Lunchbox

In an age when instant messaging, email, and various social media have made communication easier and quicker, debutant writer-director Ritesh Batra relies on scribbled notes tucked in tiffin boxes to deliver a charming, old-fashioned love story in The Lunchbox. There's a simple line in this sumptuous film that captures its essence beautifully: "Sometimes even the wrong train can take you to the right destination." It's a line that might help interpret the film's open ending, but one that also nicely sums up its unique premise.

I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10

I believe that this time LunchBox will surely make history in Oscars .

To be able to write an involving story on something considered impossible is the hallmark of a good writer. 'The Lunchbox' is based on such a story surrounding the dabbawalas of Mumbai.

One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.

Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.

In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.

Enjoy!

The Lunchbox(Movie -2013) Review - The movie "The Last Samurai" ended with a quote something like "We all seek some small measure of peace, and few of us ever find". After many years "The Lunchbox", a movie from a completely different background and culture echoed the same thought to my ears, really it is never too late to start your life again. You can expect the movie will be a gem as you have the two best character-artists of this decade – Irrfan Khan and Nawazuddin Siddiqui playing the lead roles. However I didn't expect Nimrat Kaur will also give such an awesome performance as I never followed her before except "Cadbuy Dairy Milk-Silk adds", and I apologize for my ignorance sincerely! Nimrat was equally great. This movie can be an excellent demonstration of what extraordinary performance really means in any acting-learning institute of any part of the world, trust me on this!!!

The start of the story - A frustrated housewife prepares an excellent lunch for her husband with great care. But unfortunately (or fortunately!), it reaches to an equally lonely person on the verge of retirement - Saajan Fernandes (Irrfan Khan) whose wife died long back. This simple cross connection by Mumbai Dubbawalas in the age of digital era starts a beautiful and interesting romantic relationship however ending of which has been kept open-ended for our own imagination. At the same time we can see an excellent equation and emotional turmoil building up between Saajan /Irrfann, the serious and lonely parting boss and Shaikh/Nawazuddin, his future replacement, who is funny and enthusiastic and quiet opposite to his boss.In some cases Nawazuddin has overshadowed Irfann too! The direction was superb, specially the depiction of the supply chain of the Mumbai Dabbawalas through the city is just extraordinary.Hats-off Ritesh Batra for his unbelievable first time direction.

Disclaimer: This movie is 4.5/5 from me, 0.5 is deducted only for its little slow pace , otherwise it in an extraordinary story about very ordinary lives. To me, this movie deserves all the critical appreciations it has received both in India and Outside. Avoid only if you really hate slow paced realistic depiction about everyday common lives of Tom,Dick and Harry and expect only superheroes doing superhuman activities; otherwise this is a "MUST WATCH"!

Lunchbox review: Note: Don't open this Dabba if you don't like slow paced movies!!

After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!

The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!

The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.

Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.

In Mumbai (formerly 'Bombay'), India, there is a very complex network of 5000 Dabbawallahs. Their job is to arrive at the homes of Indian workers to get homemade lunches from the wives and transport them all over the city so that the men can have hot, home-cooked meals every day. Then, after lunch, they collect all the empty lunch pails and deliver them to the wives. Despite this being a logistical nightmare, the meals get delivered to the right person all the time with very, very few mistakes—carried by hand and on bicycles and scooters by mostly illiterate men! With the movie Dabba, a mistake amazingly happens and a wife's meal arrives for a total stranger instead of her husband. At first, the man doesn't realize he's eating another man's lunch—he just thinks the restaurant that delivers his lunch box has suddenly improved! However, once the wife realizes her mistake, she sends the next meal along with a note explaining the mix-up—and soon the pair begin exchanging letters. At first, they are quite simple and formal. Later, they become much more complicated, as by now the wife has realized that her husband has been cheating—and this total stranger becomes her confidante. All during this long exchange of letters, the woman CONTINUES sending lunches to this stranger and they forge an odd friendship! There's far more to the film than this—see it yourself and you'll see what I mean.

Dabba is the sort of film Hollywood could never make. Part of it is, of course, because there is no comparable lunch system in the States. Part of it, too, is that the film does NOT have a perfect happy ending and it doesn't follow a typical formula. There is a lot of sadness and longing and the film leaves you with this, as it's not afraid to leave the audience slightly dissatisfied. Now I am NOT complaining—but Hollywood films seem to have an implicit understanding that everything must be resolved perfectly before a movie can end. Not so with Dabba. This might upset some viewers, but it shouldn't—it's still a very good movie. Plus, a 'Hollywoodized' ending would have been far less realistic. And, as far as realism goes, this Indian film is not typical of a Bollywood flick either. While it was directed and written by an Indian, Ritesh Batra, and stars Indian actors (Irrfan Khan and Nimrat Kaur), it is also a French/German co-production. As such, it lacks the usual song and dance numbers you find in most Indian films and is only a little over an hour and a half (most Indian films are considerably longer—often twice as long or longer). Instead following convention, the film is all about realism. It makes for a nice change of pace even if the ending will be vaguely unsatisfying to many viewers. Worth seeing as long as you don't demand formula. And, worth seeing as long as you don't mind reading subtitles. A film that is truly unique and the acting is really lovely.