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This is not a "film" in the traditional sense...perhaps

This is not a "documentary" in the traditional sense...probably

What is it??

The Celluloid Closet is a comprehensive history of film - gay film, straight film, "is she/isn't she?..." film. Everything. It is the result of 10 years hard work - no-one (especially big film/tv studios) is keen to fund a 2 hour film on gay movie visibility, they're all too busy closetted away (often literally) making sure viewers won't be offended by their output...

However the time, effort and sheer love that has gone into this is utterly evident and it may be a blessing in disguise that it took so very long. The film is based heavily on the late Vitto Russo's book of the same name. Russo was a film buff who catalogued in detail the visibility of gay and lesbian characters in cinema. He included film from across the globe and updated the book for the last time in the mid eighties (Parting Glances and My Beautiful Launderette having just been completed) before the explosion of new gay film of the last decade. The film takes the historical content of the book and uses the best editing *I* have ever seen to produce enlightening sequences on the treatment of gay people and issues. Although it only concentrates on Hollywood films, it has the advantage over the book in that it was right up to date at its time of completion.

Not only does The Celluloid Closet use self-appointed gay films, it also takes enormous pleasure in covering those films we love and know as gay classics even though the tension is a subtle sub-plot often totally lost on a straight audience! Absolute treats are the celebrity comments (they will set a thousand conspiracy theories going in your head too!), better still is the input of relatively unknown behind-the-camera people, writers etc, who are at liberty to be far more honest about their views.

There are also clips from classics like Rebecca, Calamity Jane (the dykiest show on earth if you ask me!), Ben Hur, My Beautiful Launderette, Parting Glances.......etc etc.. Any film you can think of is probably there - if not then maybe you should write a sequel!

Did you ever think that Laurel and Hardy were very cosy with each other? Did you think Mrs Danvers was a little forward going through Rebecca's undies? Did you explode at *that* kiss in Morroco? Have you always secretly thought The Hunger was a good movie? .............Well so did someone else. Quite a lot of someone elses - and some of them were the writers!

This is such a good film for too many reasons. I'd go as far as saying it's perfect film.

It has no characters/plot, etc but it shows the progress of gay visibility as one of the best stories there is. The people who made those movies are the cast. It is a film

It is informtive, funny, clever and revealing. It tells EVERYONE about their history and heritage. The general observations about film-watching apply to anyone. It's impressively detached and lets you draw your own interpretation. It's a documentary.

You will sit there thinking "wow" when it finishs. You will wonder how you view films - and how everyone else views them. It may even make you nostalgic for the days when closetted was the only option (and endless sex-scenes were impossible and forbidden so plot and dialogoue had to make do). You will think of omissions and ponder those included but it will get you thinking. That's the important part.

If this film doesn't make you want to go out and watch all your favourite movies plus all those featured in it then I'll be amazed!

It may sound like it, but it's no chore to watch. It's a pleasure.

It's inspiring. wonderful. Ultimately uplifting. And you'll need to see it again.....and again....and again! ....oh yes! And kd lang sings "Secret Love" at the end! Wow!...

"The Celluloid Closet" is a necessity to understand film history in the USA. From the earliest days of cinema (a rare clip of an 1895 Thomas Edison experimental film shows two men dancing in an embrace!) up to the modern era, this film details how gays were depicted in the cinema (from the sissy fashion designer to the bull-dyke prison guard) and the problems film-makers had to deal with due to the restrictions of the Hayes Office and the self-proclaimed Legion of Decency.

An incredible piece of cinematic history shown in the film is the (now restored) "oysters and snails" scene in "Sparticus", where Marcus Licinius (Sir Laurence Olivier) tries to seduce his slave Antonius (Tony Curtis) in the bath.

This documentary changed the way I look at cinema, and now I often find myself seeking for the "hidden messages" in the characterization ("Calamity Jane", "The Maltese Falcon", "Johnny Guitar", "Rebel Without A Cause", "Ben Hur"...I can never see the scene where Judah and Mesalla drink that wine and glance into each other's eyes the same way again!). My only complaint is that the film does not mention the 1919 German silent film "Anders als die Anderen" ("Different From the Others"), one of the first to seriously deal with homosexuality.

Marvelous film! (To the film-makers: k.d. lang singing "(Once I Had A) Secret Love" at the end is a crowning touch!)

Entertaining, thought-provoking and (at times) very funny documentary chronicling gay subject matter in motion pictures from the silents up to 1995. The narration (by Lily Tomlin) is insightful and the cameos and comments by various stars who have played gay (Tom Hanks, Whoopi Goldberg, Harry Hamlin) or are gay (Harvey Feinstein, the late Quentin Crisp, Paul Rudnick) are very entertaining and in two cases (with Susan Sarandon and Gore Vidal) utterly uproarious. Special attention should be paid to the "Ben-Hur" segment when you realize Stephen Boyd was playing it gay and Charlton Heston was totally oblivious! This is a very important film and should be seen by everybody gay OR straight. A must for film buffs. Don't miss this one! My only complaint--it's too short! The DVD version has extra interviews that are just great.

"The Celluloid Closet" is a history of the treatment of homosexuals and gay themes in the cinema from the silent days to 1995, but it is a very partial account, focusing almost exclusively on Hollywood. The strength of the film is a huge number of clips from a vast range of films which show that, after a fairly liberal early period, homophobia reigned supreme until the late 1960s, and still can be seen in mainstream movies today. One of the great gay clichés is the homosexual movie buff in love with the likes of Judy Garland, so it is ironic that so many gay people should turn to the Hollywood product for distraction, given how anti-gay that product was. Some of the industry people interviewed for the film boast of how the censors were outsmarted on occasion, for example Gore Vidal's account of how Charlton Heston was fooled into acting gay in "Ben Hur", but it was not until "Boys in the Band", the film of a successful stage play in 1970, that homosexuality broke through as a topic for candid treatment.

With "Brokeback Mountain" in line for an Academy Award or two this year gay themes can clearly now be mainstream. This film reminds us that cinema reflects the society from which it springs, and the United States has not historically been tolerant to what we might call sexual minorities. Somehow things loosened up in the 1960s and film-makers followed the trend (though not the lawmakers in most states). The genie is now out of the box, gay rights are reasonably well established and there is no going back. It will be interesting to see how American gay cinema retains its edge, now that homosexuality has become domesticated.

I think this documentary is a total eye-opener. It gave me an insight into the American film history with respect to the particular topic of homosexuality. There are many original film clips as examples, and also have actors who performed the respective roles to comment on their views of this topic. This makes the documentary so convincing and credible.