When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potenti... Read allWhen famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
- Awards
- 2 wins & 6 nominations total
Featured reviews
First things first... I hear, for some people, Alan Partridge is the epitome of irritating. I've heard him described as one of the most hated TV characters of all time. However, with only this movie for reference, I have to say I strongly disagree. True, he is a bit full of himself and has a tendency to say inappropriate things... but who doesn't? He's certainly FAR more appealing than the 'young and hip' brigade that want to fire him after they've taken over his Norwich radio station. Was his persona here toned down from his TV shows? I haven't a clue... he just comes across as a slightly dotty, but ultimately charming middle aged bloke.
There's are lots of little laughs everywhere, and Steve Coogan is a master of understated wit. Keep your ear trained for some of the best gags. Colm Meaney also makes an impact as the Irish DJ, who must be the most non-threatening hostage taker in history. But being such a fan of Star Trek Deep Space Nine, it's hard to imagine him as anything but the bumbling Miles O'Brien. Oh well, that's my problem. Another laudable aspect is the hearkening back to the old ways of telecasting: when you could say stuff on the airways, without every word being scanned by a committee. AND you could play music that wasn't on the 'approved' list.
Hi, Al? My request is The Chicken Song by Spitting Image. Go on, fire it up. 7/10
There's are lots of little laughs everywhere, and Steve Coogan is a master of understated wit. Keep your ear trained for some of the best gags. Colm Meaney also makes an impact as the Irish DJ, who must be the most non-threatening hostage taker in history. But being such a fan of Star Trek Deep Space Nine, it's hard to imagine him as anything but the bumbling Miles O'Brien. Oh well, that's my problem. Another laudable aspect is the hearkening back to the old ways of telecasting: when you could say stuff on the airways, without every word being scanned by a committee. AND you could play music that wasn't on the 'approved' list.
Hi, Al? My request is The Chicken Song by Spitting Image. Go on, fire it up. 7/10
I love Alan Partridge. Great show. Great character. He is a man for the ages... However, all series do not translate well into film, and if you're like me, you're hopeful but hesitant.
Well, I'm happy to say that the film preserves the characters, humor and dynamics of the show. Although in the first fifteen minutes or so I wasn't quite 'sold' that this is the Alan I know, the Alan I've come to love; the film really finds it's stride once the siege starts.
We've seen peevish Alan. We've seen cowardly Alan. It is only now--in this film--that we bear witness to heroic Alan, and I'll be damned if he isn't somewhat, reasonably heroic...
To sum up, the story fits Alan and doesn't venture outside it's station (a lesson that certain secretaries should learn well). It really plays to the series strengths and has some of the best Alan moments we've seen. All of that being said, I'm not sure how those unfamiliar with Alan Partridge will feel about the film, as it does cater to fans of the series for the most part.
Well, I'm happy to say that the film preserves the characters, humor and dynamics of the show. Although in the first fifteen minutes or so I wasn't quite 'sold' that this is the Alan I know, the Alan I've come to love; the film really finds it's stride once the siege starts.
We've seen peevish Alan. We've seen cowardly Alan. It is only now--in this film--that we bear witness to heroic Alan, and I'll be damned if he isn't somewhat, reasonably heroic...
To sum up, the story fits Alan and doesn't venture outside it's station (a lesson that certain secretaries should learn well). It really plays to the series strengths and has some of the best Alan moments we've seen. All of that being said, I'm not sure how those unfamiliar with Alan Partridge will feel about the film, as it does cater to fans of the series for the most part.
Steve Coogan is one funny guy; he really is funny. He has this quirky sense of humour that is rare. His comedy can range from dry to outrageous. And in regards to this film you see all the variations. It's almost constant; one liners, funny voices,crazy faces, witty remarks, smart references.
It is an enjoyable story which shows how something as simple as a dj's grievance over losing his job can create a barrage of laughs.
Yes, it isn't Coogan's best work, but was good to see Alan Partridge in a motion picture. I recommend it to anyone who enjoys a good laugh and doesn't mind a bit of silly comedy.
