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Parolee John Eager (Robert Taylor) has everybody fooled that he's gone straight and is trying to make an honest living as a taxi driver. In reality, Eager hasn't given up his criminal life at all. He's still a racketeer and he's working to open up a new dog track but is finding opposition from a vigilant district attorney (Edward Arnold). Eager starts dating pretty society girl Lisbeth (Lana Turner). When he finds out she's the stepdaughter of the D.A., he tries to use his relationship with Lisbeth as leverage against her stepfather.

Glossy crime drama from MGM with some film noir touches. Love the dialogue and the cast is terrific. This is one of my favorite Robert Taylor performances. Far more enjoyable to me than all of those sappy romantic melodramas from the '30s. Edward Arnold, of course, can do no wrong. Lana Turner looks gorgeous (no surprise) and does fine in a role that requires little from her but to be a naive lovestruck young woman. Van Heflin plays Taylor's cynical alcoholic friend who has many of the movie's best lines. He's the scene stealer in this, by the way, and deservedly won the Best Supporting Actor Oscar. As with any old movie where there's a close male friendship, many reviewers read into it things that may or may not have been intended. Watch it and decide for yourself. The rest of the cast is full of great actors. Just take a gander at the cast list for this and you'll see how much talent was involved here. It's really a quality movie with a solid script, good characters, and a powerful ending.

Any picture that Mervyn LeRoy was able to direct, you can always count on him choosing great actors to make his films a success. His choice of Robert Taylor in this role was outstanding; Taylor played (Johnny Eager),"The House of Seven Hawks",'59, a Taxi Cab driver who wore the uniform in most of the scenes with a small bow tie and cap. Eager was also a very tricky crook who did all kinds of things to make a buck, even Dog Racing. In one scene Eager told his girl friend, 'He did not care to make love at 4PM in the afternoon', however, he fell madly in love with Lana Turner,(Liz Bard),"Dr. Jekyll & Mr. Hyde",'41, who looks young and beautiful in her role as a Judge's daughter who is fooled into killing Paul Stewart,(Julio),"The Joe Louis story",'53. Van Heflin,(Jeff Hartnett),"Black Widow",'54, never stopped drinking through out the entire picture and never seemed to get sober. Edward Arnold,(Jeff Hartnett),"The Devil & Daniel Webster",'41, loved his daughter Liz very deeply but Johnny Eager managed to get him involved in his various crimes in the Dog Racing business which almost broke his heart. This is a great Robert Taylor Classic along with great veteran actors and a very worth while film to sit back and enjoy.

Just as Sydney Greenstreet is unforgettable in "The Maltese Falcon", Van Heflin's role in Johnny Eager is memorable. Heflin won an Academy Award for this role that would be a dream role for any serious actor. The role provides superb lines, wide emotional range and an unusual character for a Forties movie. A weeping Heflin would be arresting to even a casual viewer. Several years later, Heflin played a somewhat similar but rugged and drunk Musketeer with a broken marriage in "The Three Musketeers." The casting of "Johnny Eager" is the secret to its success.

Robert Taylor made a name as the good looking good guy in the movies, but he is even better when he plays the bad guy in a handful of films. This is one such example. The strength of this role is his ability to transform from a likable good guy into a steely, gangster with an eye-brow movement and a subtle variation in his voice. Yet amongst the several negative roles ("Conspirator", "Undercurrent", "Ride, Vaqeuro", "The Night Walker"), Taylor in "Johnny Eager" is able to present the versatile actor he was.

The lovely Lana Turner is overshadowed by Taylor and Heflin, not just by the script but their individual performances. Usually Turner overshadows her male colleagues.

The film would never have stood out but for the script (Grant and Mahin) and the direction (LeRoy). The opening sequence and the ending sequence are well crafted and can stand alongside the best of film noir. I am surprised that this work gets often overlooked in discussions about the best examples of the genre. I found the film richly entertaining and well-made.

Johnny Eager is an ex-gangster parolee who needs to hide his current criminal activities. He's a classy gangster and always knows how to get what he wants. He runs a dog racing racket and has henchmen to do his dirty work. He seems to have everything figured out until he meets a girl who figures him out but still falls in love with him. A guy like Johnny Eager can't have a respectable dame like her falling all over him, right? Johnny Eager doesn't fall in *love*.

