opinions are divided but also shared.

Bernal plays a character who is always saying what he feels and is never wishing to back down from anyone or anything and he pulled it off tremendously. The passion he creates as the central protagonist Guevara is utterly astonishing as he deals with asthma problems, love lives and money issues. It's a lot for him to take as he realises how serious life can be. Serna to also pulls off a classic performance as the older more experienced of the two who is always looking for that little bit more than his fellow traveller.

Using different countries such as Peru, Venezuela, and Spain allows viewers to gain an insight into the vastness of life. Using poor countries as well as rich countries allows viewers to see different sides to the world in the 1950s and was pulled off greatly. The characters can therefore experience what a posh life is like as well as what life in the fast lane gives them. The camera work is astonishing. Shooting from Venezuela, Peru etc we see different perspective of the countries. The scenery is always beautiful with shots of the towns in a poor state and the general background of the countries is to be admired. The shots of the bike on the roads are to be admired. The camera moves adjacent to the bike giving the realistic effect of the bike moving fast along the empty roads, gaining a sense of freedom and enjoyment.

From watching this film I can say I have been inspired to get on a motorbike and explore the world. Seeing what the central protagonists saw will inspire many as it has inspired me and I have no hesitation in recommending this Oscar winning drama to anyone.

This movie is based on the true story that took Ernesto Guevara (Gael Garcia Bernal) and Alberto Granado (Rodrigo de la Serna) on a road trip all across and along South America in the 1950's. The script/direction elegantly avoids any politics or similar. Its focus is on the human transformation of two young Argentine professionals, a turning point in their lives, who decide to see their continent with their own eyes. This movie only covers Che Guevara's life BEFORE he became the famous Che Guevara. Most of us would agree with Che's goals but less, I guess, would agree with his means. However, the movie concentrates on how the world changed Ernesto which in turn led him to try to change the world. The movie ends at the end of their road trip. I understand that there is another movie in the making (with Benicio del Toro) which will show the rest of Che' s life, with politics and flying bullets included. The acting of the movie is first class: Gael Garcia Bernal performs at his best; however it is Rodrigo de la Serna's performance the one that is simply outstanding; not only he represents Granado's as a funny, outgoing character, but he also highlights Gael's characterization of Guevara. Great photography, humor, action, and drama are all ingredients of this movie. If you want to watch a movie that deals with reality and that contrasts with Hollywood's fantasies, this is your movie. You'll laugh, may be cry, but for sure you'll leave the theater thinking about a few things. Finally, this movie ironically represents Che's ultimate goal, a unified continent: the director is Brazilian, the main actor Mexican, the main actress and supporting actor Argentinean, the script writer is from Puerto Rico and the producer, Robert Redford is American. And, the movie was filmed in Argentina, Chile and Peru. Length: 2hs 04 min.

"The Motorcycle Diaries" (Diarios de motocicleta) works more effectively as a bio-pic than on its own as a road movie.

The scenery throughout Latin America is beautiful and the two leads are very affecting, especially Gael García Bernal as Ernesto Guevara de la Serna when "Che" is still nascent.

But it's surprising how undramatic what happens that turns a sweet, middle-class med student into a revolutionary. He was already a liberal who wanted to help leprosy patients, so what happens isn't a complete turn-around -- even when they are broke, they can wire home for more money. Rather it sets off an internal thoughtfulness that is difficult to catch on film.

Mostly just leaving his sheltered life, particularly being dropped by his wealthy girlfriend, and seeing the continent, especially his first exposure to the indigenous peoples who suffer the most in every South American country even while tourists are visiting the ruins of their ancestors, becomes the nexus of his pan-continental political ideals.

He is mostly an observer and inconsistent protester of injustice, not a victim -- it's startling that his culminating noble sojourn at the leper colony, where he can put his skills and indivisible warmth to specific good, is only for three weeks.

So there's no eye-opening "Grapes of Wrath" conflict, though he is always contrasted with his carefree companion, Alberto Granado. Their close camaraderie is well-captured and Ernesto has a profound impact on him, as we learn in a final biographical summary.

It is amusing that Ernesto contradicts the stereotype of the Latin male sensualist and is a terrible dancer to the lovely soundtrack.

In 1952 Ernesto "Che" Guevara was a shy, middle class medical student in Argentina. Within a few years, he had become the world's most iconic revolutionary, a personal journey that begun with a physical one, a trip undertaken with a friend around South America. This was an age before budget airlines and backpackers hostels, so the expedition was a hard one, even if it could only have been contemplated by a child of (relative) privilege; and in Walter Salles' film, 'The Motorcycle Diaries', these travels are sympathetically and understatedly recreated, with the story of Guervara's political development the underlying (but subtly handled) theme. The movie showcases the beautiful scenery of Chile and Peru, and convincingly portrays a perhaps more austere age than our own, in which Guevera and his companion might be honoured and humbled by the people they met. The two are presented as appealing characters, in no way heroic but open-minded, human and compassionate; based of Che's own writings, it may not be neutral but although the pair start no revolutions (except for a minor revolt against the nuns in a leper colony), it's still an inspiring story. A world of immense inequality and suffering would be a better place today if more of those fortunate enough to be able to travel were to do so in the spirit of Che.

The Motorcycle Diaries does a great job of sketching out the character of Ernesto Guevara de la Serna, without any pandering to our knowledge of who he will become. There are no cheap shots and only one 'Che' joke-to explain the origin of the nickname, which is a play on the Argentinian accent. It's a deeply felt examination of the events that inspired the development of a political consciousness, with only a few touches of the hagiography that has developed around 'el Che' and those not until late in the film. Gael Garcia Bernal is completely believable and very human in the role, and there's real chemistry between him and Rodrigo de la Serna (any relation?) who plays his friend Granado, leading to a lot of funny moments-important, as ther are many stretches of the movie where it is just them and the scenery. The cinematography is truly gorgeous, and reminded me how little of the South American landscape we ever see on film in the U.S. The cinematographer has pulled off a major feat in shooting a period film in slightly grainy, sometimes shaky hand-held. No crane shots or sepia tinting here-the film quality immerses you in Guevara and Granado's experiences and makes them feel very immediate, without sacrificing any sense of history. A film like this is long overdue, and it deserves wide distribution. While the plot revolves around Che's awakening to the social struggles of South America (which are ongoing) there is a rich sense of place, and people, and beauty here. It seems to me that this is the first South American film in a few years that is not a world-weary documentary about social or political problems (and U.S. involvement in them), to open in the U.S. market. It's about the life of Che, yes, but it doesn't forget the people and problems that lead him into political activity, and will hopefully inspire viewers to pay more attention to what is going on around them, not only in Buenos Aires, Cuzco, Havana or Chiapas, but right next door.