VALUTAZIONE IMDb
8,2/10
7816
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDr Wendy Carr joins Holden and Tench in their first success, when their insights lead to an arrest.Dr Wendy Carr joins Holden and Tench in their first success, when their insights lead to an arrest.Dr Wendy Carr joins Holden and Tench in their first success, when their insights lead to an arrest.
- Regia
- Sceneggiatura
- Star
Leonard Anthony
- FBI Student
- (non citato nei titoli originali)
Susan Cashdollar
- FBI Recruit
- (non citato nei titoli originali)
Recensioni in evidenza
"Episode 1.3," directed by Asif Kapadia, marks a pivotal moment in Mindhunter as the Behavioral Science Unit begins to take shape, both professionally and personally. While the episode is somewhat lighter in terms of overt criminal activity, it serves as a crucial bridge, deepening the characters' relationships and solidifying the team's commitment to their unorthodox methods. The episode showcases how Holden and Tench work well together, while also showing a lighter, and more human side to the characters.
The central focus of the episode is the formal introduction of Dr. Wendy Carr (Anna Torv), a psychology professor whose expertise and analytical skills prove invaluable to Holden and Tench. Torv delivers a measured and compelling performance, embodying a character who is both brilliant and guarded. Her initial skepticism towards the FBI's approach gradually gives way to cautious enthusiasm, as she recognizes the potential for applying academic theory to real-world investigations. This is highlighted during her initial discussions with Holden, who gets "very excited by what Wendy is proposing".
The introduction of Wendy as a formal member of the team provides a vital counterpoint to Holden's impulsiveness and Tench's more traditional approach. Her scholarly rigor and her academic prowess forces both agents to refine their methods and to consider the broader social and psychological contexts of criminal behavior. A meeting with Wendy is highlighted in the first scene, where Holden and Tench meet with Wendy for the first time. Wendy is very intellectual, and is steeped in academia. Her being so formal and controlled makes for a good combination.
The episode also revisits Edmund Kemper (Cameron Britton), who continues to provide insights into the criminal mind. The show highlights that Kemper and Holden both have "powerful skills". This is because "Holden seems to instinctively calibrate how he behaves around certain people" to try and get people to open up. He does this by appearing both curious and open. "It's a powerful skill for an FBI agent to have", while also being powerful for a serial killer.
Interspersed with the professional developments are glimpses into the personal lives of the main characters. These brief but significant moments humanize Holden, Tench, and Wendy, revealing their vulnerabilities and hinting at the challenges they face in balancing their work with their personal relationships. As the episode goes on, "Holden is lying awake with his eyes open listening" to Tench having a phone call. "We're seeing how he is kind of seen into a little bit of the Dark Side of tench's Life", since his family life is all out of sorts.
Director Asif Kapadia employs a deliberate pace and a muted visual style, emphasizing character interactions and intellectual dialogue. The framing and composition create a sense of intimacy, drawing viewers into the characters' inner worlds. The soundtrack is subtle but effective, underscoring the mood and enhancing the overall atmosphere. A main theme throughout the episode is the focus on "how to communicate socially".
Thematically, "Episode 1.3" explores the value of interdisciplinary collaboration and the importance of understanding the complex motivations behind human behavior. The episode serves as a reminder that academic rigor, law enforcement experience, and personal insight are all essential components of effective criminal investigation. It all combines into effective results for an overall great episode, and TV show.
From a production stand point, the characters acting is particularly important in this episode. Each character that is introduced has some sort of quirk about them, or something that helps them stand out. This helps the watcher remember the different characters.
"Episode 1.3" has overall very good and amazing ratings. A major point of critiscism is that "Debbie is perfunctory and serves no purpose except to take up a scene". It is also mentioned that the writers were "so focused on the mindhunting part of" the show, that they did not have time for a lot of other things. Despite not seeing "a whole lot happens", there are many important things set up that will be later revealed.
"Episode 1.3" is a crucial episode in Mindhunter, as it fleshes out the core team and establishes the intellectual framework that will guide their future investigations. Through strong performances, deliberate direction, and thoughtful exploration of its themes, the episode solidifies Mindhunter's status as a unique and compelling crime drama.
The central focus of the episode is the formal introduction of Dr. Wendy Carr (Anna Torv), a psychology professor whose expertise and analytical skills prove invaluable to Holden and Tench. Torv delivers a measured and compelling performance, embodying a character who is both brilliant and guarded. Her initial skepticism towards the FBI's approach gradually gives way to cautious enthusiasm, as she recognizes the potential for applying academic theory to real-world investigations. This is highlighted during her initial discussions with Holden, who gets "very excited by what Wendy is proposing".
