Pretty Maids All in a Row

Because I'm re-enrolling for post-graduate summer school!

This picture proves that on occasion a less-than-deep storyline doesn't prevent a film from being terrifically-entertaining. You'll be dragged along willingly and unprotestingly in the offbeat proceedings onscreen.

And Angie Dickinson (who seems to be thoroughly enjoying her part) is stunning, gentlemen ... stunning!

Recall that gorgeous teacher we all remember oh-so-well from high school? Well, here ... she ... is. And John David Carson plays, uh ... every guy who was ever in her class, okay?

Things move along smoothly in parallel plots, a strange mix of sex comedy and murder-most-foul. But it all works, and you won't forget "Pretty Maids" any easier than you ever forgot ... that long-ago teacher.

Highly recommended, for adults.

This was one of the most influential movies of my high school years.

And it's all thanks to French director Roger Vadim. Magnifique!

What a life Vadim must have led during the '60s & '70s. Yes, this is envy speaking.

Okay, some of the credit for this most enjoyably sly & funny little gem goes to Star Trek creator Gene Roddenberry, who, for this film went where he'd never gone before, bringing along James Doohan, aka, Scotty with him on this marvelous adolescent comedy sex fantasy/murder mystery.

The cast has a lot of fun, including Rock Hudson and the most heterosexual high school counselor in the universe (believe it); and Angie Dickenson as the sexiest teacher this side of my sophomore English teacher, Miss Lynn Segal at San Gabriel High (Angie has a stiffie-inducing seduction scene that'll ring most guy's bells like Quasimodo sure as hell never could).

In a wonderfully clueless comic role is Keenan Wynn. He's great. And a pre-Kojak Telly Savalas is the coolest police homicide detective in the history of cinema. High school chicks dig him.

John David Carson is ideal as Ponce, the shy, quiet, timid, virgin student who doesn't necessarily end up that way. Every girl he sees drives him crazy - and it's easy to see why. These babes are total! Joanna Cameron, Aimee Eccles, June Fairchild, Barbara Leigh as Rock's jaw-dropping wife, and the other "Pretty Maids" will bring eyesight to the blind. Wow!

I could go on, but why? If you like it, you like it. If not, try Von Stroheim or Bergman. I prefer Vadim. Pretty Maids All In A Row entrertained me then, and it entertained me one night in August 2006.

This early 70's cult classic was loosely adapted from a novel, written and produced for the screen by Star Trek creator Gene Roddenberry. It was the first American film by French director Roger Vadim of And God Created Woman and Barbarella fame. In fact Brigette Bardot was offered the female lead, but was unable to get out of a prior commitment. Angie Dickinson ended up with the part instead. Of all the lesser known 1970's films out there, this is definitely one of the greatest in my mind. In fact in 2012 Quentin Tarantino listed this film as one of the 12 best films ever made. While I wouldn't go quite that far, I do love this film to some degree, and I can understand his appreciation. You must remember the time period for one thing while watching the film, and know that Vadim was a French director who had become known for over sexualizing women on film. Sexual liberation in 1971 was a fairly accepted and important theme of the time for many, in French & American culture especially. This film is unique and somewhat fun, all amidst an array of taboo subjects (Taboo for the masses that is.). Part dark comedy, part murder mystery, Pretty Maids All In A Row is a film all it's own and of it's time. Funny, sexy and interesting, I say it's a must see for cult film lovers and those who enjoy offbeat serial killer films.

8/10 .

Black comedy about sex and murder at a high school. Guidance counselor Tiger McDrew (Rock Hudson) is banging many of the female students while also trying to help horny virgin Ponce de Leon Harper (John David Carson) get lucky with a hot new teacher (Angie Dickinson). Meanwhile Police Captain Sam Surcher (Telly Savalas) investigates a series of killings at the school.

Fun, sexy, and cheesy in the best way. The cast is great. Lots of pretty girls, with of course sexy MILF Dickinson the standout. The script, by Gene Roddenberry of Star Trek fame, is smart and Roger Vadim's direction is good (in his first American film). Perhaps not for all tastes and definitely not for those who take everything seriously. If you enjoy some political incorrectness in your movies, you should have no problem enjoying this.

Rock Hudson's extraordinary good looks and charm are cast against type as he plays a school guidance counselor and football coach who picks a few choice plums among the student body on a regular basis. Seeing all those nubile young girls with skirts up to their hynies was temptation enough for anyone. The problem is that these girls want to take a permanent lease out on him and he's already married to Barbara Leigh and has a little daughter. What choice is there before the scandal costs him his job, but kill these Pretty Maids All In A Row.

The unusual combination of Gene Roddenberry who wrote script and French director Roger Vadim, best known here on this side of the pond for Barbarella created Pretty Maids All In A Row, a black comedy that garnered a nice cult following. Hudson worked well playing his one and only villain on the big screen.

A secondary plot involves substitute teacher Angie Dickinson who Hudson gives a warm up to in preparation for his protégé young John David Carson nailing Dickinson. A little Tea And Sympathy sideline as Carson slowly discovers what his mentor is up to..

Roddy McDowall plays the clueless high school principal and Keenan Wynn the equally clueless sheriff. One who is not clueless is Telly Savalas who plays a Kojak like detective who suspicions that Hudson is the murderer but can't quite prove it. At the end of the film Savalas is totally convinced.

Hudson as serial killer might be jarring to his fans, but Rock does pull it off. An interesting alternative part for an actor who was far better than he was credited.