Als eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in eine... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinige... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinigem Wanderschloss lebt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 14 Gewinne & 20 Nominierungen insgesamt
- Sophie
- (Synchronisation)
- Howl
- (Synchronisation)
- Calcifer
- (Synchronisation)
- Witch of the Waste
- (Synchronisation)
- Markl
- (Synchronisation)
- Page
- (Synchronisation)
- Turnip Head
- (Synchronisation)
- …
- King
- (Synchronisation)
- Heen
- (Synchronisation)
- …
- Suliman
- (Synchronisation)
- Grandma Sophie
- (English version)
- (Synchronisation)
- Howl
- (English version)
- (Synchronisation)
- Witch of the Waste
- (English version)
- (Synchronisation)
- Madame Suliman
- (English version)
- (Synchronisation)
- Young Sophie
- (English version)
- (Synchronisation)
- Markl
- (English version)
- (Synchronisation)
- Calcifer
- (English version)
- (Synchronisation)
- Lettie
- (English version)
- (Synchronisation)
Zusammenfassung
Empfohlene Bewertungen
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
I was lucky enough to see the world premiere (at Venice Film Festival, September 5, 2004).
Not only the art and animation is breathtaking (with almost no CGI), but the story is also above Miyazaki standards.
The characters are wonderful, each one with his (or her) own personality. Among them the best is for sure Calcifer, the Fire Demon, who is actually an almost all-powerful being, but is often underestimated by the other characters ("If you don't obey, I'll pour water on you!").
The music is one of the best parts of the movie. Even if you don't notice it, it is always there, always conveying the right feeling.
Bottom line: this is an excellent movie. If you liked other movies by Miyazaki (such as Mononoke Hime, Spirited Away, Laputa Castle in the Sky...) you cannot miss it.
Wusstest du schon
- WissenswertesUpon seeing Chihiros Reise ins Zauberland (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- PatzerSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Zitate
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- VerbindungenEdited into Miyazaki Dreams of Flying (2017)
- SoundtracksSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El increíble castillo vagabundo
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Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.173.958 $
- Eröffnungswochenende in den USA und in Kanada
- 427.987 $
- 12. Juni 2005
- Weltweiter Bruttoertrag
- 241.534.231 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1