Planet Terror

Rodriguez's half of the original 'grindhouse' double bill , which consisted of his TERROR PLANET with Tarantino's DEATH PROOF. Likely audience reactions led to the two titles being separated and issued apart. As a homage to the drive-in tradition and genres beloved by Tarantino et al, the two films are resolutely exploitative, but PLANET is the most overtly tongue in cheek, and the most enjoyable, being a good old shoot 'em up Zombie flic. Unlike SIN CITY which was inspired by good source work which led to it being rather self consciously 'cool', PLANET tries hard to mimic bad work that, by definition of its admirers is *unconsciously* cool. This reviewer at least found the results less pretentious, the trash origins not being made more of than they ever were - the sexist treatment of women for instance less insidious.

The illusion of viewing much watched, much loved bad 70's junk cinema is extended even to the point of deliberately introducing blemishes to the film, also plot holes, as well as a whole 'missing reel' which interrupts the continuity, with suitable management apologies, half way through the action. Interestingly these artifacts on screen have a vivid presence, counterpointing key words and moments with an abstract, but deliberate commentary of colours, flares, clicks and splices that practically qualifies them as a 'character' in their own right. One especially relishes the colour balance slide to red as Tarantino (in a self-directed sequence playing a rapist) works his menace, or the apt film flare or burn outs during the erotic moments. Some great lines (e.g. Bruce Willis' opening words "Where's the sh*t?") and over the top gore add to a fun mix.

Perhaps the only miscalulation is the length of the film; most cheap exploitation flicks struggled to reach the 80 min mark, which meant their weaknesses did not always outstay their welcome. Clocking in at almost 2 hours, PLANET TERROR forgets eventually that more of the 'bad' to the Nth degree is not always to the best, revealing the self indulgence common to some of the later works of the Rodriguez-Tarantino school, but this is a minor quibble and fans won't mind. Whether or not those unfamiliar with the original inspiration will get the joke for that long is a different matter, although an audio track which includes live audience reaction makes things easier. The DVD comes complete with a splendid fake trailer for MACHETE, a supposed Mexploitation revenge drama - which incidentally IMDb seems to think is actually slated for production next year!

I reviewed this before as it was put together next to "Death Proof" (plus a number of inspired trailers for films that don't exist) for the grand experiment "Grindhouse",and I felt that while I still quite enjoyed the whole package, this probably should've been broken into halves to make this a little more viewer friendly (that is,assuming directors Quentin Tarrantino and Robert Rodriguez were EVER interested in trying to make a commercial hit out of their opus).

The pulpy,weighted on action tale of a bio-chemical leakage at a rural Texas military outpost that turns people in zombies brings together a variety of disparate locals,among them a hardened and bitingly sardonic stripper (Rose McGowan,who has to work hard to NOT drip sexuality) and her sometime boyfriend and bad-ass fighter (Freddy Rodriguez). Subplots involving a loveless and abusive marriage between wed doctors (MArley Shelton and Josh Brolin) and rival brothers--one a sheriff (Michael Biehn),the other a BBQ rib joint proprietor (Jeff Fahey,who was unrecognizable to me at first)--seem to be padding to build conflict toward a big,bloody,messy,fiery climax,and if there's anyone who understands those kinds of film finishes,it's director Robert Rodriguez,working the usual flourish and flair.

On it's own or added to Tarantino's road menace pic,this is still quite a bit of non-brain-taxing fun!

While Quentin Tarantino's Death Proof seems to be a much more authentic representation of 1970s grindhouse pictures, Robert Rodriguez' Planet Terror is more of a loving caricature of 1980s zombie splatter films. Nothing in the film is played straight, and virtually every scene is accompanied by a wink and a grin at the audience.

If Tarantino's effort is accused of being slow (or deliberately paced, depending on your opinion), Planet Terror never even thinks about slowing down. From the exploitative opening credits through to the final frames of the film, this is a roller coaster ride of a film that doesn't let up.

With Planet Terror, Robert Rodriguez continues his "everything and the kitchen sink" mentality when it comes to his film-making by throwing everything at the wall just to see what sticks. While it sometimes feels like this technique gets in the way of Rodriguez finding a true film-making voice, it works quite well for a film like Planet Terror where there's no room for subtlety.

