Es ist der Beginn des Dritten Weltkriegs. Im mittleren Westen Amerikas schließt sich eine Gruppe von Jugendlichen zusammen, um ihre Stadt und ihr Land vor der Invasion der sowjetischen Trupp... Alles lesenEs ist der Beginn des Dritten Weltkriegs. Im mittleren Westen Amerikas schließt sich eine Gruppe von Jugendlichen zusammen, um ihre Stadt und ihr Land vor der Invasion der sowjetischen Truppen zu verteidigen.Es ist der Beginn des Dritten Weltkriegs. Im mittleren Westen Amerikas schließt sich eine Gruppe von Jugendlichen zusammen, um ihre Stadt und ihr Land vor der Invasion der sowjetischen Truppen zu verteidigen.
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Anyone who has seen Leni Riefenstahl's "Triumph Des Willens" (Triumph of the Will), the documentary about the Nuremburg Rallies, understands that even the vilest propaganda can attain the status of great art. Without a doubt, Nazism was a force to be despised and resisted, yet "Triumph" remains a fascinating, even great film.
That said, I will not put "Red Dawn" on the same plane as Riefenstahl's work. It is neither as good a film nor as vile propaganda. But it does underscore a point I see running through many of the criticisms of "Red Dawn" that have been posted here. Many of the movie's detractors reject the film out of hand because of its undeniably conservative overtones. This, I believe, is lazy criticism. The movie has an excellent pedigree. I suggest you search on ImDb under John Milius' name to see what other films he has been involved in. Some of his more notable accomplishments include the screenplays of "Jeremiah Johnson" and co-authoring "Apocalypse Now", as well as the notably UNconservative adaptation of "Clear and Present Danger". Basil Poledouris' score is fantastic, with its Copland-esque homages. The touches of authenticity in the film are also admirable, including the indoctrination camp (see the recently published "Gulag" or Koestler's "Darkness at Noon")and "Radio Free America" scenes, not to mention the efforts the filmmakers went to to make the military hardware look Russian (as opposed to Russians flying American aircraft in dismal movies like "Iron Eagle II" and "Rambo"). Yes, Red Dawn is propaganda, but just because it may be, from your perspective, the wrong kind of propaganda, you are not justified in invalidating the whole enterprise. It is slick, well-made, and memorable.
That said, I will not put "Red Dawn" on the same plane as Riefenstahl's work. It is neither as good a film nor as vile propaganda. But it does underscore a point I see running through many of the criticisms of "Red Dawn" that have been posted here. Many of the movie's detractors reject the film out of hand because of its undeniably conservative overtones. This, I believe, is lazy criticism. The movie has an excellent pedigree. I suggest you search on ImDb under John Milius' name to see what other films he has been involved in. Some of his more notable accomplishments include the screenplays of "Jeremiah Johnson" and co-authoring "Apocalypse Now", as well as the notably UNconservative adaptation of "Clear and Present Danger". Basil Poledouris' score is fantastic, with its Copland-esque homages. The touches of authenticity in the film are also admirable, including the indoctrination camp (see the recently published "Gulag" or Koestler's "Darkness at Noon")and "Radio Free America" scenes, not to mention the efforts the filmmakers went to to make the military hardware look Russian (as opposed to Russians flying American aircraft in dismal movies like "Iron Eagle II" and "Rambo"). Yes, Red Dawn is propaganda, but just because it may be, from your perspective, the wrong kind of propaganda, you are not justified in invalidating the whole enterprise. It is slick, well-made, and memorable.
You can either sit there and pick plot holes in this or just enjoy the ride, I did the latter. Had never heard of this until recently, when I saw a synopsis, and thought it would be my kind of thing. As someone who grew up, during the cold War, it was a time where you never knew what could happen, so those that find this far fetched couldn't have been living at the time, anything was possible back then (is it much different now?).
The film is decently acted, and you're dropped into the action within minutes, there's very few places where the film drags.
I bought the blu ray to see it, and as an aside, if you can get it cheap fine, but don't pay over the odds as it's one of the worst blu rays picture quality wise in my collection.
Definitely worth seeing once and making your own mind up about it.
The film is decently acted, and you're dropped into the action within minutes, there's very few places where the film drags.
I bought the blu ray to see it, and as an aside, if you can get it cheap fine, but don't pay over the odds as it's one of the worst blu rays picture quality wise in my collection.
Definitely worth seeing once and making your own mind up about it.
The problem with people/critics now days, is they take themselves way too serious. Just grab some popcorn and relax! And yes, those of us that grew up during the cold war sometimes took our patriotism to the limit even with good old fashioned corny action flics.
It's no masterpiece, but reading some of the reviews here...you'd think it was an affront to humanity and that some people has been personally harmed by its existence.
It's an action movie, folks. Don't get your communist panties in a twist. Just kick back, enjoy it and get off your soapbox.
It's an action movie, folks. Don't get your communist panties in a twist. Just kick back, enjoy it and get off your soapbox.
I saw this movie when I was in college in Colorado Springs, Colorado when it came out in 1984. Many people dismiss this movie at best as either a teen fantasy or at worse as a right-wing maniac's delusional vision of the future. Yes, it is a teen movie, but there's a bit more to it than that. I'm basically writing this for those of you who either weren't born or too young to remember those days. I grew up in the aftermath of the Vietnam War. Anything mildly patriotic was regarded in bad taste. So when John Millius and his friends decided to make this patriotic teen movie about resistance fighters fighting invaders from the Evil Empire, he was just tapping into the frustration that many people (including myself) felt at that time. The scene I remember most vividly is the one when Patrick Swazye shoots the young Russian political officer in the Chevy Blazer. The audience consisted mostly of guys from nearby Fort Collins and Peterson AFB, and they gave this scene a standing ovation. In this post 11 September world, it's hard to imagine a time when, during the Cold War, flying the flag or loving your native land made many people think you were either a Nazi or a member of the John Birch Society. Now this film isn't "Seven Days in May" or "Fail-Safe." It's just a movie that was made at a time after we had lost a war and many in the world regarded the USA as a paper tiger. That's all.
Wusstest du schon
- WissenswertesFive of the 36 paratroopers in the beginning of the film got blown as much as a mile off-course during filming. One got stuck in a tree, and had to convince locals that he wasn't really an enemy soldier.
- PatzerWhen the boys get to the mountains and are arguing about turning themselves in, right before Jed shows them the shot up radio you can see two men in the background with mustaches and sunglasses on. These are obviously not one of the actors because none of them have mustaches.
- Zitate
Col. Andy Tanner: All that hate's gonna burn you up, kid.
Robert: It keeps me warm.
- Crazy CreditsNone of the actors are in the opening credits
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Amanecer rojo
- Drehorte
- Johnson Mesa, New Mexico, USA(Utah badlands setting)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 38.376.497 $
- Eröffnungswochenende in den USA und in Kanada
- 8.230.381 $
- 12. Aug. 1984
- Weltweiter Bruttoertrag
- 38.376.497 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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