Aggiungi una trama nella tua linguaCI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.CI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.CI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.
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It's not as bad as it could have been.
I was expecting it to be utterly unwatchable, however, surprisingly, it was really not a great deal worse than the original.
I was expecting it to be utterly unwatchable, however, surprisingly, it was really not a great deal worse than the original.
CI5: The New Professionals was a series which most fans waited for since the original's demise in the early 1980s.
While audiences have become more sophisticated in the last 18 years, the new series takes a backward step, with writing and scoring that are childish at best. The show's creator, Brian Clemens, fails to take into account numerous developments in the original, and the new 37 and 45, Curtis and Keel, lack the initiative of their predecessors. To the seasoned Professionals fan the pair appear stupid in Clemens's scripts. The only able agent, Backus, is forever stuck at headquarters (much like Ruth being Cowley's chauffeur). The performances are also weak: at times Edward Woodward, as Malone, is dictating, and not acting, his lines: this is his worst performance since that crimes documentary he did a few years back. Curtis and Keel are simply too soft-looking; remember that Bodie and Doyle were hard men who had seen plenty of action as a mercenary and a top police officer.
Of the first three Clemens stories, the plots are tolerable, but their execution is marred. (I have yet to see one not scripted by Clemens, so I hope they get better.) The new electronic score fails to build any of the tension of Laurie Johnson's original (which was edited to fit the scene, and not composed for each episode). Even the titles look silly (the same size of type used for both name and role or position).
For a series that was promised to be as streetwise and gritty as the 1970s originals, it fails miserably and is on the verge of a parody. Fans will be disappointed.
While audiences have become more sophisticated in the last 18 years, the new series takes a backward step, with writing and scoring that are childish at best. The show's creator, Brian Clemens, fails to take into account numerous developments in the original, and the new 37 and 45, Curtis and Keel, lack the initiative of their predecessors. To the seasoned Professionals fan the pair appear stupid in Clemens's scripts. The only able agent, Backus, is forever stuck at headquarters (much like Ruth being Cowley's chauffeur). The performances are also weak: at times Edward Woodward, as Malone, is dictating, and not acting, his lines: this is his worst performance since that crimes documentary he did a few years back. Curtis and Keel are simply too soft-looking; remember that Bodie and Doyle were hard men who had seen plenty of action as a mercenary and a top police officer.
Of the first three Clemens stories, the plots are tolerable, but their execution is marred. (I have yet to see one not scripted by Clemens, so I hope they get better.) The new electronic score fails to build any of the tension of Laurie Johnson's original (which was edited to fit the scene, and not composed for each episode). Even the titles look silly (the same size of type used for both name and role or position).
For a series that was promised to be as streetwise and gritty as the 1970s originals, it fails miserably and is on the verge of a parody. Fans will be disappointed.
Apparently, CI5 is no longer hiring members from the police or armed forces, and has started recruiting at modelling agencies. The plot-lines are ludicrous, the scripts are laughable and the cast, supposedly portraying the dangerous, highly-trained peak of global law enforcement, have all the menace of rice pudding and are about as attractive. A pathetic attempt to relive the original series of "The Professionals", this latest series is totally lacking any drama, suspense, wit or talent. George Cowley would eat this bunch for breakfast.
Stared watching on Amazon because I used to love Edward in the Equaliser in my youth but this show is just painful despite giving it the usual allowances of it being an old show. Who knows if I watch the Equaliser now perhaps, I will think the same thing. I remember Edward being a good actor but in this show at first pass I just thought every actor was beyond bad. On reflection though I do not think it is the actors at all and more the dialogue that just makes everyone seem extremely wooden and fake.
A lot of shows of the time had a high level of 'cheese' which is not necessarily a bad thing, but this paired with the corny dialogue takes it to level that meant I stopped watching halfway through season 1. I say this as someone who has an obsessive compulsion to finish what I start but in this case I failed! I don't like reviewing without giving any positives, but I just cannot think of any.
A lot of shows of the time had a high level of 'cheese' which is not necessarily a bad thing, but this paired with the corny dialogue takes it to level that meant I stopped watching halfway through season 1. I say this as someone who has an obsessive compulsion to finish what I start but in this case I failed! I don't like reviewing without giving any positives, but I just cannot think of any.
I had the misfortune of coming across this one boring evening. The two leading characters are totally characterless, Edward Woodward is not much better, and having a pretty gun toting female cannot save it. Very disappointing. The 'old' Professionals worked well because the two leading characters were interesting, they were likeable, they had some depth, and that's why it worked. This doesn't.
Lo sapevi?
- QuizIndependently made by director David Wickes' own production company, the series failed to sell to a mainstream terrestrial broadcaster in the UK, although it did sell to some European broadcasters. The lack of interest from the UK meant that financially the series was not going to be as lucrative as the producer hoped for. With only thirteen episodes made the series did not have enough stories to sell in syndication to US TV stations either so the series was cancelled.
- ConnessioniFollows I professionals (1977)
- Colonne sonoreThe Professionals
(title theme)
by Laurie Johnson
Arranged by Chris Winter and Hywel Maggs
Produced by David Bainbridge
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By what name was CI5: The New Professionals (1998) officially released in India in English?
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