Follows a young graffiti artist who discovers a shocking secret that would put him and the ones closest to him in danger.Follows a young graffiti artist who discovers a shocking secret that would put him and the ones closest to him in danger.Follows a young graffiti artist who discovers a shocking secret that would put him and the ones closest to him in danger.
- Awards
- 1 win total
Shenel Hussein
- Male Police Officer
- (as Shenel Houssein)
Featured reviews
All you fans of thriller genre, I say do not, I repeat, do not miss this thriller. It may seem like the usual break-in thrillers, but believe me this movie will take you by surprise.
Very realistic plot with solid performance by all the cast, specially the performances delivered by antagonist (Hugh Bonneville) and the mother (Kelly MacDonald) which makes this movie much more appealing than what was expected from it.
"I (luckily) Came By" this title on Netflix and I am really glad I did.
Indeed the best in thriller genre to have hit the screen in past couple of months!
If you are someone looking for an unexpected plot with all the elements of surprises with a touch of reality then this one is for you.
Very realistic plot with solid performance by all the cast, specially the performances delivered by antagonist (Hugh Bonneville) and the mother (Kelly MacDonald) which makes this movie much more appealing than what was expected from it.
"I (luckily) Came By" this title on Netflix and I am really glad I did.
Indeed the best in thriller genre to have hit the screen in past couple of months!
If you are someone looking for an unexpected plot with all the elements of surprises with a touch of reality then this one is for you.
Netflix has produced a better sort of film with I Came By. The strength of this film lies in its performances. Hugh Bonneville is terrifying and dangerous in this film. He easily transforms from the prim and proper characters he has played so well to a scary figure. The direction is not too bad. The scary music in key scenes and close ups and various camera angles sets a terrifying setting. We get this impression from the start of the film. I liked how the film was somewhat realistic as well. It would have been unrealistic and fan service to show all the main characters were alive in the end. If a person was in a situation with such a careful, paranoid and dangerous person, do you think they would be kept around? The film does not make that mistake and we see the main characters disappear because they were not prepared enough. I feel the storyline could have been stronger. Maybe there could have been a deeper motive for the retired Judge's behaviour? Why did they not explain his sociopathic tendencies for trapping and/or killing people? I feel they could have explained who the man he trapped was and why he was kept alive? These are just the gaps they could fleshed out to make a stronger thriller. Overall a captivating watch, I found it hard to put down and wanted to see how it ended. There was some form of justice but the realistic kind you could imagine in real life.
This is an honest-to-goodness thriller that keeps you on tenterhooks.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
I started watching this in the background. The two graffiti kids are not much to look at and you don't have a reason to care about them... until you do. This thriller was unexpected and while the ending could have been better, it was just right. I hear what other reviewers are saying about cliche themes, but I didn't feel like this tile was pandering to that. Bonneville's performance as the ex-judge living a double life was spot on. The police were once again disappointing but not for lack of trying, the bad guy does bad things well, the entire supporting cast did their job to perfection! Give it a shot.
I did not do any research on this film or read any reviews so I thought this was going to be a political drama. After watching the 1st 15 to 20 minutes I then thought I was correct that there was a political drama but then the story took a turn and then it clearly became more of a thriller/horror.
I really like how this film kept you guessing and kept away from the simple cliches that many thrillers that fall into. This was good because it kept you guessing what was going to happen throughout the entire film.
My only couple of downsides were: The seemingly rushed ending, and the lack of motive for the main antagonist. The motive should've been explained properly. Decent film though.
I really like how this film kept you guessing and kept away from the simple cliches that many thrillers that fall into. This was good because it kept you guessing what was going to happen throughout the entire film.
My only couple of downsides were: The seemingly rushed ending, and the lack of motive for the main antagonist. The motive should've been explained properly. Decent film though.
Did you know
- TriviaStephen King personally recommended this movie via his Twitter account.
- GoofsThe killer murders at least five people in this movie. His MO is to bring them to his house, when he does so. So that's five disappearances, and at least five people whose mobile phones' cell tower traffic would have led to Blake's residence.
- ConnectionsReferenced in Maldito clásico: Cloverfield es un maldito clásico (2024)
- SoundtracksFuneral Music: March, Z. 860
Composed by Henry Purcell
Performed by The Sixteen (Choir & Orchestra) & Harry Christophers (Conductor)
Licensed courtesy of The Sixteen Productions Ltd
- How long is I Came By?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Yo estuve aquí
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- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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