Bender

This is another fine release from High Fliers Films, a company I only discovered recently with the release of 'The Cleansing (2019)'. I am delighted to find there are many films under their banner, and a lot of them are horror stories.

This is another modestly budgeted chiller, based on the real life Bender family of the 1870s, the first known serial killer family. Director and co-writer John Alexander orchestrates events in a restrained manner, never in a hurry to tell their story. If you are prepared for a mainly unspectacular, intelligent slow-burner, this will not disappoint. That isn't to say there aren't moments that won't make you jump - the fate of one of the local doctor's patients, and the doctor's own eventual fate, for example, are handled deftly. Shocking moments in an overall ambience of distinctly calmed oddness.

There's an unspecific but unsettling nature about the directorial choices here too - lingering just too long on a smile, highlighting the rugged features of a character contrasted against a wide blue sky, introducing the grocery store as a lone silhouette, the omnipresent but barely perceptible buzzing of flies - that further communicates the sense of dislocation and unease as further disappearances occur in Fairweather.

Just don't eat the pork.

The unsettling true story of America's first serial killing family. A troubled doctor (Jon Monastero) searches for patients swallowed by the prairie and encounters the Benders, homesteaders trapped by a life of unspeakable sin.

If nothing else, this film deserves praise for bringing the story of the "Bloody Benders" to life. Somehow, despite a lifetime of reading true crime and history, as well as devouring thousands of horror films, this reviewer has no recollection of ever hearing about the Bender family. And it is such a good story, that it really deserves to be explored more. From 1869-1872, the family killed at least 11 people and even captured the imagination of a young Laura Ingalls (1867-1957), who had a loose connection to the Benders.

Horror fans will delight at James Karen ("Return of the Living Dead") as lecherous Old Man Bender. His actions are ravenous, almost animalistic, but perhaps not far from reality. According to reports, the real Bender "spoke very little English. When he did speak it, it was so guttural that it was usually unintelligible." Further, he "was prone to laughing aimlessly, which led many to consider him a half-wit." So this bizarre portrayal is actually quite appropriate. (Horror fans also get Bruce Davison of "Willard" fame as the mayor!) The plot is clever and imaginative. The easy way out would have been to do a straight-up exploitation film with blood and guts. We still get that, of course, but the focus is really on an outsider (the doctor), which provides a more interesting story than just the same old hack-and-slash. The unfortunate thing is that there is very little dialogue, and a fairly short (80-minute) running time, so the film feels less than fully fleshed out at times. There is also the fact that the costumes seem too clean for pioneers. Apparently they could not afford to buy the costumes outright or get them dry cleaned, so the actors had to avoid dirtying the rentals.

While the film is less than perfect, it is still a valiant effort and ought to be appreciated for being more than the same old thing. Horror, as much as we all love it, has a tendency to beat a dead horse. Not so in this case. The "pioneer horror" subgenre is small – beyond "Ginger Snaps Back" and "Ravenous" there are few entries – and "Bender fits in well here. The film was in distributor limbo for a couple years, but is now seeing the light of day thanks to Candy Factory Films.

Bought this DVD under the title 'The Family' . Nothing online regarding this title as a movie but eventually discovered this movie is actually titled 'Bender'.

It is painstakingly slow. Nothing like what the true story of the 'Bender' family depicts.

Disappointing movie. Could've been so much better.

Trivia - Nicole Jellon and Jon Monastero who play the characters of Kate Bender and William York are married with a kid in real life.

I expected more from a movie with Linda Purl, Bruce Davison, Buck Taylor & James Karen. Even as 1800's American History, the story was lacking.

This film is classified as horror, and, as a story of the notorious Bender "family" (who probably were not a true family at all), it would be assumed to be one - however, in reality, it is primarily a quiet psychological drama with some metaphysical elements, and a touch of the macabre. There is a small element of the core story of the Benders within - a group of apparently related people (who definitely are a family in the film version) open an inn in the American Wild West during late XIX century, and proceed to entrap and murder lonely travellers who stop by in the night - but it is very far away from the known facts of the true events, and the film should be treated as something of a very loose fantasy, peripherally inspired by history.

It is, in fact, quite involving, slow and - rather unusually, considering the subject - sometimes almost peaceful in its tone.

The film has the feeling of a local project, and I suspect that it was conceived, born and filmed in Kansas, by people personally interested in what may be the darkest story of the region (or at least was one, until a certain Dennis Rader appeared there...); I would certainly not mind its full score being released.