3 Needles

I was fortunate to see the director's cut of this film at the DC Filmfest. The audience was privileged to have the director, Thom Fitzgerald, make an unannounced visit and stay for questions afterwards.

3 Needles is three separate stories how AIDS spread in China, Africa, and the United States.

I found it a bit confusing to begin with some African scenes and then jump to the China story. I think this was to allow the narrator to introduce and to end the movie. The narrator was Olympia Dukakis and she had a part in the African story.

Lucy Liu led an outstanding cast in the story of its spread to China. Until this film, I did not realize that China had an AIDS epidemic. The movie shows how AIDS was spread through blood collection stations throughout rural China. China's vast rural population was perfect for exploitation. They were isolated; they needed the money; it took a long time to associate entire villages dying with the helpful blood collector.

The US story is somewhat familiar to us. A male porn star spreads it knowingly due to his greed. What makes this story unique is how Stockard Channing handles the discovery that her son is not only a porn star, but is dying. She educates herself on the disease and discovers a breed of vultures buying up the insurance policies of AIDS victims (viaticum companies) hedging their bets that purchasing a $2M policy for $1M will double their investment. She sets out to give herself AIDS and sell her insurance policy. What she does with the proceeds is the controversial part.

The African story reveals the director's Roman Catholic roots. One wishes that Sandra Oh had a larger part in this story. Chloe Sevigny is wonderful as a dedicated nun who chooses to submit to the local plantation owner (sorry, don't remember the African name for plantation) in order to get revenge / punishment on an adult male who has raped a young young virginal child in order to rid himself of the AIDS virus. As with the others, this story shows the many facets of this disease and the difficulty in assigning blame for its spread or for how people handle it.

Each of the stories has an odd element of humor to it. At times, I found it inappropriate for the subject, but perhaps that is also the message: we can laugh despite the hardships. I saw the director's cut, I wonder if this will be removed / downplayed in the cut that's released.

The cinematography is beautiful and sweeping in both Asia and Africa. The US scenes manage to show a true grit feeling.

Kudos to the director for assembling a really outstanding set of actors. Outstanding performances from Lucy Liu, the father-daughter team from the China story and Ian Roberts (the plantation owner).

3 NEEDLES as written and directed by Thom Fitzgerald (The Hanging Garden, The Wild Dogs, Blood Moon, Beefcake) is a powerful statement about the insidious spread of AIDS throughout the world, taking us to places we the viewers would rarely visit from the news media emphasis on the disease. The film is three stories in three countries told in tandem not unlike the technique so successfully used in BABEL, CRASH, and TRAFFIC. Employing cinematography of enormous talent and a cast of terrific actors, Fitzgerald manages to share his stories with such sensitivity that every viewer will feel involved in the tragedy that is rotting away our globe.

The film opens with a ceremony in Africa (supposedly South Africa) where young boys undergo ritualistic circumcision, learn the fighting tricks of manhood, and move into society as Men. This single portion of the film is intensely beautiful in its non-voyeuristic observation of an ages old ritual, so beautiful to watch that it calls for Pause/Replay! From Africa we go to rural China where Jin Ping (Lucy Liu, speaking Mandarin only) is the very pregnant force who runs an underground blood bank which while serving the donors with some cash also contaminates the population with HIV virus (we discover that Jin Ling is HIV positive, carrying a baby at risk, and supporting her HIV husband). The trials she encounters in her shady business are nothing to the moment of personal anguish when she delivers her baby without assistance in a cornfield.

Moving to Canada we meet Denys (Shawn Ashmore), a porn star who is HIV positive but steals blood from his ill father for his frequent 'tests' required by the porn director to hide his positive status in order to continue making porn movies to support his family. His mother Olive (Stockard Channing) discovers his status, hears about AIDS patients' ability to cash in on life insurance early, and infects herself so that she can take advantage of the early insurance cash to provide a life of comfort in the small time they both now have for herself and her now fatherless son.

And we return to South Africa where three nuns - Sister Clara (Chloë Sevigny), Sister Hilde Francis (Olympia Dukakis) and Sister Mary John (Sandra Oh) - set up a clinic to treat the villagers, finding only that acts of tremendous self-sacrifice can stave off the spread of the gore of AIDS. The Men we have watched in the beginning of the film walk into the life that faces a world crippled by HIV and the contrast is powerful.

3 NEEDLES' cinematographer Tom Harting deserves awards for the sheer magnificence of his images he captures on film, not only the majestic vistas of Africa and China but also the intimate moments such as Jin Ping's birthing. The musical score by Christophe Beck and Trevor Morris manages to find the atmosphere of each of the three stations of the cross Fitzgerald examines. The acting cast, both the gifted well-known actors as well as the smaller roles by unknowns in each ___location, is magnificent. If the film has a flaw it is in the unfortunate arena of avoiding preaching: watching and hearing the events is so very powerful that words of summation feel superficial and even insulting. But that is a small flaw in a film of wonder. Highly recommended. Grady Harp

This film is about 3 groups of people in three different continents having to do different things in reaction to the spread of the HIV virus.

