Attila Marcel

I saw this at the Toronto Film Festival and loved it.

The packed audience there also seemed to share my enthusiasm.

Funnier, quirkier but more complete than the Triplets of Bellville, which I liked.

I gave it my vote for the Audience Award.

Almost impossible to describe without spoiling so I will just say that it is warm, funny, quirky, scary, melodic, and romantic.

It takes place in France, likely Paris.

The main character is in his early thirties, but does not speak. Otherwise, he seems to normal.

The director/writer has a unique, creative voice.

The basic scenario for Sylvain Chomet's comedy-drama is reminiscent of that of SHINE (1994). A young man, the eponymous central character (Guillaume Goulx) in his early thirties demonstrates a higher-than-average talent for piano playing, but does not speak. Looked after by a pair of overbearing aunts (Bernadette Lafont, Hélène Vincent), he has little or no outlet for his talents. He discovers in the apartment below him an eccentric woman, Mme. Proust (Anne Le Ny), who administers a concoction to him, enabling him to indulge in fantasies as well as uncover the mysteries of his past.

The plot is a straightforward one, dramatizing the ways in which we often deal with trauma by repressing it. Attila Marcel's concoction is nothing more than a means by which he learns to reconnect with it. What happened might have been unpleasant, but in the end he has to learn how to deal with it. Mme. Proust eventually passes away, and the apartment is taken over by someone else; but the experience has proved cathartic.

What renders Chomet's film so entertaining are the settings, a series of suitable visual metaphors for the lives Marcel pursues. The apartment he shares with his aunts is perpetually spick-and- span: everything in the right place so that Attila can cope with life around him. The aunts believe that this is the best thing for him; as the film unfolds, we understand how they have imposed their will on him, as a way of compensating for their own spinsterhood. The seedy dance studio, where Attila plays the piano for young girls just beginning their careers, is both bare and impersonal; the only noteworthy item of furniture being the piano. This sums up the aridity of the young man's life; it's hardly surprising that he does not want to speak. And there is Mme. Proust's apartment, a positive riot of fauna and flora, with tatty furniture and a strange visitor M. Cuelho (Luis Rego) who always seems to be waking up from a trance. The confusion of her apartment expresses Attila's state of mind; it is only through the concoction that such confusions can be straightened out.

The film comes to a predictable conclusion as we discover precisely what happened to the young man's parents. Perhaps he does not need to take the concoction any more; he seems to be 'cured,' at least temporarily. But director Chomet suggests that, if he wanted to take it once more, there would be nothing wrong. Even though it might be comprised of illegal drugs, it has a beneficial effect in the end.

I enjoyed Chomet's TRIPLETS OF BELLEVILLE, but have to say that I was in the minority with his follow-up THE ILLUSIONIST, in that I was slightly disappointed. This film is similar, so I guess I won't be putting myself into the fan camp for this director.

That being said, there was still plenty of charm, wit, romance and humour in this take on how we are shaped by our memories. I did enjoy it but, on reflection, I think I was just continuously being reminded of better French quirkiness like AMELIE. This one just felt a little too.........random? (But it was at least much better than the dire MOOD INDIGO)

This film is nothing short of fabulous. The memories gradually reveal the back story that is idyllic and tragic in the end, and the cause of his mental blockage. The whole is too lovely and the story is smart. It's practically perfect.

I like the work of sylvain Chomet and I wanted to view more movies of him.

I 've completely pass by this. It remind me Amelie from Montmartre.

The tone, the color are very good, sadly the director 's first real movie suffers from a lot of rookie errors. And sometimes missing the mood that is in the movie. But I enjoy it all the time

The actors are great, sometimes to caricaturist, but do prefect the job, Paul is awesome with no words speaking.

The music is nice too, with the ukulele theme, very poetic

I hardly recommend this gold nugget for all the nostalgic and the atypical good movie. It succeed in his mission, offering a nice time.