It is an enjoyable story which shows how something as simple as a dj's grievance over losing his job can create a barrage of laughs.
Yes, it isn't Coogan's best work, but was good to see Alan Partridge in a motion picture. I recommend it to anyone who enjoys a good laugh and doesn't mind a bit of silly comedy.
Although comedic creations will never get the credit given to dramatic ones, I do consider Alan Partridge to be one of the finest modern characters because of how well developed he is internally and how well Coogan gets him. Partidge is an awful person but he is a normal one at the same time, which makes him all the more realistic in his actions. As a character he is never better than when we are closest to him, to see and appreciate his motives and his feelings – all of which are funny in their awful ways. The problem with this film then, is that we don't get that close often enough because there is a bigger plot to serve and move things forward.
This plot does still produce an engaging story but the film is best in its smaller, awkward moments where Alan's bravado crumbles into reality ("I never knew my mother either") or his selfish, egotistical self comes out in the smallest gestures (his dawning horror when he struggles to find himself on television is brilliant). The film has just about enough of these to work as a Partridge film but not quite enough to make it a great film, instead it is an amusing cinematic outing for a great character, but it is still hard not to feel a little disappointed with that.
The cast are pretty great though. Coogan himself deserved more smaller moments to let his character shine, but whenever he gets them he makes the most of them and is refreshingly free of worry of his own image. Meaney is really good but doesn't overplay or get in Coogan's way. Tim Key, Montagu and others all provide good support, but Coogan is the whole deal and all is well when the focus is on him.
Alpha Papa isn't as great as it could have been and it certainly will not challenge the TV shows for quality, but it is a solid film version, albeit one that is best when it shuns the film narrative and gets close to the human monster of Alan Partridge.
This plot does still produce an engaging story but the film is best in its smaller, awkward moments where Alan's bravado crumbles into reality ("I never knew my mother either") or his selfish, egotistical self comes out in the smallest gestures (his dawning horror when he struggles to find himself on television is brilliant). The film has just about enough of these to work as a Partridge film but not quite enough to make it a great film, instead it is an amusing cinematic outing for a great character, but it is still hard not to feel a little disappointed with that.
The cast are pretty great though. Coogan himself deserved more smaller moments to let his character shine, but whenever he gets them he makes the most of them and is refreshingly free of worry of his own image. Meaney is really good but doesn't overplay or get in Coogan's way. Tim Key, Montagu and others all provide good support, but Coogan is the whole deal and all is well when the focus is on him.
Alpha Papa isn't as great as it could have been and it certainly will not challenge the TV shows for quality, but it is a solid film version, albeit one that is best when it shuns the film narrative and gets close to the human monster of Alan Partridge.
Alan Partridge genius buffoonery. Fans of the TV show will not be disappointed. Lots of classic AP one liners. Well worth a watch.
Did you know
- TriviaThe film features a joke reference to an ex-drummer of the notoriously "uncool" 1980s rock band Marillion. The band were made aware of this and members were invited to the Leicester Square premiere of the film. The band's original drummer, Mick Pointer, was fired after their first album due to his limited technical abilities and they had a total of five drummers in the space of a year between their first two albums. The film does not make clear which of these drummers the character is supposed to be. The band were quoted: "We know Marillion are seen as 'uncool' but we were delighted to be a part of it."
- GoofsTasing someone causes all the muscles in their body to contract, therefore tasing someone with their finger on the trigger of a loaded weapon would cause them to involuntarily fire it.
- Quotes
Alan Partridge: You can keep Jesus Christ. That was Neil Diamond... truly the 'King of the Jews'.
- Crazy creditsThe logo for Alan's radio station, North Norfolk Digital, joins those of the three other production companies in the pre-credits montage.
- ConnectionsFeatured in Projector: Alan Partridge: Alpha Papa (2013)
- How long is Alan Partridge?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Alan Partridge: Alpha Papa
- Filming locations
- Cromer, Norfolk, England, UK(Pier Scene)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $153,426
- Opening weekend US & Canada
- $12,664
- Apr 6, 2014
- Gross worldwide
- $9,979,601
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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