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Aggiungi una trama nella tua linguaThe true life story of Wendell Scott, the first black stock car racing driver to win an upper tier NASCAR race.The true life story of Wendell Scott, the first black stock car racing driver to win an upper tier NASCAR race.The true life story of Wendell Scott, the first black stock car racing driver to win an upper tier NASCAR race.
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Whenever you think about influencial people in African-American sports history, you mostly think of Jackie Robinson, but during the Civil Rights movement of the late 1950's and early 1960's, a young racer from Danville, VA quietly broke NASCAR's color barrier and that was Wendell Scott. I think Richard Pryor did an excellent job of portraying Wendell Scott in this film and showed what is was like to race in the South at that time (1950's-1960's). This film shows that anyone can do anything, regardless of their ethnic background. The real Wendell Scott's racing career was cut short due to a serious accident during a race in Talladega, Alabama in 1973. Where would some of today's African-American racing drivers be if Wendell Scott did not open the door? A must-see for racing fans in general.
This one has been a favorite of mine ever since I first watched it on cable in the late 70's. Richard Pryor is just perfect as Wendell Scott, the first black stock-car racing champion. The rest of the cast is great as well, all perfect in their roles. This is definitely a perfectly cast film!
The film itself is very decent but does have a few problems, most notably that once Wendell starts racing there seems to be too many large gaps in time, as if a lot of footage that has been left on the cutting room floor. But the script does move along well even with that problem.
I would think Pryor fans especially would pick this up on DVD if it ever got a proper release, in widescreen, some commentary, and with those obviously deleted scenes left behind. Hopefully this will be on DVD before some Hollywood clown remakes this with tons of computer effects crap and ruins the whole thing.
The film itself is very decent but does have a few problems, most notably that once Wendell starts racing there seems to be too many large gaps in time, as if a lot of footage that has been left on the cutting room floor. But the script does move along well even with that problem.
I would think Pryor fans especially would pick this up on DVD if it ever got a proper release, in widescreen, some commentary, and with those obviously deleted scenes left behind. Hopefully this will be on DVD before some Hollywood clown remakes this with tons of computer effects crap and ruins the whole thing.
10pmr105
This movie showed the life of one mans adversity in a sport that he loved but not always loved him back. I had the great pleasure of meeting Wendell Scott at a car show in the 80's. He was a very kind hearted man that loved to meet and greet people. I have this movie on tape so that I can show my son when he grows up. It is a great story that every man of any race should see.
I was going to rate this movie a 5/10 or lower based upon the start. It was so absurd.
Wendell Scott (Richard Pryor) was a moonshiner steadily running from the law. He was so good he would always get away from the local sheriff in Danville, Virginia. He was able to parlay his moonshining into NASCAR racing.
That's not the absurd part. What was absurd was that the police knew who he was, knew he was running liquor, yet, for whatever reason, they had to catch him in the act to arrest him. If they couldn't catch him in his car with the booze then they would have to let him go. It was like watching Dukes of Hazard.
But, because the way the movie wrapped up and, more importantly, because Wendell Scott was a real person--I couldn't give it a bad rating in good faith. Pryor, however ill-suited for the role, represented a real black man that really won in NASCAR in the 60's. That's powerful. So, even if the movie was overly dramatized, I have to respect them bringing Wendell Scott to the public.
Wendell Scott (Richard Pryor) was a moonshiner steadily running from the law. He was so good he would always get away from the local sheriff in Danville, Virginia. He was able to parlay his moonshining into NASCAR racing.
That's not the absurd part. What was absurd was that the police knew who he was, knew he was running liquor, yet, for whatever reason, they had to catch him in the act to arrest him. If they couldn't catch him in his car with the booze then they would have to let him go. It was like watching Dukes of Hazard.
But, because the way the movie wrapped up and, more importantly, because Wendell Scott was a real person--I couldn't give it a bad rating in good faith. Pryor, however ill-suited for the role, represented a real black man that really won in NASCAR in the 60's. That's powerful. So, even if the movie was overly dramatized, I have to respect them bringing Wendell Scott to the public.
Richard Pryor shows his versatility, in this story of a black moonshine runner who forces his way into the white-dominated professional racing circuit. I'm not sure how historically accurate it is, but the film drew me into the story, right off the bat. When they establish Pryor's character as a WWII veteran, that automatically buys some sympathy, and it's not hard to guess how hard it would have been for a black man to make his mark in the white-dominated south, let alone the white-ultra-dominated auto racing field. This particular aspect of racing, I think, still shows today in the incredibly-low percentage of black drivers in the major leagues of auto racing. I know it's not because African-Americans can't build or drive cars - I believe it's still because of the redneck image of pro stock-car racing.
Anyway, off my soapbox. This is a great movie. Pryor is very believable and turns in a fine performance as the protagonist. It's also great to see how the small local drivers started to build up the sport into the massive, ugly organization that is is, today. The film also kept my interest by showing the NASCAR races, year after year, showing their evolution and devolution.
I thoroughly enjoyed this film, front to back - of course, I'm kind of tilted towards car films. But the way the actors played out their characters in this film made them very human. I recommend this to any open-minded NASCAR fan. This'll show you where it came from.
Anyway, off my soapbox. This is a great movie. Pryor is very believable and turns in a fine performance as the protagonist. It's also great to see how the small local drivers started to build up the sport into the massive, ugly organization that is is, today. The film also kept my interest by showing the NASCAR races, year after year, showing their evolution and devolution.
I thoroughly enjoyed this film, front to back - of course, I'm kind of tilted towards car films. But the way the actors played out their characters in this film made them very human. I recommend this to any open-minded NASCAR fan. This'll show you where it came from.
Lo sapevi?
- QuizRichard Pryor and Pam Grier met on the set of this movie. They fell in love, were involved for several years, and almost married. Richard's drug use almost ended their relationship. The day before they were to be married, Richard eloped with someone else, breaking Miss Grier's heart.
- BlooperIn many of the in-car shots during the races you can hear that they are manual transmissions being double clutched, but the drivers never take their hands off the wheel to shift.
- Citazioni
[searching for car parts in a scrap yard]
Peewee: What'chyou looking for, Wendell?
Wendell Scott: Some of this, some of that, some of everything. A universal joint.
Peewee: Hmph. I wouldn't know a universal joint if it bit me.
Wendell Scott: Well, one's about to bite you.
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