Blackadder

I absolutely love Black Adder, it is hilarious, and is filled with wit and tongue-in-cheek humour. This first series is not the absolute best, but it is still worth watching, as there are so many good things about it. The production values as always are superb, the costumes are great and the sets are authentic and stay true to the time period. The opening and closing credits are a delight, and the story lines are cleverly structured. What I love most about the Black Adder is the writing, extremely witty, tongue-in-cheek and simply hilarious. And we also have great acting; Patrick Allen's sardonic narration has me in squeals of laughter, and while Tim McInnery and Tony Robinson as Percy and Baldrick are wonderful and Brian Blessed relishes his role as King Richard IV while chewing the scenery at the same time, it is Rowan Atkinson as as slimy and selfish Edmund Black Adder who steals the show. Edmund is not the most likable by all means, but Atkinson's performance is still superb. Overall, this is a great series, not the best(Black Adder Goes Forth especially was outstanding) but a fine start. 9/10 Bethany Cox

This is the first, and in my opinion, the best of the Blackadder series - although the second installment runs a very close second. This series, in retrospect, is often dismissed as less funny than its successors and this may be due to its different style and sense of humour. This comparison unfortunately causes the viewer to miss what makes this series such an excellent piece of comedy writing and production.

The whole series centres on Edmund (Rowan Atkinson), the son of the younger of the two princes who in history were murdered in the Tower of London, allegedly by Richard III. In this take on history, where real history is dismissed as being rewritten by Henry Tudor, the princes were not murdered and Richard Duke of York grows up 'to be a strong boy'. The first episode of the series lays the foundation, explaining how Richard III dies, how Edmund's father becomes King and also the important, accidental, foretelling by three Witches (a clever alude to the witches in Shakespeare's Macbeth) to Edmund that one day he will be King. The rest of the series follows Edmund in his attempts to realise this foretelling.

Edmund's definite goal throughout the series, which forms the basis of the subsequent plotlines, gives it a direction perhaps missing in the following series, and it also gives his character more depth. Blackadder (as he names himself), in this series, is significantly different to his persona of the subsequent time-periods - being slimy, selfish and not particularly bright. There is a definite bond between the main characters, Blackadder and his sidekicks, Percy and Baldrick (excellently played by Tim McInnerny and Tony Robinson respectively) and although Blackadder treats his underlings with contempt at times, they collaborate as a team throughout in a series of 'cunning plans'. Baldrick is indeed the intelligent character of the group, the man in the know and his character has much more depth than his smelly and stupid character of later series.

Each plot in the series follows a similar pattern - Blackadder getting himself into a situation and having to get himself out of it. The humour presented is more subtle, relying more on the use of visual comedy, language and historical satire than on blind sarcasm. Many of the gags are implied and expect the viewer to work out the meaning as opposed to ramming it down their throats. Additionally, the script contains a number of lines that cleverly misuse Shakespeare for added effect, a classic example being Richard III calling for 'my horse, my horse my kingdom for a horse' in the style of someone calling for his dog. The supporting cast all play their part superbly, particularly Brian Blessed as Richard IV, the maniacal war-monger who hates his slimy son and fails to get his name right. The late, great Peter Cook also makes an appearance as Richard III in the first episode.

This series must be watched out of context with what followed. It was not written for the popular market, being first screened on BBC2. Watch it, laugh, then watch it again to catch some of the gags you missed the first time. Comedy written this well is unfortunately extremely rare, and to dismiss it without appreciating its aims does not do it justice. This series not only shows Rowan Atkinson at his very best, but also the writing of Richard Curtis (and Atkinson) and it is an overlooked classic of British comedy.

Much has been written here about `Black Adder' already, and even if you haven't seen it yet, you probably know whether or not you like the dry, sarcastic style of British comedy that this show typifies. Don't misunderstand, though. It's not all high-toned satirical treatment of British history. There's great low comedy, as well. I found it clever and multifaceted enough so that repeat viewing enhances my appreciation of it. For those not well-educated on the aspects British history and monarchy that this show sends up (as I am not), they also become clearer with repeat viewing. So if it doesn't quite register with you at first, you may want to revisit it again. However, DO NOT base your supposed knowledge of British history on this show, as they make things up for the sake of comedy.

With the recent release of the wonderful `Complete Collector's Set' of Blackadder series on DVD, I had the chance to watch them all again. If you've only ever seen these shows on American TV, you may be surprised at a few of the bits you hadn't seen before. The most striking example of this is the episode in the first series where Edmund Blackadder is named Archbishop of Canterbury. To my surprise, I found an extended version of the scene where Edmund, Percy and Baldrick discuss the marketing of fake religious relics, a scene in which occurs a large and intimidating codpiece known as the `Black Russian,' and of course, the scene wherein Baldrick subdues a troublesome bishop by beating him with a crucifix. Obviously, Satan and his pitchforks hold no fears for the posteriors of Black Adder's producers, while American TV execs still fearfully guard their nether regions, if not from the Devil's minions, at least from religious protesters. Political correctness will be the death of comedy, yet.

Among the special features of the DVDs are brief history lessons on certain historical figures, events, places, and cultural references in the shows, explained by Tony Robinson in Baldrick's wonderful, melodious working-class accent. Also, they cover not just all four series, but every special show and skit associated with Black Adder, making it truly `complete.' The packaging design of the Complete Collector's Set is so cunning, you could brush your teeth with it, though I wouldn't recommend it.

The best of the lot. Very funny script, brilliant cast, superbly acted. I prefer Edmund as this type of meek, slimy character than in later series. Also Balders is better suited as intelligent than stupid, that character is already brilliantly done by Percy.

Each episode has a uniquely funny story. The Archbishop one where Baldrick makes holy artifacts is extremely funny. Especially as Percy thinks he bought a real artifact only to discover that it's one of Baldricks.

He marries an 8 year old princess in another episode. Very original humour, and the little princess herself is extremely funny. The way she laughs at the Vicar is hilarious.

Witchsmeller Persuivant, another great episode, possibly the best but its difficult to distinguish which is the best as they are all so good. Frank Finlay is so believable as the witch, his voice, expressions, the way he cross examines Edmund in court and entraps him. Pure genius.

The last one is fantastic. I love the way he finally gets revenge on his dad by forming an army of the 6 most evil men in England. All with uniquely evil attributes.

I don't think 6 episodes is enough for this first series. There is so much comedy there to fill 12 episodes at least. Still the second and third series, although inferior did not disappoint. The fourth however did.

Will always remain as one of the great British classics.

Although series 2 ('Elizabethan'), 3 ('Regency'), and 4 ('Great War') were probably better overall, this was the series that introduced Edmund Blackadder to the TV-watching world twenty years ago. In series 1, however, it was Edmund who was spineless and Baldrick who really did have the sense; in subsequent series these roles would be somewhat reversed and the idea then really took off.

I do like series 1 for the following reasons: strong casting aside from Rowan Atkinson, Tony Robinson and Tim McInnerny; this series included Brian Blessed, Robert East as regulars and guests like Peter Cook (brilliant in the very first episode), and Alex Norton (as McAngus). The eagle-eyed will also spot a very young Angus Deayton in the St Leonard's Day episode. While the three following series were sharper and more studio-based (not always a good thing ...) I do think the wild open spaces of The Black Adder helped enormously to get some sense of the Middle Ages into comedy, even if all four series have played havoc with historical fact!