VALUTAZIONE IMDb
5,5/10
6061
LA TUA VALUTAZIONE
Due criminali diventati poliziotti cercano di coprire uno scandalo all'interno del LAPD.Due criminali diventati poliziotti cercano di coprire uno scandalo all'interno del LAPD.Due criminali diventati poliziotti cercano di coprire uno scandalo all'interno del LAPD.
- Regia
- Sceneggiatura
- Star
Roberto 'Lil Rob' Flores
- Gangster #4
- (as Robert Flores)
Jen Martinez
- Jen
- (as Jennifer Martinez)
Recensioni in evidenza
In a Los Angeles dominated by violent gangs and a corrupt LAPD Precinct, the dirty Officer Armando Sancho (Clifton Collins Jr.) is haunted by his guilty since an innocent old man was accidentally killed in an operation with his also dirty partner Salim Adel (Cuba Gooding Jr.). The Internal Affairs is pressing Sancho, who feels split between the loyalty to his mates and his conscience, and he has to make a statement at 6:00 PM. When his superiors Captain Spain (Keith David) and his Lieutenant (Cole Hauser) assign the two cops for an operation dealing drugs apprehended by the police and stored as evidence with a powerful drug dealer, Sancho feels that something is wrong and they have been framed.
"Dirty" has a promising beginning, with the chain of thoughts of Officer Sancho about corruption ("With power came responsibility; with responsibility came opportunity; with opportunity came corruption, a plague where everybody gets sick"). His dramatic feelings, haunted by the ghost of an innocent man and feeling awful as a finger-pointing rat, give the sensation that Sancho is a rich contradictory character to be developed. However, the story is pointless, showing a hopeless society in a city dominated by gangs, lost youth and corrupt police force, but without any message in the end. I had never expected the redemption of any character, but I found the unpleasant plot a caricature and very manipulative view of the LAPD. My vote is five.
Title (Brazil): "Dirty O Poder da Corrupção" ("Dirty The Power of the Corruption")
"Dirty" has a promising beginning, with the chain of thoughts of Officer Sancho about corruption ("With power came responsibility; with responsibility came opportunity; with opportunity came corruption, a plague where everybody gets sick"). His dramatic feelings, haunted by the ghost of an innocent man and feeling awful as a finger-pointing rat, give the sensation that Sancho is a rich contradictory character to be developed. However, the story is pointless, showing a hopeless society in a city dominated by gangs, lost youth and corrupt police force, but without any message in the end. I had never expected the redemption of any character, but I found the unpleasant plot a caricature and very manipulative view of the LAPD. My vote is five.
Title (Brazil): "Dirty O Poder da Corrupção" ("Dirty The Power of the Corruption")
A really strong performance from Clifton Collins Jr, combined with an excellent bad cop come good cop story from Chris Fisher and Gil Reavill with excellent acting from Cuba and Clifton, really great chemistry between them both, really solid acting made this film a knock-out, a really good compliment to films like training day. I would highly recommend this film if you enjoyed training day like me. Some great camera angles with the action scenes contributed towards some great tension and atmosphere, very enjoyable with some great faces like Wyclef Jean, Cole Hauser, Tory Kittles, Khleo Thomas, and Keith David to top it off. Rent it or buy it now! top marks. I hope cuba Forgets films like snowdogs, and continues with films like this and End Game, easily his best film since boyz n the hood.
The Ramparts Scandal of the 1990s entailed L.A. gang members infiltrating the police department, violently shaking down fellow gang-bangers, then, in perjured testimony after their stupidity busted wide open the whole mess, ruined the careers of honest cops in L.A.P.D.'s gang units. As final salt in the wound, taxpayers were soaked for millions in court settlements to the put-upon homies that got rough treatment from these hoods in blue.
The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.
This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.
This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.
In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.
One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.
This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.
This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.
In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.
One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
Some great performances and a good story. The score was really cool, setting the mood throughout the movie and I thought Gooding did a convincing turn as a cop. Inevitably this will be compared to Denzel Washington's performance in Training Day. And although the budget for this film was probably a quarter of Trainign Day's, I think this film is superior. Why? The last 15 minutes in Training Day were a mess and tainted the movie. Here, the performances are on par and there's no ridiculous John Woo-type chase/action scene to end on. Clifton Collins is great and Gooding reminds us what an actor he can be if his agent gives him a halfway-decent script to work with. I recommend.
there was a review quote " If you liked " Traing Day " then you will like this. No, its way past Training Day in violence. Way past anything I've seen in the gritty reality stakes. A bad part of Los Angeles, where the population, it seems to me, is split between predators and prey.... and even the prey are opportunists who will turn to crime when it suits them. Thats the message of this movie. A corner of Tinseltown where civilisation does not exist, where anarchy rules, where the police are the most powerful criminal gang and will do anything to stay there. Everything's corrupt, except possibly the impotent Internal affairs office. Police officer played by Cuba Gooding Jr says to his partner played by Clifton Collins Jr. " Don't you get it ? there ARE no gangs, we've got rid of them all and WE are the only gang left " A good movie, but one that left a strong feeling of foreboding in me, and a realisation that all of us depend on a very thin veneer of civilisation, which, when overstressed can collapse in ruins.
Lo sapevi?
- QuizDirector Chris Fisher wanted to convey a sense of Los Angeles being a dry, desolate place where people aren't supposed to live, which was a challenge since shooting took place during early 2005, one of the rainiest seasons in Los Angeles history.
- Citazioni
Captain Spain: A man said, "Someday a real rain is gonna come and wash all the scum off the streets." But it don't rain in the desert.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Running Scared/Tsotsi/Dirty (2006)
- Colonne sonoreComo Las Noticias
Written by Jose Jimenez Jr., Richard Contreras and George Contreras
Performed by Loyalty & Honor
Courtesy of Dragon Mob Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Dirty - Affari sporchi
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 274.245 USD
- Fine settimana di apertura Stati Uniti e Canada
- 95.521 USD
- 22 gen 2006
- Lordo in tutto il mondo
- 274.245 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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