Justin Kemp, père de famille, est juré dans un procès pour meurtre très médiatisé. Il se trouve confronté à un grave dilemme moral - un dilemme qu'il pourrait utiliser pour faire basculer le... Tout lireJustin Kemp, père de famille, est juré dans un procès pour meurtre très médiatisé. Il se trouve confronté à un grave dilemme moral - un dilemme qu'il pourrait utiliser pour faire basculer le verdict du jury et potentiellement condamner .Justin Kemp, père de famille, est juré dans un procès pour meurtre très médiatisé. Il se trouve confronté à un grave dilemme moral - un dilemme qu'il pourrait utiliser pour faire basculer le verdict du jury et potentiellement condamner .
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 14 nominations au total
Résumé
Reviewers say 'Juror #2' is a compelling courtroom drama exploring justice and morality, directed by Clint Eastwood. Nicholas Hoult's performance is lauded, though some find the plot predictable. The film, featuring Toni Collette and J. K. Simmons, is a solid addition to Eastwood's work, though not his best. The direction and pacing are effective, yet some critics wish for deeper thematic exploration.
Avis à la une
I doubt that this case would ever have gone to trial. The only "witness" supposedly saw the suspect during a dark night, through heavy rain, from a couple of hundred feet away, right? If this case did make it to the courtroom, any halfway decent defense attorney would've knocked down the supposed validity of that witness without much trouble. There's nothing else to go on. The suspect followed her? How far? No one knows, which means that's of no value at all. If she was hit by a car, any autopsy would have shown this to have been the case, i.e. She was hit hard by a very large object... in other words, a vehicle, rather than a hand-held object. In summary, the direction, the actors and the production are all fine, but the whole film is a house built on a foundation that has no strength.
While serving as a juror in a high-profile murder trial, a family man finds himself struggling with a serious moral dilemma, one he could use to sway the jury verdict and potentially convict or free the wrong killer. Prosecutor Faith Killebrew (Toni Colette) hopes to draw voters to her campaign for district attorney (DA) by highlighting her high-profile domestic violence conviction. A dissenting juror (Nicholas Hoult) in a murder trial slowly manages to convince the others that the case is not as obviously clear as it seemed in court presided by strict Judge Thelma Hollub (Amy Aquino) . As Juror #2 holds out with a verdict of not guilty, thus setting the stage for arguments and reasons why or why not the guy may be guilty . As he desperately seeks to convince his eleven peers (Leslie Bibb, Cedric Yarbrough, James Michael Sythe, Chikako Fukuyama, J. K. Simmons) to reconsider their conviction of a man (Gabriel Basso) framed of murdering . As 12 jurors are str uggling to decide the fate of a guy who allegedly killed his wife. Justice is blind !. Guilt sees everything !.
Middle-budget Clint Eastwood film about some jurors quick to condemn a man on trial for murdering his girlfiend before reviewing the evidence. Though the whole movie is mainly set in a courtroom and a jury room it never lacks for taut , suspense , intrigue and inspired direction . Eastwood, director of masterpieces such as Unforgiven, Mystic River or Million Dollar Baby, returns to his cinema of dark stories and ethical dilemmas in this closed-door courtroom thriller starring Nicholas Hoult (Skins), Toni Colette (The Sixth Sense, Hereditay) and J. K. Simmos (Whiplash). Here, Eastwood explores the differences between justice and truth, the complexity of ethics and impartiality.
The struggle behind closed doors is tense , charged and riveting. Jonathan Abrams's brilliant script was left virtually intact in its move to feature film. Courtroom drama too plenty of flaws, unlikely situations and unresolved ambiguities to be anywhere near the genre's best. However , being splendidly directed by Clint Eastwood with an extraordinary plethora of actors who give magnificent performances . The acting level of the cast during some of the intense discussions and debates almost bursts in the screen .
There's also a sensitive music by Mark Mancina. As well as as an evocative cinematography by Yves Bélanger, mainly shot in Savannah, where Eastwood previously filmed Midnight in the Garden of Good and Evil (1997) . Despite the small streaming ans TV release the film (releasing only in USA 50 theaters despite strong test results) is due in the US it is nonetheless getting a wide theatrical release in many other countries. The motion picture was well directed by Clint Eastwood and is expected to retire after this movie. This film along with the filmed in the 2000s as ¨Cry Macho¨, ¨The Mule¨, ¨American Sniper¨, ¨Invictus ¨ , ¨Gran Torino¨, " Changeling" , ¨ Million dollars baby¨ , ¨Mystic river ¨ make that the dramatic force of this great director turns outs to be impressive , despite being over ninety years old . Juror #2(2024). 6.5/10. A notable Eastwood film, which honors his alleged cinematic farewell.
Middle-budget Clint Eastwood film about some jurors quick to condemn a man on trial for murdering his girlfiend before reviewing the evidence. Though the whole movie is mainly set in a courtroom and a jury room it never lacks for taut , suspense , intrigue and inspired direction . Eastwood, director of masterpieces such as Unforgiven, Mystic River or Million Dollar Baby, returns to his cinema of dark stories and ethical dilemmas in this closed-door courtroom thriller starring Nicholas Hoult (Skins), Toni Colette (The Sixth Sense, Hereditay) and J. K. Simmos (Whiplash). Here, Eastwood explores the differences between justice and truth, the complexity of ethics and impartiality.
The struggle behind closed doors is tense , charged and riveting. Jonathan Abrams's brilliant script was left virtually intact in its move to feature film. Courtroom drama too plenty of flaws, unlikely situations and unresolved ambiguities to be anywhere near the genre's best. However , being splendidly directed by Clint Eastwood with an extraordinary plethora of actors who give magnificent performances . The acting level of the cast during some of the intense discussions and debates almost bursts in the screen .
