Thor: Ragnarok

In some alternate reality, a movie bearing the title of Thor: Ragnarok has taken itself very seriously indeed: full of literal doom and gloom, it's an apocalyptic drama about the End of Days, as prophesied by Norse mythology. Since that pretty much describes the world in which we currently live, it's actually rather fitting that Marvel's 17th studio film is something else entirely. In our reality, Thor: Ragnarok is a wild, wacky and very welcome blast of pure joy - a raucous comedy that fuses an intergalactic road trip with buddy comedy, brotherly rivalry and battle domes. Thank Thor (and director Taika Waititi) for that!

We reunite with Thor (Hemsworth) - still free of new Infinity Stones, freshly confident that he's once again warded off the fabled Ragnarok - just as he discovers that something is rotten in the state of Asgard. As teased at the end of Thor: The Dark World, Loki (Hiddleston), his shape-shifting trickster brother, has been impersonating their ailing dad, Odin (Hopkins). When Odin's strength finally fails, the dark secret he's been keeping at bay storms into the lives of his sons: Hela (Blanchett), their bloodthirsty older sister, is back to claim the throne she believes is rightfully hers.

For (largely) better or (occasionally) worse, Thor: Ragnarok doesn't dwell as much on the royal family drama as its predecessors did. Instead, its second act plays out on the candy-coated, death-dealing planet of Sakaar. Ruled by the whims and fancies of the Grandmaster (Goldblum dialled to 11), Sakaar's people are relentlessly entertained in their very own battle dome. (Think the gladiatorial contests of ancient Rome, with holographic screens and super-powered alien beings.) Following an initial devastating confrontation with Hela, Thor is stranded on Sakaar, and brought in by the mercenary Valkyrie (Thompson) to stand against the raging primal force of the Hulk (Ruffalo) - not quite the "friend from work" Thor remembers.

If that all sounds like serious business, rest assured it's very much not. There's a gentle wit threaded through every frame of this film - a glorious, big-hearted silliness that fans of Taika Waititi will remember (and treasure) from such indie comedy gems as What We Did In The Shadows and Hunt For The Wilderpeople. Miraculously, Waititi has managed to infuse this gargantuan, green-screened epic with his trademark offbeat vibe, best exemplified in the way key plot points are revealed (via sardonic monologue or ironic stage play) and the character he plays (Korg, a chirpy rock monster who befriends Thor before our hero heads into the arena).

Waititi's involvement is a blessing for pretty much everyone involved in the film, but especially for Hemsworth. It's not that he hasn't been good in his previous appearances as the God of Thunder throughout the franchise - he was suavely charming in Thor and resolutely grim in The Dark World. But he's so remarkably good here, switching effortlessly between bright-eyed puppy and care-worn leader, that it feels like he's finally come home. Hemsworth's performance in this film is a fantastic balance of sunshine, silliness and subversiveness, and it's a joy to behold.

It's clear, too, that everyone in the cast - including respected veterans like Hopkins and Blanchett - were delighted to partake in the film's mirth and mayhem. Ruffalo continues to play the dual aspects of Bruce Banner - looming brute and mild-mannered professor - with so much winning charm that you want him to get his own Hulk movie, stat. Hiddleston is totally game for playing up the odd- couple comedy of Loki's rivalry with Thor, while shading unexpected complexity into his character's machinations. Thompson swaggers off with practically every scene she's in, finding the heart, humour and heroism in an Asgardian warrior who's lost her way.

Perhaps more impressively, Waititi handles every Marvel blockbuster's requisite action scenes with more clarity and flair than you'd expect from an indie director. He manages to find character and comedy beats even in swooping spaceship chases and bruising hand-to-hand combat. There's a thrilling fluidity to the action sequences - whether it's Thor soaring towards his enemies like lightning made flesh, or Hela unleashing her multiple projectiles of death with a dark, graceful beauty.

That's not to say Thor: Ragnarok is perfect. As it turns out, the film's greatest strength - apocalypse as afterthought - is also its biggest flaw. Waititi just about manages to find the emotional weight in Thor coming to terms with his power and leadership (a driving theme for this character), but it does get a little lost in all the knockabout comedy. Thanks to Blanchett, Hela is never less than terrifying: she oozes gleeful malevolence in her wake, forcing Thor to confront his own gold-tinted ideas of himself, his family and his history. Alas, she's also one of that peculiar breed of antagonist who's immeasurably powerful and strangely ineffective, all at the same time.

For years, Marvel has been making brave choices in terms of the directors to whom it has entrusted its stories and characters. This strategy has yielded films that are, for the most part, creatively diverse, ranging in quality from decent to excellent. Even so, handing the reins of the Thor franchise to a director with such a unique voice as Waititi might have been its biggest gamble yet. Fortunately, it pays off in spades. Smart, silly and self-aware, Thor: Ragnarok is a blockbuster that feels like it snuck into cinemas by way of the art-house. It's also that rare threequel which isn't just as good as its predecessors - it's easily the best of the lot.

It's hilarious, choreographed well, only issue is there is no emotional bits. And nothing is serious

The action and humor mixed up in this movie was done with such quality that you forget about the problems with it, if there are even any at all! Thor kicks butt along with both new and old friends of his and unforgettable superhero power scenes that will make you smile! This was especially great seeing it in theaters!

