VALUTAZIONE IMDb
6,8/10
4550
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn outlaw band rides into a town that is actually Purgatory, between Heaven and Hell.An outlaw band rides into a town that is actually Purgatory, between Heaven and Hell.An outlaw band rides into a town that is actually Purgatory, between Heaven and Hell.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Primetime Emmy
- 2 vittorie e 6 candidature totali
Foto
JD Souther
- Brooks
- (as John David Souther)
- …
Phil Hawn
- Inhabitant of Refuge
- (non citato nei titoli originali)
Recensioni in evidenza
Outlaws heading for Mexico stumble across a small town called Refuge, where no one carries a weapon and everyone welcomes strangers with open arms. Problem is, these outlaws aren't having any of it, and decide to burn down the place. Refuge, as we quickly discover, is actually the Purgatory of the Bible, and is populated by such western stalwarts as Wild Bill Hicock and Doc Holliday. For these familiar figures, there is a vexsome problem: if they take to violence, they will get shipped off to Hell post-haste. What's a man to do? A wonderful TV western, fanciful and dramatic at the same time. Several familiar actors including Sam Shepherd (erroneously listed as Sam Elliott on some electronic TV guides), Eric Roberts and Randy Quaid keeps things hopping.
Purgatory is a little gem of a movie of which i really enjoyed. I am always a little weary of TV movies they nearly always teld to have low budget scripts and low budget acting but not this film. The film is about a gang of outlaws who ride into a town way in the middle of nowhere. The occupants are over hospitable and are extremely law abiding,they dont carry guns and they visit the church every day. The bandits start to take advantage of their hosts genourosity and start tearing up the town. This is when the residents true identities are revealed. Great entertainment. 8 out of 10.
This film starts out with a band of desperadoes led by "Blackjack Britton" (Eric Roberts) who decide to rob the bank in a town called "Sweetwater". What they don't anticipate is that while they are robbing the bank the U.S. Cavalry happens to also ride into town. A gunfight ensues and the bandits hightail it out of town as fast as they can with a large posse chasing after them. The further they ride the more desperate they become and eventually lose all of the money they had stolen. Then they encounter a dust storm and when they finally ride through it they come upon a town called "Refuge" which is well off the beaten path. At first they decide to keep a low profile but then they notice that nobody in the town is armed. Not content with simply accepting the town's hospitality they soon decide to force themselves upon it. But what they don't realize is that this is no ordinary town. And the townsfolk are not run-of-the-mill people either. Anyway, rather than disclosing the mystery of the movie and risk spoiling it for those who haven't seen it I will just say that this is not an ordinary western. The acting is decent and Amelia Heinie (as "Rose") certainly lent some nice scenery. But what made this film so unusual was the unique storyline which was quite intriguing. All things considered then, although the end was somewhat predictable the movie managed to keep my attention for the most part and I rate it as slightly better than average.
When I was going to see this film, I feared a little bit that this would have too much of a western atmosphere. I decided to watch this because the story seemed very interesting. Director Uli Edel did a very good job directing this. Although this is a TV-movie, and I assume the budget wasn't that big, Uli Edel made a very impressive film. I enjoyed this film a lot. Also the acting was very good. The music is excellent. I recommend this film to everyone. Also to people who generally don't like westerns. This is an amazing film, with excellent acting, beautiful cinematography, beautiful music and a great, touching story! Don't miss this film, it's beautiful!
There quite often comes a time when a film fan who is so enamoured with a specific genre or style of film making, comes across a picture that one knows is far from perfect if deconstructed frame by frame, but still loves it with every breath they take. Purgatory is one such film for myself.
Purgatory, a TNT TV production, is that rare old beast of the Western fused with fantastical or supernatural elements. More often than not this is a blend that proved to be disastrous, hence why there are so few films of this type put into production here in the modern era. Yet director Uli Edel and producer Daniel Schneider pulled it off back in 1999, my only regret is that it took me so long to let it into my cinematic life.