This film shows excellent cinematography throughout. It shows a lot of beautiful scenery, such as breathtaking waterfalls, beautiful sunsets, new moons etc. The film is already worth watching just for the natural scenery! The 3 stories are spliced into one another, making it difficult to follow at times. It does show many disturbing images, both visually and metaphorically. It examines moral dilemmas and the evil side of humanity, especially in the latter half of the movie.

In summary, the film is enjoyable, but it sometimes feels too long.

I saw this last night and just can't stop thinking about it. This film is off-the-charts audacious in its blend of tragedy and dark humor, with cinematography that ranges from powerfully beautiful (the South African sequences reminded me of John Ford movies like "The Searchers"), to a seedy quality that subtly conveys the weirdness of its humor and unethical qualities of its characters. The film also never flinches from showing us such taboos as male nudity and the indignities of a terminally ill man. Like the movie "Babel," this movie contains three stories, two of which are set in far-off lands, all dealing with complex issues and tragic ignorance.

The first story is about how practically an entire village in China acquires AIDS due to poverty-driven greed. The film's edge is in how it turns the tables on us psychologically; the people are not what they seem, and greed is not always clear-cut when it is a basic means of survival. The second story is a strange tale of a mother who handles the death of her husband and 'acceptance' of the fact that her son has AIDS in a way that leaves the viewer extremely perplexed and uncomfortable, which is actually a good thing. This film doesn't flinch from showing us AIDS stories we don't want to believe, such as those people who purposefully acquire it. It mixes dark humor with beautiful metaphors, such as the mother driving her sports car into an enormous pile of red leaves, until she's practically buried in it. The final seconds of that story leave a chilling print embedded on one's brain; what is this woman thinking?? The third story juggles a whole range of issues regarding ignorance, religion, greed, selfishness and selflessness, and balances them all on a head of a pin. One false move and the story would have come off as preachy or exploitational. Again, there is an iconic scene that stays indelibly in my mind; the beautiful and horrific sight of a woman's dead body lying under a thin blanket of mud.

The entire film does has some rough edges, which may at first put some viewers off. I found Olympia Dukakis' narration a bit difficult to accept at the beginning of the movie (during a strange and fascinating African ritual of male circumcision), but it all comes together by the very end - in fact, quite powerfully. The film also jumps back and forth in past and present, which may at times seem confusing, but the ultimate effect makes us reread our initial assumptions. And the first film in particular is quite slow, although again, I think there was a point to its languorous pace. We all know that the disease in question in this film is AIDS, but the ___location used in China is so rural that one feels that the time period could be any time in the past fifty years. In fact the circumcision scene at the beginning of the film makes one unaware of even what century we are witnessing! That I think, is the director Thom Fitzgerald's genius. I read a review that criticized this movie for not mentioning the word AIDS, which actually I was unaware of. But the fact is; this movie could be about any disease, as even the Chinese initial reaction to SARS was one of denial. This film does certainly illustrate the stigma associated with AIDS, but the fallout is much deeper than sexual practices in developing countries. The reason it has spread, as this film so eloquently shows, is not because of people's sex lives; it's spread because of ignorance, poverty, superstition, fear and greed. If we can just focus on fighting those battles, then maybe … maybe we can win.

1st watched 4/3/2014 – 7 out of 10(Dir-Thom Fitzgerald): *reviewed version is Director's cut of app. 128 minutes* Powerful group of 3 stories centering around a spreading virus in three distinct cultures that isn't mentioned as being AIDS, but it's definitely implied. What makes this Canadian movie work is seeing the love displayed by the other folk who are watching the torment from the outside and doing whatever it takes to help ease the pain of the suffering ones. The first story doesn't actually begin until a prologue to what will eventually be the final story – but I think it is the strongest, with Lucy Liu playing a woman who sets up blood intake centers in an impoverished Asian nation only to find out that they are being infiltrated by sick donors who infect whole areas. A father played by Tanabadee Chokpikultong is the first one sick in his family, but ends up being the last survivor and performs amazing feats of sacrifice despite overwhelming feelings of sadness and sickness. The second story is about a male porn star who continues to work to support his mother and uncle despite the fact that he knows he is sick from something. The mother played by Stockard Channing decides to do her part after her uncle dies and she subsequently finds out what her son is doing and what he has. This part is set in Canada and involves an un-selfish action that is confusing that involves the mother but I believe the intent was to make her son's life more enjoyable while he is still alive. The final story attached with the prologue is narrated by a nun played by Olympia Dukakis giving it a slight documentary feel but is definitely slow going at first. It focuses on a group of nuns who are there to save souls primarily, but a younger nun played by Chloe Sevigny takes extreme measures on her own to keep a family together and safe from a local land owner. What these ordinary people do is not popular when you look at them from a legalized & moralized perspective but there is a greater good in mind by those who perform them. The movie ends by the asking the viewer if you could be one of those ordinary people(definitely not in a preachy way but in a compelling way). This film by Thom Fitzgerald is unique despite some slow parts primarily in the 3rd story and a slightly confusing 2nd story, but overall is a very good viewing, and worthwhile to the cause and to the moviegoer. ** Also viewed 125 minute Canadian version on 4/19/2014, still powerful but a couple of scenes cut out and edited differently where stories go back and forth more often, 2nd story is missing some important footage in this version, but it is closer to the original 123 minute Toronto International film festival version **