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This movie was quite a pleasant surprise. I expected something along the lines of The Interns (which was a piece of trash), however for 1961, it was fairly authentic as to hospital and medical aspects. But but best of all, the relationships of the main characters carried the story, which included portrayals of women with intelligence and independence - a real exception for movies of the time. Talented performances by most of the main actors/actresses deserve mention: Fredric March (for the most part, eschewing his predilection for over-acting), Ben Gazarra, Ina Bilan (who's never gotten the credit she really deserves), Aline McMahon, and Dick Clark (I never even knew he was an actor). I could find nothing in the IMDb database about Oscars, but certainly some of these performers deserved at least to be nominated. I'm glad I caught it on TCM.

If you liked Not as a Stranger, you're going to want to rent The Young Doctors. It follows a group of first-year doctors joining a hospital. Not only are there the usual hurdles, like losing sleep, getting lost in the corridors, workload overload, and adjusting to hierarchy and red tape; but each new doctor has his own personal struggle. Ben Gazzara is a pathologist, butting heads with the head honcho Fredric March, who's been in charge for decades. Ben falls in love with a nurse, Ina Balin, who has secrets of her own. Dick Clark's wife is expecting a baby, but they're both nervous about it because of their previous attempt.

Fredric March has class, confidence, and presence, owning every inch of the screen. Ben Gazzara has a different type of energy, the Paul Newman bad-boy generation of upstarts; but it's obvious he loves his field as much as his predecessor. Just like Not as a Stranger, there are criticisms and praises for the medical establishment in the story. We all wish doctors were all-knowing and could cure everything, but that's not the way it is. This film could have been made today, which is remarkable how little things have changed. With just a computer and a cell phone or two, a word-for-word remake could be filmed in the 2020s. Interesting, well-acted, and a story that keeps you guessing until the end, rent this one for a stimulating evening.

The Young Doctors (1961), directed by Phil Karlson from a novel by Arthur Hailey, is one of the few films I've ever seen that highlights the work done by pathologists.

The plot lines are fairly predictable, but they hold your interest. The acting ranges from excellent (Fredric March) to adequate (Ben Gazzara) to barely adequate (Dick Clark) to inadequate (Ina Balin). (Aline MacMahon as Dr. Lucy Grainger does extremely well in a supporting role.)

The medicine that we see has held up pretty well over 43 years. However, the initial case review in which March demonstrates his "take no prisoners" approach actually was not mismanaged.

Despite the weakness of "The Young Doctors," it held our attention and brought out emotional responses.

It's not worth a special trip to find it, but if you see the film offered for rental, you could do much worse.

While there are many movies about medicine (and there have been before this), I loved this one in particular thanks to the direction, the acting and the plot, very unique for a movie set in a hospital. I liked also the black and white cinematography because it truly fits the movie's dramatic moments.

The film is set in an hospital, with Fredric March as Dr. Pearson, the head pathologist that has many years of experience and teaches the job to the young students. Meanwhile arrives the new assistant, Dr. Coleman (played by Ben Gazzara) and tries to convince Pearson to use new and innovative medical strategies. But soon, they have a clash of ideas thanks to two serious cases.

I have to agree with user bkoganbing: medical dramas are sometimes similar to courtroom dramas because they both deal with life and death issues. The uniqueness of the movie is that is set in the Pathology lab, a rarely seen part of the hospital.

The cast is maybe one of the best ensemble cast ever found in a medical drama. Fredric March and Ben Gazzara shine as the two main characters, two doctors that after clashes they turn to be very human, and in the end they respect each other. Ina Balin (in the same year of THE COMANCHEROS) is a young nurse that has also a severe medical condition, and falls for Gazzara's character. Dick Clark stars as a young medic with a pregnant wife that battles to keep the baby alive.

But the real standout in the movie is Eddie Albert in his most underrated performance: as doctor Dornberger, the pediatrician that saves Dick Clark's newborn son. You can see all of Albert's seriousness and dedication in the job by the sweat crawling in his skin. And he succeds in saving the baby and making him take his first steps in the world.

In the cast also Edward Andrews as another doctor, George Segal (in his debut) as March's assistant and Aline McMahon as March's friend.

Still, this is a truly unique and pleasant movie (although forgotten nowadays) that also kept my interest until the end.

I was drawn to this on TCM by the presence of Fredric March, Ben Gazzara and Eddie Albert, all among my favorite actors. I had expected a pro-forma medical flick but was surprised to find a movie with depth, grit, emotion and intellectual meat. As other reviewers have mentioned the title is misleading, and might more accurately have been called "The Old Pathologist," as Fredric March's role is central, and carries the movie. He plays a once-idealistic but now burnt out chief pathologist, who comes into conflict with a young tyro brought in by the hospital board to reinvigorate the pathology department. The conflict is handled intelligently with an excellent script. The romantic interest ties in smoothly with the medical issues. One is kept in thrall throughout, and March's performance is a stunner. Despite his crustiness in the end he is a sympathetic figure. As far as Dick Clark, after seeing this you'll know why he went with American Bandstand rather than pursue an acting career. The B&W cinematography to me enhances, rather than diminishes, the movie. An overlooked gem well worth a see.