Lo Hobbit - La desolazione di Smaug

When The Hobbit: An Unexpected Journey premiered on silver screen as the first in a trilogy of films based on J.R.R. Tolkien's The Hobbit, the response it received was mostly positive to mixed. The majority of criticism was targeted at the needless expansion of a single film story into three features but, in my opinion, it did commence this latest Middle-Earth adventure on the right note and, despite its sluggish pace, ended up providing a largely satisfying experience.

The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.

One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.

Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.

Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.

And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.

At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.

On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.

While I enjoyed the first Hobbit film, it did feel like it left a bit to be desired. This was no surprise, as everything that I loved about the book was in the second half. I knew that I would be waiting for all the good stuff with the second and third films. And sure enough, the second film delivers where the first film didn't quite excite as much as I had wanted. While it isn't perfect and does unnecessarily deviate a bit, this is easily better than the first film, giving us a bigger, bolder adventure and a more interesting Bilbo Baggins this time around.

Before I get to the good stuff, let me get my complaints out of the way. My biggest complaint are the unnecessary plot threads. There seems to be a big need for this series of films to tie into LotR, and I really don't understand why. A great deal of time is taken in this film to introduce us to things we already know the outcome of. We're, at points, taken away from the dwarfs and Bilbo to follow Gandalf as he goes off on his own adventure to uncover the growing evil of Sauron and his armies. Like the first film, it's completely unnecessary, but unlike that film, it's jarring. We're ripped from a fantastic adventure to a story that we don't really need to know and has no real relation to the dwarfs and their adventure. In fact, any time we're taken out of the company of the dwarfs, it almost feels cheap. The almost romance between Evangeline Lily's elf and the dwarf Kili feels something of the same, the whole lot of these stories coming off as filler in an effort to make time for three movies instead of just two. It feels like a stretch and brings a screeching halt to the momentum of the main story.

That said, the rest of the film is an excellent and expertly crafted adaptation. There is a definite sense of character growth, especially from Bilbo, who seems to struggle with the power of the ring and it's greed. We already know where this goes, but it is none the less fascinating considering who he was when we first met him. The dwarfs seem to almost take a back seat here. They are less prominent, with the exception of Thorin and Balin, who take front and center. That isn't to say they aren't entertaining, as they usually are every time they are on screen. Thorin is the real standout though, as he goes through similar changes as Bilbo, which lends them an interesting comparison in their mutual struggles. The actors are all excellent once again in their respective roles, with Freeman once again being the standout. Evangeline Lily is also a pleasant surprise in an original role as an elf created for the film. She adds a much needed feminine touch to an otherwise predominantly male cast. She proves herself to be a fine silver screen presence and hopefully this will net her some further film roles.

While the film does an excellent job of not simply being the middle film, something The Two Towers struggled with in the LotR trilogy, it is the action, set pieces, and effects which are the true stars. This may not be a LotR movie, but it's close. We almost immediately start out with a bang and it rarely lets up. Of course, much of what happens early on, as exciting as it may be, pales in comparison to it's explosive and lengthy climax. Smaug is quite possibly the best creation of any of the film, Hobbit or LotR. He is as awesome as you could have hoped for and Benedict Cumberbatch is excellent in the role. While effects have been applied to his voice to give it more boom, he does a fantastic job as the sneering, wise, and boastful dragon. Watching and listening to him face off against Bilbo is a delightful treat, and that is before we get to any fire breathing and chasing. What follows is a lengthy conclusion to the film that will excite and delight all. I have no qualms in saying that Smaug makes the entire film worth the admission of price. But don't go in expecting a solid conclusion. This is, after all, the second of a trilogy, so you can surely expect the film to leave you salivating for the next one.

While this new Hobbit film still doesn't reach LotR heights, it is superior to the previous film, especially when it comes to being an enjoyable adventure. It feels like it matters to the trilogy and delivers on being an epic. And I simply can't rave enough about Smaug. If you didn't enjoy the first film, you may find yourself feeling about the same here. But at least this one has a cool dragon.

After reading some of the previous reviews, I wonder what it takes to engage the modern viewer. It seems we have become so jaded that we see the necessity of giving a one star review to something as phenomenal as this film is. It is filled with action, sets of remarkable creativity, amazing characters, in a complex plot that made me long for the conclusion. I know it doesn't follow the book religiously. Get over that. Even a fifteen hour miniseries based on a novel fails miserably. Of course, every English teacher on the planet knows that we are working in two entirely different mediums. Books and movies are different! What Peter Jackson has done is taken the primary plot and allowed his script writers to take what is given and supplement it with their own creativity. The first film, though imperfect, does set the stage for this superior second effort. What we get is nonstop action, moving the characters toward the object of their quest. Tolkien's rules are followed if not the letter of the plot. The first film was criticized for being too talky. Now this one is being criticized for not being talky enough. For me, the scene where the gang must escape an elven prison and face the orcs is one of the most delightful fifteen minutes I've ever spent in a movie theater. I don't expect an action film based on a book with voluminous characters to have character development like "Driving Miss Daisy." See the film for what it is and count yourselves lucky to have the luxury of being able to see the amazing accomplishments of the Peter Jackson's of the world.

The second Hobbit film connects you better to the characters than the first in an entertaining ride with more danger, excitement, and humor. The action is well done, and the 3D adds to it, especially in the "whitewater rafting" scene. That part and the whole movie has good editing. In this one, two of the non-King dwarfs' presence is stronger (Balin and Kili). The she-elf warrior Tauriel and what comes with her works, adding some heart to the film.

Besides Richard Armitage leading the way as the King under the Mountain with his great chemistry with fellow castmates, there are three actors who give specially noteworthy live-action performances. Lee Pace is one of the true highlights as Thranduil, who is an Elf King that deals with foreboding in a way that is different from Elrond. Ian McKellen's acting is comparable to him in The Lord of the Rings trilogy, as he takes advantage of Gandalf getting his own storyline and heart-pounding action scene. Martin Freeman is good once again as the brave titular character, and actually slightly better.

The confrontation with Smaug is very enjoyable. It is a long movie, but the finale is the high point. Benedict Cumberbatch does an excellent job with the arrogant beast's voice, and the dragon looks really cool in 3D. I personally think that they ended it at the perfect place. When they divide a book up, it will inevitably result in a cliffhanger feeling. But, I am satisfied with how they handled it.

The Lord Of The Rings trilogy blew me away, they were truly outstanding masterpieces that deserved every bit of recognition they got.

The Hobbit I delayed due to a laundry list of concerns, all of which are being confirmed now I'm finally getting around to them.

They look beautiful, they are a lot of fun, but compared to LOTR they are alike Mythica movies.

The whole franchise has become a cash grab, the Hobbit should have been one single movie and without all the excessive alterations. Yes I know LOTR had changes, but not to this devastating extent.

Desolation Of Smaug certainly has it's moments, I especially enjoyed the spiders and the not so jolly romp through the cursed forest. Thankfully the film isn't as goofy as the first either which was a welcome relief.

Alas it's no better, it still feels lackluster. This is The Hobbit, one of the greatest tales ever put to paper! So why do these movies feel so underwhelming? I enjoyed this I truly did, but not as much as I should have and that right there is the problem.

The Good:

Forest scene was great

Looks stunning

The Bad:

As neat as the barrels scene is it's about as realistic as Tara Reeds boobs

Second movie, second stock scream

Things I Learnt From This Movie:

Bilbo Baggins has never seen Arachnophobia (1990), don't.....pluck.....the web

Walnuts make great pillows

Whatever Cumberbatch was paid it was FAR too much