After a total of seventeen films in less than ten years, it's pretty safe to say that Marvel has safely established itself as a popular, successful franchise with its own identity. Known for comedy, references to its other films and comics, and epic, fun action, every Marvel film is at least enjoyable. However, there are some that peak; some that can be included in the best Marvel films - and sometimes best films in the superhero genre. Films like this are the first Avengers, The Winter Soldier, Civil War, Guardians of the Galaxy - and also Thor: Ragnarok. Definitely a highlight so far in the Marvel anthology, Thor: Ragnarok is one of the best, delivering everything you want and expect with a little bit more, brimming with fun, personality and action.

Anyone who's seen director Taika Waititi's vampire-comedy mockumentary What We Do in the Shadows will likely expect his inimitable and delightful brand of humour to extend to his Marvel entry (perhaps they've learned since getting rid of Edgar Wright from Ant-Man). It's fortunate that he kept his comedy as it really delivers and fits in well with the comedic personality that Marvel has crafted itself; some of their best films are also, by no coincidence, also the funniest (something DC fails with) and Waititi has continued this trend, while keeping the laughs fresh and genuinely funny. Not that this is a out-and-out comedy - not all the jokes are intended to make you laugh out loud; but they never feel forced and all lend themselves to the personality of the film (and the franchise) and really maximise the fun we have watching the movie. After all, this is a film about a traditional Norse God as a superhero fighting alongside a big, angry, green rage monster - it's important to have fun with it!

'Fun' is certainly one of the best words to describe Thor: Ragnarok and it doesn't extend to just the laughs. Other enjoyable elements include references to the wider MCU to excite geeks and non-geeks alike. They all fit in well and seamlessly, not a shoehorned, forced reference or cameo; they all seem organic and make sense to the plot. It's delightful to see Dr Strange, even just for one scene, and to be able to spy glimpses of the Tesseract and a fake Infinity Gauntlet. These add to the rewatch value in a few years time.

The crazy, kinetic action really does extend to the whole of the film, from beginning to end, each sequence excellently choreographed. It doesn't shy away from its roots from comics as some of the fights are just as delightfully eccentric and over-the- top. Still they never cease to entertain and, more than that, some are just stunning to behold; the flashback to Valkyrie battling Hela the first time, her army atop a hoard of winged horses soaring through an orange sky only to be cut down by swords and spikes flying towards them in slow- motion. These are gorgeous scenes and Waititi and cinematographer Javier Aguirresarobe should be proud; the beauty of some of Zack Snyder's superhero moments, but in a good film with much more personality.

Most of this movie's joy lies in its characters though; at the end of the day, it might be funny and the action might look cool, but if we don't love the characters, we won't love the film. Back again we get the usual ensemble of returning characters - Thor, Loki, Odin and Heimdall. All are as regal, fun and charismatic as ever, Hemsworth and Hiddleston in particular; it's wonderful to see these actors develop their characters over the last few films into lovable parts in a franchise full of heroes we already love. I feel Hopkins deserved a little more screen time and a chance to get more emotional, but, ever the professional, he makes the most with what he has (and is exceptionally good as Loki pretending to be Odin). Returning characters from elsewhere in the MCU Dr Strange and Hulk also add to the delightful ensemble; it's nice to see Strange solidifying his presence in the franchise after just one film (particularly when comparing to Tony Stark having been in six so far, not including post-credit cameos). It's a relief too to finally give Hulk a decent amount of screen time and for us to get to know him as opposed to just Banner; they're two distinct characters within each other and it's about time we get to see more of everyone's favourite rage monster.

The new characters introduced in this film are all excellent worthy additions to the Marvel roster and bring a refreshing touch with them. Tessa Thompson is excellent and charismatic as kick-ass female hero Valkyrie, able to confidently stand among Thor, Hulk and Loki. Korg may not be quite the same character he is in the comics, but Waititi takes this part (who wouldn't give themselves a minor role in the MCU if they can?!) and really makes it his own, saving lots of the quirky laughs for himself. Cate Blanchett too is a particularly fantastic villain, sure to stand amongst the best Marvel villains so far, heads and shoulders above the likes of Malekith and Ronan. She's less generic, less monologue-y and never boring; able to kick ass and be just as evilly sexy as Helena Bonham-Carter was as Bellatrix (or is that just me...?). And of course there's Jeff Goldblum who's as Jeff Goldblum as he's ever been - who doesn't love that?!

Thor proves himself to be the God of Thunder and Thor: Ragnarok proves itself to be one of the Gods of Marvel, standing proud amongst the best so far. The whole movie's an absolute blast, packed with references, gorgeous action and more genuine laughs than most comedies. An excellent film to round off Marvel in 2017 - let's hope Black Panther keeps up this level of excellence.

Thor Ragnarok leaves the bland formula from it's first two films for an exciting and self-aware redemption story, traversing through the trash heap planet Sakaar and an Asgard under siege. Sakaar was my favorite setting out of any recent Marvel films, with Jeff Goldblum giving a hilarious performance as a playful dictator and the arena-centric atmosphere providing an intriguing set piece. Blanchett plays the best villain of the Thor trilogy, Elba's character is essentially Aragon from LOTR, and Tessa Thompson and Marc Ruffalo/Hulk are respectively well- motiaved and solid comic relief.