Songcatcher

Beautiful music, and even more beautiful portrayal of a music-lover. The main character Lily's love oozes off the screen and shames everyone who's ever made a tape or CD music collection with far less effort and trial -- and persistence. No less beautiful is the love that catches fire between the leads, and where it takes them.

If you believe music, not to mention love, should be near the helm of your ship, you will savor the textures of this surprisingly fine home-made wine of a story. If you've also ever loved simple folk music, then that will be sinfully delicious icing on the cake. Hat's off to the crew for this very-obviously (and satisfyingly successful) labor of love.

I recently caught the tail-end of this on HBO and had to watch all of it on Netflix.

It is nearly mesmerizing. I think the only flaw I found with it was the beginning. I wanted a longer beginning, so that more contrast would become evident as the movie went on.

Having said that, Songcatcher is sweet and just a bit haunting.

Jane Adams steals this with a elegant and yearning performance. But the performances are all beautiful and slow as a massage without the meter running. I've always like Aidan Quinn and I love that Janet McTeer is not a Kewpie doll someone stuck into a serious film. She's a woman - just as there were once women in movies.

I recommend it highly.

This is for the most part an interesting film but the main problem is how the story seems to veer off track and not pay enough attention to what was interesting in the first place. Director and writer Maggie Greenwald later in the film interjects modern subplots that only serve the audience to rail against the obviousness of those ideas. The things that I liked about this film are the beautiful cinematography of the Appalachian mountains that really enhance the realistic quality of the film and of course the music. The music is the central ingredient in this story and the Scottish and Irish ballads add an indelible flavor that really make it the primary reason to view this film. In fact, musicians Taj Mahal and Iris Dement have roles in this film. Janet McTeer is well cast as Lily the musicologist that is recording these songs. This is definitely a better performance than her Oscar nominated role in a very mediocre and totally overrated film called "Tumbleweeds". She adds intelligence and strength to her character and its vital to the film. The things that I feel hurt the film are the romance between Lily and Tom (Aidan Quinn). It comes out of left field and is never really believable. And then their is the lesbian romance between Lilys sister and her coworker who are teachers. This is where the film wanders off into another direction and the main focus of the film gets lost. We really didn't need these contrivances added to the story and it hurts the film. Not a bad film but the story and focus seem to go into another area. Too bad!

I happened upon this film by chance and watched it at first because of the beautiful scenery. Hooked. I watch again every chance I get. Janet McTeer is perfect as the intelligent, suppressed Victorian woman. She plays the stiffly proper role perfectly, even after we have seen her rebellious nature early in the film by her involvement with a married man.

I have always felt that Aiden Quinn has been under appreciated. He shines in this film, as does Pat Carroll in a rare serious role. I disagree with those who call the lesbian storyline a distraction. They didn't TALK about sex during Victorian times, but they sure had it! I had no difficulty believing that two women living together in an environment so foreign to their upbringing would develop a closeness which would lead to a physical relationship.

The traditional music was wonderful, but David Mansfield's original score was incredible. My family has lived in the mountains of West Virginia since the sixteen hundreds, there is a family cemetery on the side of a mountain in the woods. Mansfield's "And the Mountains Cried" playing while the coffin was carried up the hill showed me something that could have been a picture from my family's past. It moved me so much that I sent him an email, telling him what an impact his music, especially that song, made . To my surprise, he replied, thanked me, and included the lyrics.

I loved this film. Wonderful music, beautiful costumes, humor, lust, rebellion, murder, and you can't beat the beauty of the ___location.

I suspect it's a more accurate portrayal of life at that time and place than most people might think.

Songcatcher is a fantastic film about understanding culture and people throughout the beauty of music and the poetry of songs. Every beat and word represents something that in many ways is so personally related to people's lives, history and emotions.

This is the lovely story of Dr. Lily Penleric (Janet McTeer) a preeminent teacher musician who impulsively decides to run to visit her sister at a struggling rural school in the Appalachia, right after being denied of an anticipated promotion where she teaches. Over there (in the mountains) she founds a new meaning to her life by finding love and discovering very culturally important Scott-Irish ballads that she might use to save her promotion.

The whole cast performances are awesome, especially Janet McTeer who comes back with another tremendous performance and Aidan Quinn who hasn't been this good so far.

Writer/director Maggie Greenwald gives us a very fresh and tender story that describes so well all characters, situations with the very real and touching concept of music.

Finally, but not the least, David Mansfield music is fantastic. He amazingly takes excellent care of every musical detail related to the lives of these beautiful characters.

Robinson Almanzar.