IMDb RATING
4.7/10
7.2K
YOUR RATING
A fool for love becomes an accidental celebrity only to lose it all.A fool for love becomes an accidental celebrity only to lose it all.A fool for love becomes an accidental celebrity only to lose it all.
Aixa Maldonado
- Maria
- (as Aixa I. Maldonado)
- Director
- Writer
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For reference, I think It's Always Sunny in Philadelphia is the funniest show ever made. And I think the character Charlie Kelly played by Charlie Day is one of the funniest characters in TV or movie history. I was ecstatic to see him have a chance to write, direct and star in a theatrically released movie with a great cast.
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
This film is hard to watch for all the wrong reasons. The slow pace and general unfunniness represent a missed opportunity of such an amazing cast. If Charlie D. Is identifying as Charlie C. These day, he just needs to stop it. If Day put this project on hold to deliver this past season of Philadelphia, he has really just lost his way, and needs to surround himself with some new/fresh talent. Day's recent work (the past 5 years) is formulaic, as usual, but without the charm of his characters as their younger selves. The world seems to be maturing around Day, who struggles increasingly to make audiences laugh.
I saw this because I liked the story, from what I gathered from the trailer. I am also a big fan of Charlie Day. I think the concept is great. A virtual blank slate, adopted by Hollywood, manipulated into benefiting their own needs, and everyone projects their own feelings onto him. I think the execution left quite a bit to be desired though. There was so much more that they could have explored, but it was a bit too silly and nonsensical for its own good. It didn't really go anywhere either. It was more of a "bunch of stuff happens" type of movie, than one with a meaningful narrative. While I wanted to like this, especially considering it's great cast, it fell short of anything exceptionally funny or meaningful. Sorry Charlie.
A mute John Doe (Charlie Day) is found in a mental institution with the capacity of a five year old. He is released into LA where he is picked up by a movie producer (Ray Liotta). The producer is tired of the star of his movie and intends to use our doppelganger John Doe as a stand-in to replace his star. Lenny (Ken Jeong) is a weasel "publicist" who mistakenly calls John Doe "Latte Pronto" due to the producer's coffee demands. Latte is on his way to becoming a big Hollywood star.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
I've probably watched Always Sunny through 10 times and love satirical film, but the pacing was rough. Movie started out great, and then seemed to drag heavily in the last half. Some of the bits just got old and somethings just got played out. Plus, the film just kind of ended and didn't feel resolved at all.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
Did you know
- TriviaFilmed in 2018, this is one of Ray Liotta's last films, before his death in 2022.
- GoofsWhen Lenny takes Latte back to his motel room, he walks down the row of rooms and when he reaches room 3, he points and explains that that is his room. When the shot changes from inside the room, as he opens the door you can clearly see the number 7 on the door. Room 7 was at the top of the row of rooms, which they already passed.
- SoundtracksWipeout
Written by Robert Berryhill, Jim Fuller (as James Fuller), Patrick Connolly and Ronald Wilson
Performed by The Surfaris
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
Box office
- Gross US & Canada
- $855,173
- Opening weekend US & Canada
- $464,259
- May 14, 2023
- Gross worldwide
- $885,712
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 2.39:1
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