Love
- 2015
- 16 avec avertissement
- 2h 15min
Murphy est un Américain vivant à Paris qui développe une relation passionnée et intense avec la volatile Electra. Ils invitent leur jolie voisine dans leur lit ignorant les conséquences que ... Tout lireMurphy est un Américain vivant à Paris qui développe une relation passionnée et intense avec la volatile Electra. Ils invitent leur jolie voisine dans leur lit ignorant les conséquences que cela aura sur leur leur relation.Murphy est un Américain vivant à Paris qui développe une relation passionnée et intense avec la volatile Electra. Ils invitent leur jolie voisine dans leur lit ignorant les conséquences que cela aura sur leur leur relation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Gaspar Noé
- Noe
- (as Aron Pages)
Déborah Révy
- Paula
- (as Deborah Revy)
Résumé
Reviewers say 'Love' by Gaspar Noé delves into love, lust, and relationship complexities through explicit scenes. Praised for its raw portrayal and unique style, it also faces criticism for being overly explicit and lacking depth. Cinematography is appreciated, but narrative and acting are contentious. Some find it thought-provoking, while others see it as pretentious. Explicit content sparks debate, viewed as either bold or gratuitous.
Avis à la une
This film tells the story of a man trapped with his wife and child, yet he keeps on thinking about his ex-girlfriend who is not contactable. The story then winds back in time to tell how his relationships with his ex-girlfriend and his wife come about.
I have heard about the gratuitous explicit sex scenes in the film, and indeed there is a prolonged sex scene every five minutes. The story is quite interesting, as the man reflects and reminisces about Elektra, who is so adventurous that she becomes increasingly unstable. The problems encountered by the man are quite real life, and viewers can easily relate to his situation. What strikes me is that the lighting effects of the film is very remarkable, the use of focused lighting enhances the mood a lot. The slow strobe effect in the swingers' club is captivating. Overall, "Love" is worth a watch as it depicts real life relationship problems.
I have heard about the gratuitous explicit sex scenes in the film, and indeed there is a prolonged sex scene every five minutes. The story is quite interesting, as the man reflects and reminisces about Elektra, who is so adventurous that she becomes increasingly unstable. The problems encountered by the man are quite real life, and viewers can easily relate to his situation. What strikes me is that the lighting effects of the film is very remarkable, the use of focused lighting enhances the mood a lot. The slow strobe effect in the swingers' club is captivating. Overall, "Love" is worth a watch as it depicts real life relationship problems.
Let's just get this out of the way, there is a lot of unsimulated sex in this movie. This is definitely on par with porn, but since it was shot with "real" actors it was allowed in theaters. I did see somewhere online that there is a super cut of all the sex scenes from this and it comes in at just under 30 minutes, so let that inform your decision to watch or not.
This is a story of a couple that are in a very sexual relationship and decide to invite their beautiful neighbor to join them. This causes problems.
If you like 9 Songs then you will most decidedly like this. Love probably features more sex but does offer a lot more plot as well.
This is a story of a couple that are in a very sexual relationship and decide to invite their beautiful neighbor to join them. This causes problems.
If you like 9 Songs then you will most decidedly like this. Love probably features more sex but does offer a lot more plot as well.
... and no I am not talking about the characters in the film, I am talking about what happens when an A-list director "falls in love" with the idea of doing a sexually explicit film.
I want to be clear about this and I think the data will bear me out. Make a list of all the films in the last 100 years by A-list directors who felt confident they could infringe on territory formerly occupied only by the porn industry and still prevail with a hit film...? Are you done? I will save you time. I did the list myself. And the answer is none, zero, zip, nada.
Just like there are in the porn industry a handful of directors who constantly try to push the boundaries of their craft into the mainstream (which almost always means soft light and lots of white sheets, films that most resemble a commercial for TIDE) Noe, a brilliant artiste (Irreversible and Enter the Void were both brilliant) tried to push the envelope .. and ended up with junk mail.
Sure, if you are determined to see a silk purse where others are seeing a sow's ear, you could pretend that this film has a great deal to say about men's expectations about love and marriage.
But this is a review just between the writer and the reader, and we respect each other too much to lie. So I will be clear -- Noe went where angels fear to tread. And ended up with a film that, for posterity, is simply not going to make his A-reel.
I want to be clear about this and I think the data will bear me out. Make a list of all the films in the last 100 years by A-list directors who felt confident they could infringe on territory formerly occupied only by the porn industry and still prevail with a hit film...? Are you done? I will save you time. I did the list myself. And the answer is none, zero, zip, nada.