The introduction of Wendy as a formal member of the team provides a vital counterpoint to Holden's impulsiveness and Tench's more traditional approach. Her scholarly rigor and her academic prowess forces both agents to refine their methods and to consider the broader social and psychological contexts of criminal behavior. A meeting with Wendy is highlighted in the first scene, where Holden and Tench meet with Wendy for the first time. Wendy is very intellectual, and is steeped in academia. Her being so formal and controlled makes for a good combination.
The episode also revisits Edmund Kemper (Cameron Britton), who continues to provide insights into the criminal mind. The show highlights that Kemper and Holden both have "powerful skills". This is because "Holden seems to instinctively calibrate how he behaves around certain people" to try and get people to open up. He does this by appearing both curious and open. "It's a powerful skill for an FBI agent to have", while also being powerful for a serial killer.
Interspersed with the professional developments are glimpses into the personal lives of the main characters. These brief but significant moments humanize Holden, Tench, and Wendy, revealing their vulnerabilities and hinting at the challenges they face in balancing their work with their personal relationships. As the episode goes on, "Holden is lying awake with his eyes open listening" to Tench having a phone call. "We're seeing how he is kind of seen into a little bit of the Dark Side of tench's Life", since his family life is all out of sorts.
Director Asif Kapadia employs a deliberate pace and a muted visual style, emphasizing character interactions and intellectual dialogue. The framing and composition create a sense of intimacy, drawing viewers into the characters' inner worlds. The soundtrack is subtle but effective, underscoring the mood and enhancing the overall atmosphere. A main theme throughout the episode is the focus on "how to communicate socially".
Thematically, "Episode 1.3" explores the value of interdisciplinary collaboration and the importance of understanding the complex motivations behind human behavior. The episode serves as a reminder that academic rigor, law enforcement experience, and personal insight are all essential components of effective criminal investigation. It all combines into effective results for an overall great episode, and TV show.
From a production stand point, the characters acting is particularly important in this episode. Each character that is introduced has some sort of quirk about them, or something that helps them stand out. This helps the watcher remember the different characters.
"Episode 1.3" has overall very good and amazing ratings. A major point of critiscism is that "Debbie is perfunctory and serves no purpose except to take up a scene". It is also mentioned that the writers were "so focused on the mindhunting part of" the show, that they did not have time for a lot of other things. Despite not seeing "a whole lot happens", there are many important things set up that will be later revealed.
"Episode 1.3" is a crucial episode in Mindhunter, as it fleshes out the core team and establishes the intellectual framework that will guide their future investigations. Through strong performances, deliberate direction, and thoughtful exploration of its themes, the episode solidifies Mindhunter's status as a unique and compelling crime drama.
A very interesting concept for a series that is continuing to evolve. I'm still not sure of the endgame or where all this is leading, but I'm hooked. Love the cinematography and authentic writing.
Another good episode that goes deeper into the subject matter. Nice to see a female character balancing the main cast members. Kemper steals the show once again and the expansion into real world case-solving works a treat.
This episode is still pretty good and interesting. It discuss a lot about relationships and sexual stuff. A lot of discussion about masculinity, how the dependence of a women can affect people. Its pretty instructive. And have some great moments. I enjoyed a lot. Need to see more and pretty curious on how it will end.
Bill and Holden are getting some chops now. Their theories lead them to the solution of a big case. This will entrench them a bit because all the philosophizing and teaching isn't impressing the big boys. They continue to meet with Ed and listen to his sick presentation. They are nauseated by him, but must portray themselves as friends. It is made obvious, however, that they will be dropping more and more into the dark recesses of crazy minds of the people they interview. They are given an option to go this alone but Bill isn't about to leave a safe career. Holden is a bit of a loose cannon and, if I am correct, isn't totally different from the people he is studying. He is obsessive to a fault.
Lo sapevi?
- QuizThe initial scene set in Kansas was filmed in Butler, Pennsylvania about 30 miles north of Pittsburgh. The road this was filmed on is split because originally there was a trolley tack that ran adjacent to the actual street. This is close to where Donald Trump, the then-former president of the United States and presumptive nominee of the Republican Party in the 2024 presidential election, survived an assassination attempt while speaking at an open-air campaign rally on July 13, 2024.
- BlooperThe term "black hole" was used in dialogue but that phrase was not in common use during the '70s, as we know it today.
- Citazioni
Holden Ford: Actually, Debbie's the first girl I've really dated-dated since high school.
Bill Tench: Dated-dated.
Holden Ford: Yeah.
Bill Tench: My wife's the first women I've married-married.
- ConnessioniReferences Psyco (1960)
- Colonne sonoreFeeling in the Dark
(uncredited)
Written by Dwight Twilley
Performed by Dwight Twilley (aka Dwight Twilley Band)
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Dettagli
- Tempo di esecuzione45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.20 : 1
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