There's also a sensitive music by Mark Mancina. As well as as an evocative cinematography by Yves Bélanger, mainly shot in Savannah, where Eastwood previously filmed Midnight in the Garden of Good and Evil (1997) . Despite the small streaming ans TV release the film (releasing only in USA 50 theaters despite strong test results) is due in the US it is nonetheless getting a wide theatrical release in many other countries. The motion picture was well directed by Clint Eastwood and is expected to retire after this movie. This film along with the filmed in the 2000s as ¨Cry Macho¨, ¨The Mule¨, ¨American Sniper¨, ¨Invictus ¨ , ¨Gran Torino¨, " Changeling" , ¨ Million dollars baby¨ , ¨Mystic river ¨ make that the dramatic force of this great director turns outs to be impressive , despite being over ninety years old . Juror #2(2024). 6.5/10. A notable Eastwood film, which honors his alleged cinematic farewell.
I saw this film at the premier in the TCL Chinese theater as the closing film of the AFI Film Festival of 2024. Nicholas Hoult stars as the titular character who is forced into a moral dilemma when he is chosen to be on a jury for a murder. The story is kind of a twist on the old Henry Fonda role in "12 Angry Men" of which I can't say more without creating a spoiler. Hoult's performance is more than adequate along with the rest of the stellar cast including Toni Collete as the prosecutor who is running for District Attorney, JK Simmons as Hoult's ally on the jury, Gabriel Basso as the defendant, and many others. The story and screenplay are involving with a few surprises although the inevitable conclusion is not. Eastwood's direction is solid as usual but not exceptional; however, given the constraints of the story I would say that it is more than fine. So, in summary this film is a 7/10, certainly not a 10/10 but not a 4/10 either (I reserve 4 and below ratings for films that are technically incompetent). Recommended if you can find it given Warner's lack of support for the film!
This could have been so much more.
Reels you in, twists and turns of justice, morality and keeps you guessing, unfortunately it ends, without the ending expected.
I was very disappointed with the ending as it appeared to be taking another twist but just ends.
Hollywood and premature ending movies have to be the worst , however, it was enjoyable up to that. Bit of a slap in the face for such a lazy ending. This could have been so much more. It's a shame really.
The movie does have many qualities though and is worth a watch, it was fairly enjoyable, even intense at times and reels you in.
Give it a watch , enjoy.
Unfortunately could have been so much more.
Reels you in, twists and turns of justice, morality and keeps you guessing, unfortunately it ends, without the ending expected.
I was very disappointed with the ending as it appeared to be taking another twist but just ends.
Hollywood and premature ending movies have to be the worst , however, it was enjoyable up to that. Bit of a slap in the face for such a lazy ending. This could have been so much more. It's a shame really.
The movie does have many qualities though and is worth a watch, it was fairly enjoyable, even intense at times and reels you in.
Give it a watch , enjoy.
Unfortunately could have been so much more.
This is a very intriguing film conceptually, and I enjoyed it early on. You're given the big "plot twist" right away, and then the wheels are put into motion. And it's very well acted and decently directed... so where's the disconnect?
The courtroom scenes are well done and nicely interspersed. They move very quickly, and you realize almost right away that this film is going to be a "12 Angry Men" stylized "jury room" drama... with the twist you already know. All good. But then...
I have a problem with the DA's stated belief that this was going to be a "two hour verdict." The facts shown don't lead one to totally feel that. The "evidence" doesn't fully support that. It bothered me that a vast majority of jurors would react the way they did here. Facts turn their views and that was a good thing... then they inexplicably go elsewhere, and we're not shown how or why.
And then there's a disconcerting and very ambiguous ending that doesn't help.
It's a good movie that would've been better with a little tightening up. Totally worth a watch, because the "twist" is quite novel... but too many holes and a dicey ending keep it from being "great."
The courtroom scenes are well done and nicely interspersed. They move very quickly, and you realize almost right away that this film is going to be a "12 Angry Men" stylized "jury room" drama... with the twist you already know. All good. But then...
I have a problem with the DA's stated belief that this was going to be a "two hour verdict." The facts shown don't lead one to totally feel that. The "evidence" doesn't fully support that. It bothered me that a vast majority of jurors would react the way they did here. Facts turn their views and that was a good thing... then they inexplicably go elsewhere, and we're not shown how or why.
And then there's a disconcerting and very ambiguous ending that doesn't help.
It's a good movie that would've been better with a little tightening up. Totally worth a watch, because the "twist" is quite novel... but too many holes and a dicey ending keep it from being "great."
Le saviez-vous
- AnecdotesKiefer Sutherland got his part by writing to Clint Eastwood telling him how big a fan of his he was, and that he wanted to star in one of his movies before he retired. Kiefer's dad, Donald Sutherland, had co-starred with Clint in De l'or pour les braves (1970) and Space Cowboys (2000).
- GaffesFaith cites her office's limited resources when arguing against a mistrial. This should have drawn a swift rebuke from the judge, who may only consider the motion on its merits.
- Citations
Larry Lasker: We're only as sick as our secrets.
- ConnexionsFeatured in WatchMojo: Top 10 Best Movies of 2024 (2024)
- Bandes originalesHard Livin'
Written by Chris Stapleton and Kendell Marvel
Performed by Chris Stapleton
Courtesy of Mercury Nashville Records
Under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut mondial
- 27 000 000 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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