Robert Taylor stars in the title role and is very good as the classy criminal. The lovely Lana Turner plays the love interest Liz Bard. This was still relatively early in Turner's career. She'd feature in DR. JEKYLL AND MR. HYDE (1941) the same year, but make more of an impression later on in THE POSTMAN ALWAYS RINGS TWICE (1946). Turner's character is a key component of JOHNNY EAGER, but she spends considerable time offscreen.

Van Heflin won the Oscar for playing Jeff Hartnett, a well-read alcoholic and Johnny's best friend and confidant. He's not interested in the criminal activities, but he keeps Johnny company, offers him advice, and keeps his secrets. A selfish crook like Johnny Eager knows nothing about love or sympathy, but even Johnny Eager needs a friend.

Heflin would go on to such movies as SHANE (1953) and 3:10 TO YUMA (1957) in the 1950s, but he actually won an Academy Award for this film early on in his career. Heflin's performance was my favorite part of the movie and he deserved Oscar recognition. He really stood out among the ensemble. His character is always half-drunk, but functional, honest and prone to colorful literary quotations. The performance is subtle and nuanced compared to the rest of the cast. Heflin is able to convey different emotions throughout the movie and even takes a punch, falls to the ground, rolls around, looks up, and leaves, all in (if I recall correctly) one shot.

(Other viewers have pointed out undertones with Heflin's character that are there if you want to take 'em or leave 'em. The film works fine either way.)

A big-time racketeer who uses people for his own advantage, Johnny doesn't understand love and has no real friends except Jeff. He'd never even had a pet dog growing up. Johnny Eager is like an emotionless robot, until Liz comes along. In the end it is Johnny's newfound shred of humanity that ultimately leads to his downfall. (I guess. The ending never made 100% sense to me.)

JOHNNY EAGER is an enjoyable little film from 1941. Part gangster movie, part film noir lite. I really don't know how best to classify this one. But it has somehow fallen out of the public consciousness, available only by on-demand DVD from Warner Archive and occasionally on TCM. It's hard to understand why, since it's a decent enough movie with two notable stars, Robert Taylor and Lana Turner. And it's an OSCAR_WINNER! One would think people would be interested in seeing the film that provided the Best Supporting Actor of 1941, Van Heflin's shining moment.

I caught this on TCM recently and I'd recommend checking it out if you have the time. It's not essential viewing, but it's worth a look. Catch it when you can.

Robert Taylor is a reformed gangster on parole at the beginning of "Johnny Eager." After meeting with his parole officer and two sociology students - one of whom is the gorgeous Lana Turner - Johnny transforms himself into the gangster he has remained.

It's in this identity that he runs into Turner again at a nightclub. The gangster interests her more than the cabbie. Little does he know, her father is the prosecutor who has an injunction to keep a dog track from opening in which Johnny has a financial stake.

According to Lana Turner, she and Taylor flirted and made out, and Taylor told Stanwyck he wanted a divorce. Turner didn't want to break up the marriage and told Taylor it was no go. Stanwyck, however, never spoke to Turner again. Turner and Taylor make a beautiful couple and they sizzle on screen.

Both turn in excellent performances. Turner plays a love-struck, vulnerable young woman who will do anything to protect her man - she's great. Taylor, sporting a mustache, is terrific as Johnny - a goody two shoes around his parole officer, a mean, selfish tough guy around everyone else. He has no idea how to love or to be loved.

Van Heflin won an Oscar for Best Supporting Actor as Johnny's friend Jeff, an alcoholic philosopher and Johnny's conscience. Heflin plays up the sensitivity of Jeff and his love for Johnny, giving the role gay overtones. He is fantastic.

If you're under the impression that Taylor and Turner were just two of Hollywood's non-acting pretty people, think again. During their careers, both played many worthwhile roles and played them well.

If the critics dismissed them because of their looks, or in Turner's case, the headlines she garnered in her private life, too bad, but the audience always got their money's worth with these two pros.

Wonderful film!