As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
- 2000
- 4h 48min
Il regista Jonas Mekas offre uno scorcio intimo della sua vita personale costruendo un lungometraggio narrativo a partire da oltre 30 anni di riprese private fatte in casa.Il regista Jonas Mekas offre uno scorcio intimo della sua vita personale costruendo un lungometraggio narrativo a partire da oltre 30 anni di riprese private fatte in casa.Il regista Jonas Mekas offre uno scorcio intimo della sua vita personale costruendo un lungometraggio narrativo a partire da oltre 30 anni di riprese private fatte in casa.
- Regia
- Sceneggiatura
- Star
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
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- Self
- (filmato d'archivio)
- Self
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- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
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- Self
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- Self
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- (as Jane Brakhage)
Recensioni in evidenza
- by Jonas Mekas
Highly recommended, you will be a better person for seeing it.
That said it could have been shorter, some parts are quite repetitive, there's like 5 "ecstasy of summer in NYC", several shots of winters that are very similar, etc. And while the shaky, unfocused shots have their charm, they can become tedious. Jonas Mekas does tell you at some point he's not a film maker, but that's a sometimes a bit too apparent in the work itself.
That said it's really good material if you want to zone out, you can watch this with fleeting attention and not miss much of the experience.
Lo sapevi?
- Quiz"The ultimate Dogma movie before the birth of Dogma," is how its maker, Jonas Mekas described it.
- Citazioni
[first lines]
Jonas Mekas: I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what's all about. What it all means. So when I began, now, to put all these rolls of film together, to string them together, the first idea was to keep them chronologic. But then I gave up, and I just began splicing them together by chance, the way that I found them on the shelf, because I really did not know where any piece of my life really belongs. So let it be. Let it go. Just by pure chance. Disorder. There is some kind of order in it, order of its own, which I do not really understand, same as I never understood life around me. The real life, as they say, or the real people. I never understood them. I still do not understand them, and I do not really want to understand them.
- Colonne sonoreBoth Sides Now
Written by Joni Mitchell
Performed by Judy Collins
Courtesy of Elektra/Asylum Records
By arrangement with Warner Music Group Film & TV Licensing
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