The cast that Rodriguez assembled is a glorious ensemble of bygone action heroes, horror icons, and Rodriguez stock actors. They all bring their parts to life in a cartoonish sort of way that fits the tone of the movie beautifully.

While the uncut DVD edition of Planet Terror doesn't change the film drastically in any way, it definitely improves the film. It gives the film smoother transitions and fills in some gaps in the plot (though that missing reel is still there and will always remain there as one of the many comical winks at the audience). The large cast of characters are also given more beats here and there that help fill out their personas a little more. All in all, this uncut version simply allows the film to breathe a little more, rather than having to jump frantically from scene to scene in an effort to make the 84 minute running time.

At the end of the day, Planet Terror isn't going to win any awards, and it's certainly not meant to. It's simply an extremely enjoyable guilty pleasure of a film that virtually anyone with the stomach for it can probably have a good time with, especially if you're a horror fan. Take a couple of classic John Carpenter films like The Fog and Escape From New York and throw them into a blender with a couple of classic zombie splatter films like Evil Dead 2 and Dawn of the Dead and you've got a pretty good idea of what Planet Terror is like. And at the end of the day, you could definitely have a worse combination of films to pay loving homage to.

Planet Terror is a homage to the trash that used to play at drive-ins back in the 70s, particularly, its a zombie film. Being a lover of zombies I was stoked when I sat down to watch it. The movie delivers everything a fan of the horror-comedy-action genre could want, over the top action, over the top gore, and at times over the top acting. We follow a few main characters, all of which are enigmatic and end up having connections that no one would have seen coming, which reminded me of the low budget films that used to come out back in the day, where the director would try to weave in so many subplots the whole thing becomes silly (and a lot of fun)...

The movie is heavy on gore and there's a ton of beautiful women, therefore its a visually pleasing film to watch, especially with the premature aging effect they use to make the movie seem old.

Another factor I was excited about was Micheal Biehn, I haven't seen him in an action oriented roll in a while and it was good to see him back in action (whatever happened to him anyway?). The plot is fairly simple, a zombie outbreak in which the survivors are the cure for the zombie infection and have to survive.

Its a really fun movie, and is the better half of Grindhouse (Death Proof seemed like a very ODD chick flick). I recommend it highly to anyone who likes zombies...

At an US military base, when appear convoy led by an official(Bruce Willis), a black-market dealer named Abby(Naven Andrews) accidentally releases an experimental and highly contagious gas. Those exposed suffer a complete transformation, turning into meat-eating zombies. A stripper named Cherrie(Rose McGowan, extraordinaries scenes with a leg machine gun), her mechanic ex-lover Wray(a valiant Freddy Rodriguez),Dr. Dakota(Marley Shelton)who's fleeing her sadist husband Dr. Block (a nasty Josh Brolin), the sheriff( Michael Bhien) stay stranded into a inn called 'The Bone Shack' whose owner is an astute vet(a sympathetic Jeff Fahey) and surrounded by zombies starving of flesh human.They take on the zombies sickos, and become only survivors facing the world destruction by deadly epidemic.

This exciting film packs tension, chills, thrills, terror, sadism, tongue in check and lots of blood and gore- including stabbing,slicing,stabbing,quartering- courtesy of Greg Nicotero and Howard Berger; they create a truly creepy make-up of horrible zombies cannibals.The flesh-eating mutants appearance deliver the goods with hair raising thrills and plenty of scares and eerie murders.The astonishing killings are gruesomely executed and grisly graphic. This movie is better than Quentin Tarantino's Death Proof, as contains more action and amusing, both tales form a diptych titled 'Grindhouse'. Various players repeat acting, as Marley Shelton as Dr Dakota, Michael Sacks as McGraw and the Avellan twins as the babysitters, they're nice-in law of Robert Rodriguez and wife, Elizabet Avellan(film's producer). Besides appear Tom Savini, prestigious maker-up of Romero films and Carlos Gallardo, El Mariachi's starring , both playing two deputies.The motion picture is lavishly produced by Harvey and Bob Weinstein(Dimension films), Rodriguez's usual producers. Moving musical score, special cinematography and nice direction by Robert Rodriguez. Rating : Above average, the film will like to terror fans with some humor and irony.