The title is something of a give away, thus rendering the supposed twist as being hardly surprising. However, it was not the intention of the film makers to hoist a Sixth Sense surprise on us, really it wasn't. We are asked to put ourselves into the young Greenhorn shoes of Leon "Sonny" Miller (Brad Rowe) and experience his own coming of age awakening. From dime novels and hero worship to first kills and first loves, Sonny is our conduit and the key holder to the gates of redemption for many of the Wild West's legendary characters.
The cast is a veritable feast of splendid character actors playing a veritable feast of iconic real life people. Sam Shepard, Eric Roberts, Randy Quaid, Peter Stormare, Donnie Wahlberg and J.D. Souther. While Brad Fiedel provides a musical score of some magnificent beauty, a piece that revels in heroic swirls and escalating emotions, it darts around the town of "Refuge" like a novelist writing a dime novel soon to go down in folklore legend.
Budget restrictions are hidden very well, Edel and his cinematographer William Wages prove adept at lighting techniques and scene staging. Be it keeping things in the shade or cloaking a sequence with believable dust clouds, there's a professional touch here that puts the pic into the upper echelons of TV movies.
Then there's the action, a key component for so many Western fans, and thankfully Purgatory is book-ended by superb action sequences, with the finale a skilled lesson in shoot-out choreography and machismo pulse beats. And then there's the emotional kickers, ready to be embraced by those who still yearn to have the spirit lifted and the heart gladdened.
I could write a whole weighty paragraph on Purgatory's flaws, maybe even point out thematically what I think will annoy others, because for sure not everything works. But as a Western movie lover I found myself cheering at the film's end, even wiping away a damn fly from my eye. That's job done for me, a Western that tickled and teased my every emotion, wonderful. 10/10
Purgatory, a TNT TV production, is that rare old beast of the Western fused with fantastical or supernatural elements. More often than not this is a blend that proved to be disastrous, hence why there are so few films of this type put into production here in the modern era. Yet director Uli Edel and producer Daniel Schneider pulled it off back in 1999, my only regret is that it took me so long to let it into my cinematic life.
The title is something of a give away, thus rendering the supposed twist as being hardly surprising. However, it was not the intention of the film makers to hoist a Sixth Sense surprise on us, really it wasn't. We are asked to put ourselves into the young Greenhorn shoes of Leon "Sonny" Miller (Brad Rowe) and experience his own coming of age awakening. From dime novels and hero worship to first kills and first loves, Sonny is our conduit and the key holder to the gates of redemption for many of the Wild West's legendary characters.
The cast is a veritable feast of splendid character actors playing a veritable feast of iconic real life people. Sam Shepard, Eric Roberts, Randy Quaid, Peter Stormare, Donnie Wahlberg and J.D. Souther. While Brad Fiedel provides a musical score of some magnificent beauty, a piece that revels in heroic swirls and escalating emotions, it darts around the town of "Refuge" like a novelist writing a dime novel soon to go down in folklore legend.
Budget restrictions are hidden very well, Edel and his cinematographer William Wages prove adept at lighting techniques and scene staging. Be it keeping things in the shade or cloaking a sequence with believable dust clouds, there's a professional touch here that puts the pic into the upper echelons of TV movies.
Then there's the action, a key component for so many Western fans, and thankfully Purgatory is book-ended by superb action sequences, with the finale a skilled lesson in shoot-out choreography and machismo pulse beats. And then there's the emotional kickers, ready to be embraced by those who still yearn to have the spirit lifted and the heart gladdened.
I could write a whole weighty paragraph on Purgatory's flaws, maybe even point out thematically what I think will annoy others, because for sure not everything works. But as a Western movie lover I found myself cheering at the film's end, even wiping away a damn fly from my eye. That's job done for me, a Western that tickled and teased my every emotion, wonderful. 10/10
Lo sapevi?
- QuizAll of the Purgatory residents' assumed names are nature-based: Forest, Glen, Ivy, Rose, Woods, Lamb.
- BlooperDoc Holliday was indeed a dentist and not a physician. In the Old West, however, remote towns often had to use what they had for medical care. Physicians were scarce, so if a town did not have a doctor they would go to the dentist, veterinarian, or even barber for care. Also sometimes physicians would be called upon to care for sick animals if needed. It is therefore not that far of a reach that a dentist would serve as the town doctor.
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