Just like there are in the porn industry a handful of directors who constantly try to push the boundaries of their craft into the mainstream (which almost always means soft light and lots of white sheets, films that most resemble a commercial for TIDE) Noe, a brilliant artiste (Irreversible and Enter the Void were both brilliant) tried to push the envelope .. and ended up with junk mail.
Sure, if you are determined to see a silk purse where others are seeing a sow's ear, you could pretend that this film has a great deal to say about men's expectations about love and marriage.
But this is a review just between the writer and the reader, and we respect each other too much to lie. So I will be clear -- Noe went where angels fear to tread. And ended up with a film that, for posterity, is simply not going to make his A-reel.
I know I only rated it a seven out of ten but that's because I admit this film's faults. It certainly isn't near perfect but I felt very moved by the characters and their story. Lots of people may not be able to relate to this film however those of us that do can say that everything about this depiction of love has been experienced and is real. As a grown single adult living in today's dating world I can attest that the relationship between Murphy and Electra exists. Their obsession with each other and with sex that led them into a deep and possibly unreal infatuation was honest and thought provoking. Love sometimes doesn't make sense and can't be described or made logical. Their connection was what drove them into darkness, madness and despair. Love is completely all consuming on any level it's represented on. So many times have I given myself up for something that a year later I looked back on and couldn't reconcile my behavior, and so many times have I given myself up to something to only sabotage it before it completely devoured me. I don't know if I have been in love, but I have felt what these characters are going through and I wouldn't know what else to call it. In the vein of Harmony Korine and Lars von Trier I think Gasper Noe is a genius. Yes this movie is uncomfortable, yes the acting isn't great and yes the story is dry, but it's a genuine take on what relationships look like for some people in their mid twenties to early thirties and I loved every second of it.
Love, a film by the provocative French director Gaspar Noe, offers a unique perspective on sex and relationships. While it can be considered an arthouse porn movie, Love's well-crafted cinematography and authentic portrayal of relationships make it intriguing.
Notably, the film sparked discussions due to its unsimulated sex scenes. Noe treats these sequences like meticulously choreographed action pieces, broken up by scenes of dialogue and drama. While one could debate the necessity of these scenes, they undeniably contribute to the film's pursuit of authenticity, as the actors genuinely engage in sexual acts. This rawness adds a level of intimacy seldom witnessed on screen. This added realism is necessary, as the acting, while serviceable, is never great.
However, the inner monologue of our protagonist, Murphy, often comes across as painfully pretentious and grating, detracting from the overall experience. Similarly, the confrontations between Murphy and Electra are cringe-inducing, intentionally highlighting the discomfort and awkwardness that often accompanies real-life relationship conflicts when viewed from the outside.
At 134 minutes, the film is too long, especially when the main character is as unlikeable and toxic as Murphy. It's surprising that a movie titled Love presents such a pessimistic view of love and monogamy, yet this unexpected perspective enhances the film's intrigue and allure.
Notably, the film sparked discussions due to its unsimulated sex scenes. Noe treats these sequences like meticulously choreographed action pieces, broken up by scenes of dialogue and drama. While one could debate the necessity of these scenes, they undeniably contribute to the film's pursuit of authenticity, as the actors genuinely engage in sexual acts. This rawness adds a level of intimacy seldom witnessed on screen. This added realism is necessary, as the acting, while serviceable, is never great.
However, the inner monologue of our protagonist, Murphy, often comes across as painfully pretentious and grating, detracting from the overall experience. Similarly, the confrontations between Murphy and Electra are cringe-inducing, intentionally highlighting the discomfort and awkwardness that often accompanies real-life relationship conflicts when viewed from the outside.
At 134 minutes, the film is too long, especially when the main character is as unlikeable and toxic as Murphy. It's surprising that a movie titled Love presents such a pessimistic view of love and monogamy, yet this unexpected perspective enhances the film's intrigue and allure.
Le saviez-vous
- AnecdotesGaspar Noé said that he did not direct the actors having sex or choreograph them. He said he just put them in their positions with respect to the camera and then say, "Okay, looks good, start the scene. Let's go." He added, "Once you put the people in the right positions it's okay. They know how to do it."
- GaffesMurphy uses a Loreo 3D camera to take pictures of Electra. At one point he turns the camera on end to shoot. This means the two resulting images will not align correctly to make a single stereoscopic picture. He also neglects to use the flash in the dimly lit room.
- ConnexionsFeatured in Film '72: Épisode #44.10 (2015)
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- How long is Love?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Love 3D
- Lieux de tournage
- Parc des Buttes Chaumont, Paris 19, Paris, France(Murphy and Electra meeting for the first time)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 249 083 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 301 $US
- 1 nov. 2015
- Montant brut mondial
- 861 057 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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