Alles, was verboten ist

Corny and unfunny swingin' 60s sex comedy has uptight psychology professor David Niven trying to control his liberated free-spirit 17-year old daughter, Cristina Ferrare. It's really a generational comedy with the square adults having a hard time understanding 1960's youth culture. The main problems with this film isn't the premise, but that the comedy is not all that funny. Both the square adults and the hip kids are presented in broad exaggerated versions of themselves, which could work, but does not here. I did laugh at one of-the-moment line when Niven's character is angry at a doctor friend and yells, "I'm glad they passed Medicare!" but outside of that there was not much that made me laugh.

College psychiatry professor David Niven (as Jonathan Kingsley) and wife Lola Albright (as Alice) are shocked when beautiful 17-year-old daughter Cristina Ferrare (as Linda) is arrested at a campus protest. She is charged with disturbing the peace, inciting to riot, resisting arrest, and unlawful assembly on university property. Ms. Ferrare is also caught carrying a picket sign with an unsavory word written on its backside. She claims to have never turned the sign around to see the naughty word - an impossible plot detail, unless she's lying. Ferrare also smokes cigarettes, gets caught speeding, and keeps a messy room.

"The Impossible Years" comes across like it's daring to fight "the sexual revolution" along the "generation gap" front. But, like many 1960s sex comedies, nothing really untoward actually happens. It's a smoke and mirrors story with a good cast - including highly likable supporting TV stars Chad Everett and Ozzie Nelson. Near legendary photographer William Daniels and director Michael Gordon do a good job with the limited sets. Since Mr. Gordon is the grandfather of accomplished actor Joseph Gordon-Levitt, you've got to wonder if, eventually, everyone in movies will be proved related.

The "picket sign" title sequence is nicely done, and features a catchy title song sung by The Cowsills. The tune was finally released on the underrated group's 1994 CD reissue of their first LP "The Cowsills"; previously, "The Impossible Years" was hidden away on a 45 RPM B-side. After the opening, you can stick around for beautiful bikini-clad Ferrare and her young friends. The comedy is dated, innocent, and not so funny, except for an occasional line; it's interesting to hear "I'm glad they passed Medicare!" was once a way to irk the family doctor.

***** The Impossible Years (9/13/68) Michael Gordon ~ David Niven, Cristina Ferrare, Lola Albright, Chad Everett

As those who have read my reviews on his films before, David Niven carried more mediocre films on the strength of his charm than any other leading man I know. In this case he had something of a built in advance sale on a role, as The Impossible Years had a respectable two year run of 640 performances on Broadway. Would you believe that Alan King played the role on Broadway and I'm sure the interpretation was vastly different. In fact I'm sure King had to reach for his conception as part and parcel of his standup comedy routine was his experiences in suburbia as the father of two teenage sons which he was in real life.

The unflappable Niven plays a psychologist who has written on the subject of teens, but in his own life he and wife Lola Albright are having no better or worse time than thousands of others raising adolescents. Daughters Christina Ferrare and Darleen Carr are driving both of them to the edge. Especially the 17 year old Ferrare who has a lot of young males in heat buzzing around her. And one of them has rounded home and scored.

The play had to have been a bit more realistic to have enjoyed the run it did. The Code was down, but obviously this was being marketed to a family audience and a lot of it just didn't make sense. Most of all Ferrare's choice of male partner.

The Impossible Years is just plain impossible.

Okay,so this movie wasn't really that good to some people,but I for one liked it.A father who is a doctor(?) has two daughters:Abby who is the youngest and Linda who is the oldest(and has the raging libido).Yes,it's boyfriend after boyfriend for Linda,and her parents watch her wondering why their daughter jumps from one boyfriend to the next.It isn't until later when she moves out of the house and gets married,only to see her father trying to find out who her spouse really is.There is a favorite scene of mine where the Linda's parents are having a party and her boyfriend brings in a portrait of her that he painted.And when he shows the family and guests,it's revealed to be a nude portrait,in which Linda didn't know!The rating is bad though.It acts more like a PG-13 movie than a G rated movie.Believe me.This is NOT something you wanna watch with your parents!

In almost every decade, Hollywood produces films that threaten to explore important issues of their day, including changes in gender roles. And most of those films are bits of fluff. Many of these films also promise--with their trailers--to titillate. Consider the films of Doris Day and Rock Hudson. With a title like "Pillow Talk", the viewer might reasonably expect two people talking in the same room. Or how about those split screens that suggest a couple simultaneously in a bathtub.

In 1968 there were plenty social movements to tackle--the war, race relations, sexual empowerment. "The Impossible Years" is the story of a teenage girl whose sexual experience is the concern of her parents. Like other films, it nibbles around the edges of the topic with occasional "edgy" moments like mentioning that she's now a "C cup".

But this is s comedy and no real issues must interfere with the wackiness. Unfortunately, this film (like most of its time) comes from the Erma Bombeck school of comedy--a slapstick style that takes farce and reduces it merely to scenes of bedlam. People trip, they swing things at each other, they slam doors.

The opening credits are accompanied by the eponymous song by The Cowsills--an unfortunate pairing. I like The Cowsills. Their version of "Hair" is catchy and evokes the time period. But they also sang the theme song for "Love American Style", which also was a catchy tune, but here it forms a thematic bridge between that pseudo-titillating series about romantic relationships and this film, further reminding the viewer that he can expect nothing but pap and silliness.

Even David Niven as the father cannot save the film from its mediocrity. He represents the older generation and father and daughter are meant to talk past each other more than to each other.